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KCHO (Alexis Leiva Machado)
1970, Nueva Jerona, Cuba
F / S / V / INSTV
| WORKS | ||
| La isla de mis suenos | Silkscreen - signed and numbered: 34/100 | 1998 |
| EPHEMERA | ||
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| Die Regatta [post card] | Ludwig Forum, Aachen, Germany | 1994 |
| INDIVIDUAL CATALOGUES / BOOKS | ||
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| Kcho; Archipielago | Pan American Art Gallery | 2003 |
| Kcho: Paisaje Popular Cubano | Cerntro de Arte 23 y 12, Havana | 1991 |
| Kcho: Sightings | Galleria Civica d'Arte Moderna e Contemporanea, Torino | 2002 |
| Kcho: Todo Cambia | The Museum of Contemporary Art, Los, Angeles | 1997 |
| SELECTED CATALOGUES INCLUDING KCHO | ||
| Cocido y Crudo | Museo Nacional Centro de Arte Reina Sofia | 1995 |
| Contemporary Art from Cuba: Irony and Survival on the Utopian Island | Arizona State University Museum, Tempe, Arizona | 1999 |
| Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection | Samuel P. Harn Museum of Art, University of Florida, Gainesville | 2007 |
| Espelho Cego / Blind Mirror: Selections from a Contemporary Collection | Museu de Arte Moderna de Sao Paulo | 2001 |
| Havana Bienal #5 - Quinta Bienal de la Habana: Art/Sociedad/Reflexion | Centro Wifredo Lam | 1994 |
| Havana Bienal #6 - Bienal de la Habana - El individuo y su memoria | Centro Wifredo Lam | 1997 |
| Interzones: A Work in Progress | Kunstforeningen, Copenhagen | 1996 |
| Istanbul Biennial # 4 | Istanbul | 1995 |
| La Biennale di Venezia 48 | Venice, Italy | 1999 |
| No Place (Like Home) [curator: Richard Flood] | Walker Art Center, Minneapolis | 1997 |
| The Edge of Awareness | World Health Organization | 1998 |
| Valencia Bennial #1 - communication between the arts [Achille Bonito Oliva, Peter Greenaway, David Perez, and Viktor Misiano +] | Valencia, Spain | 2001 |
| Truce: Echoes of Art in an Age of Endless Conclusions - Site Santa Fe 2nd Biennial [Francesco Bonami] | Site Santa Fe, New Mexico | 1997 |
| BOOKS INCLUDING KCHO | ||
| Art Cuba: The New Generation [Holly Block] | Harry N. Abrams | 2001 |
| Echoes: Contemporary Art in the Age of Endless Conclusions | The Monacelli Press | 1996 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| The Bodies That Were Not Ours and other writings [Coco Fusco] | Routledge | 2001 |
| PERIODICALS INCLUDING KCHO | ||
| Art Journal, Vol 57 #4 ["A Tree from Many Shores: Cuban Art Movement" by Antonio Eligio (Tonel)] | Winter | 1998 |
| Art Journal [The Anti-Historicist Approach: Brancusi, "Our Contemporary"] | Summer | 2000 |
| Art Nexus Vol.18 [Letter from Havana / also in Dialogues of Peace] | October-December | 1995 |
| Art Nexus #26 [The Sixth Havana Biennial by Rachel Weiss] | October-December | 1997 |
| Grand Street #61 - All-American [Navigation] | Grand Street | 1997 |
| Poliester #16 [Kwangju and Havana Biennial Reviews] | Fall | 1996 |
| Third Text # 20 Cuba [Havana Bienal +] | Third Text | 1992 |
| Trans> arts.cultures.media #1 [in review of 5th Havana Biennial] | Passim, Inc. | 1995 |
| Trans> arts.cultures.media # 2 [studio visit] | Passim, Inc. | 1996 |
| Trans> arts.cultures.media # 6 | Passim, Inc. | 1999 |
| EXHIBITION REVIEWS | ||
| Kcho at Palacio de Cristal, Madrid | Art Nexus Vol.33, August-October | 2000 |