MARY KELLY
1941, Alberta Lea, Minnesota
| INDIVIDUAL CATALOGUES | ||
| Mary Kelly: Interim | The New Museum of Contemporary Art, New York | 1990 |
| ARTICLES BY KELLY | ||
| "Re-Viewing Modernist Criticism" in Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| CATALOGUES INCLUDING KELLY | ||
| Difference: On Representation and Sexuality | The New Museum of Contemporary Art, New York | 1984 |
| Documenta 12 | Kassel, Germany | 2007 |
| Empty Dress: Clothing as Surrogate in Recent Art [curator: Nina Felshin] | Independent Curators, Inc., New York | 1993 |
| Endgame: Reference and Simulation in Recent Painting and Sculpture [mentioned in essay by Hal Foster / work not in exhibition] | The Institute of Contemporary Art, Boston | 1987 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| Live in Your Head: Concept and Experiment in Britan 1964-75 | Whitechapel Art Gallery | 2000 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Occupying Space: Sammlung Generali Foundation Collection | Generali Foundation, Vienna | 2003 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Critical Eye / I | Yale Center for British Art | 1984 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The Fairy Tale: Politics, Desire, and Everyday Life | Artists Space, New York | 1986 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| Whitney Biennial 2004 [Chrissie Iles, Shamim M. Momin, and Debra Singer] | Whitney Museum of American Art, New York | 2004 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| BOOKS INCLUDING KELLY | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| PERIODICALS INCLUDING KELLY | ||
| Art Journal [Readymade, Found Objects, Photograph] | Summer | 2004 |
| Documents #13 [Re) Viewing Mary Kelly's "Post-Partum Document" by Juli Carson] | Fall | 1998 |
| Heresies #12 Sex Issue | Heresies | 1981 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| Third Text # 12 - Body Politics | Third Text, Autumn | 1990 |
| Wedge # 6 | Wedge | 1984 |
| EXHIBITION REVIEWS | ||
| Mary Kelly at Postmasters | Flash Art, October | 1989 |