
LOUISE LAWLER
1947, Bronxville, New York - Lives and works in New York
F / S / V / INSTV
| ARTISTS' BOOKS AND MULTIPLES | ||
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| Bird Calls (included in Tellus #5 and #6 Audio Cassette Magazine) [This audio work can be heard at UBU.com] | Tellus | 1984 |
| (untitled - red / blue + black / white) | self | 1978 |
| EXHIBITION HAND-OUTS / EPHEMERA | ||
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| As Serious as a Circus | Isabella Kacprzak | 1987 |
| Controlled Temperature | pierre Huber, geneve | 2001 |
| Did you take this airplane home? - Enough | Museum of Modern Art, New York | 1987 |
| Dunn-Rite and Other Pictures | Studio Guenzani, Milano | 2001 |
| Enough | Museum of Modern Art, New York | 1987 |
| Interesting | Nature Morte | 1985 |
| It is something like putting words in your mouth | uncertain | |
| It Remains To Be Seen "as serious as a circus" | Metro Pictures | 1987 |
| Who Says Who Shows Who Counts: The Show Isn't Over | Photographic Resource Center, Boston | 1989 |
| BOOKS AND ARTICLES BY LAWLER | ||
| Louise Lawler: An Arrangement of Pictures | Assouline | 2000 |
| INDIVIDUAL CATALOGUES | ||
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| Louise Lawler and Others | Kunstmuseum Bassel, Museum fur Gegenwartskunst / Hatje Cantz | 2004 |
| Louise Lawler: A Spot on the Wall | De Appel, Amsterdam | 1998 |
| Twice Untitled and Other Pictures (looking back) | Wexner Center for the Arts | 2006 |
| The Tremaine Pictures 1984-2007 | BFAS Blondeau Fine Art, Geneva | 2007 |
| What is the Same / Louise Lawler / The Same and The Other in the Works of Louise Lawler | Maison de la Culture, Saint-Etienne | 1986 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| Inserts ["Advertising Supplement to The New York Times" sponsored by the Public Art Fund] | Group Material | 1988 |
| On the Museum's Ruins [by Douglas Crimp with photographs by Louise Lawler) | MIT Press | 1993 |
| SELECTED CATALOGUES INCLUDING LAWLER | ||
| A Forest of Signs: Art in the Crisis of Representation | The Museum of Contemporary Art, Los Angeles | 1989 |
| Art and the Dialectic Process [catalogue brochure] | Everhart Museum, Scranton, Pennsylvania | 1987 |
| Art Museum | Center for Creative Photography, The University of Arizona | 1995 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Cultural Economies:Histories from the Alternative Arts Movement, NYC | The Drawing Center, New York | 1996 |
| Damaged Goods: Desire and the Economy of the Object | The New Museum of Contemporary Art, New York | 1986 |
| Deep Storage: Collecting, Storing, and Archiving in Art | P.S.1 Contemporary Art Center | 1998 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Documenta 8 (with Group Material) [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Documenta 12 | Kassel, Germany | 2007 |
| Educating Barbie [Mark Harris] | Trans Hudson Gallery, New York | 1998 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Inscapes [curator: Saskia Bos] | De Appel, Amsterdam | 1992 |
| Knowledge: Aspects of Conceptual Art | University Art Museum, Santa Barbara | 2002 |
| ...., Louise Lawler, Adrian Piper, and Cindy Sherman | Artists Space, New York | 1978 |
| Louise Lawler / Cindy Sherman / Laurie Simmons | Kunstnernes Hus, Oslo | 1993 |
| Matrix, A Changing Exhibition of Contemporary Art [1984] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| Perverted by Language | Hillword Art Gallery, New York | 1987 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Public Art [Lawler designed the catalogue for this exhibition] | Nexus Contemporary Art Center, Atlanta | 1985 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| Slide Show: Projected Images in Contemporary Art | The Baltimore Museum of Art | 2005 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Art of Memory / The Loss of History | The New Museum of Contemporary Art | 1986 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The Desire of the Museum | Whitney Museum Downtown at Federal Reserve Plaza | 1989 |
| The End(s) of the Museum [Els Limits del Museu] | Fundacio Antoni Tapies de Barcelona | 1995 |
| The Fairy Tale: Politics, Desire, and Everyday Life | Artists Space, New York | 1986 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| The Photography of Invention: American Pictures on the 1980s | National Museum of American Art, Smithsonian Institution | 1989 |
| The Pictures Generation 1974-1984 | The Metropolitan Museum of Art, New York | 2009 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| Whitney Biennial 2000 [Michael Auping, Valerie Cassel, Hugh M. Davies, Jane Farver, Andrea Miller-Keller, and Lawrence R. Rinder] | Whitney Museum of American Art | 2000 |
| Whitney Biennial 2008 | Whitney Museum of American Art | 2008 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| GROUP MATERIAL EXHIBITIONS | ||
| Resistance (Anti-Baudrillard) | White Columns, New York | 1987 |
| BOOKS INCLUDING LAWLER | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| But is it Art? The Spirit of Art as Activism | Bay Press | 1995 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| On the Museum's Ruins | MIT Press | 1993 |
| Picture This: Films Chosen by Artists | Hallways Contemporary Art Center, Buffalo | 1987 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Thinking About Exhibitions | Routledge | 1996 |
| Witness to Her Art [Eau de Cologne - Monika Spruth Galerie] | Center for Curatorial Studies, Bard College | 2006 |
| SELECTED PERIODICALS INCLUDING LAWLER | ||
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| Art in America [Louise Lawler] | October | 1991 |
| Art in America [Louise Lawler Looks Back] | December | 2006 |
| Art Nexus, Vol.45, #3 [Art & Economy - exhibition review by Luis Camnitzer] | July-September | 2002 |
| Exit # 9 - Spaces for Art [Interpositions: The Work of Louise Lawler] | Exit, Image and Culture, Madrid | 2003 |
| Flash Art [Louise Lawler: Mirror Amusemunts of Art-World Topicality] | October | 1989 |
| Lusitania Volume 1 #3 | Fall | 1990 |
| Parkett # 22 | Parkett | 1989 |
| October 26 [Arrangement of Pictures] | MIT Press | 1983 |
| Tellus: The Audio Cassette Magazine # 5/6 [Lawler's "Bird Calls"] | Tellus / Harvestworks media Arts | 1984 |
| The Flue Vol.1 #3 | Franklin Furnace, December | 1980 |
| Trans> arts.cultures.media # 5 | Passim, Inc. | 1998 |
| Upfront # 14/15 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1987/8 |
| Wedge # 2 [Lawler, Louise and Sherrie Levine: A Picture is No Substitute for Anything] | Wedge | 1982 |