SHERRIE LEVINE
1947, Hazelton, Pennsylvania
F / B / S / V / INSTV
| EPHEMERA | ||
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| Sherrie Levine | Paula Cooper Gallery, New York | 2003 |
| INDIVIDUAL CATALOGUES | ||
| Sherrie Levine [6 sided three folded catalogue brochure from the Directions series] | Hirshhorn Museum and Sculpture Garden, Washington, D.C. | 1988 |
| Sherrie Levine | Zurich Kunsthalle | 1991 |
| Sherrie Levine: Newborn | Philadelphia Museum of Art | 1993 |
| SELECTED CATALOGUES INCLUDING LEVINE | ||
| A Decade of New Art: Artists Space | Artists Space, New York | 1984 |
| A Forest of Signs: Art in the Crisis of Representation | The Museum of Contemporary Art, Los Angeles | 1989 |
| Archive Fever: Uses of the Document in Contemporary Art | International Center for Photography, New York | 2008 |
| Art & Social Change | Allen Memorial Art Museum, Oberlin College, Ohio | 1983 |
| As Painting: Division and Displacement | Wexner Center for the Arts, Columbus | 2001 |
| Carnegie International 88 [Curator: John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1988 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Difference: On Representation and Sexuality | The New Museum of Contemporary Art, NY | 1984 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Disparities & Deformations: Our Grotesque - 5th Site Santa Fe Biennial [Robert Storr] | Site Santa Fe, New Mexico | 2004 |
| Documenta 7 | Kassel, Germany | 1982 |
| East Village USA [not in exhibition but mentioned in Cameron's catalogue essay] | The New Museum of Contemporary Art, New York | 2004 |
| Endgame: Reference and Simulation in Recent Painting and Sculpture | The Institute of Contemporary Art, Boston | 1987 |
| Image Scavengers: Photography | Institute of Contemporary Art, University of Pennsylvania | 1983 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Inscapes [curator: Saskia Bos] | De Appel, Amsterdam | 1992 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Matrix, A Changing Exhibition of Contemporary Art [1987] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| Memento Mori | Moore College of Art, Philadelphia | 1985 |
| Recent Tendencies in Black and White | Sidney Janis Gallery, New York | 1987 |
| 75th American Exhibition | Art Institute of Chicago | 1982 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| Strategies for the Last Painting / Strategies for the Next Painting | Wolff Gallery, New York | 1991 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| The Photography of Invention: American Pictures on the 1980s | National Museum of American Art, Smithsonian Institution | 1989 |
| Whitney Biennial 1985 [Richard Armstrong, John G. Hanhardt, Barbara Haskell, Richard Marshall, Lisa Phillips, and Patterson Sims] | Whitney Museum of American Art | 1985 |
| Whitney Biennial 1989 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1989 |
| BOOKS INCLUDING LEVINE | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| But is it Art? The Spirit of Art as Activism | Bay Press | 1995 |
| Conceptual Art | Phaidon | 1998 |
| Fabrications: Staged, Altered, and Appropriated Photographs | Abbeville Press, New York | 1987 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| On the Museum's Ruins | MIT Press | 1993 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING LEVINE | ||
| Grand Street #42 [artist pages: Fountain (After Duchamp: 1-6) / La Fortune (After Man Ray: 1-6)] | Grand Street | 1992 |
| New Observations # 35 [A Simple Heart (After Gustave Flaubert) by Levine] | New Observations Ltd. | 1985 |
| October # 8 [Pictures (the exhibition) by Douglas Crimp] | Spring | 1979 |
| Parkett # 16 | Parkett | 1988 |
| Parkett # 32 | Parkett | 1992 |
| The Flue Vol.1 #3 | Franklin Furnace, December | 1980 |
| Wedge # 2 [Lawler, Louise and Sherrie Levine: A Picture is No Substitute for Anything | Wedge | 1982 |
| EXHIBITION REVIEWS | ||
| Sherrie Levine at Mary Boone | Flash Art, October | 1991 |