
SOL LEWITT
1928, Hartford, Conn. - 2007
F / B / S / V / INSTV
| ARTISTS' BOOKS AND MULTIPLES | ||
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| Art & Project Bulletin # 018 | art & project | 1970 |
| Art & Project Bulletin # 032 | art & project | 1971 |
| Art & Project Bulletin # 043 | art & project | 1971 |
| Art & Project Bulletin # 060 | art & project | 1972 |
| Art & Project Bulletin # 088 | art & project | 1975 |
| Chicago | SPACEX | 2002 |
| Do It Yourself Kit [with Lawrence Weiner and Jessica Diamond] | IC Editions | 1993 |
| Ficciones (Borges) Limited ed. 1,500 signed | The Anthoensen Press | 1984 |
| Four Basic Kinds of Lines and Colour | Lisson Gallery | 1971 |
| Four Basic Kinds of Straight Lines | Studio International | 1969 |
| Isometric Drawings | Paula Cooper Gallery and John Weber Gallery | 1982 |
| Lines & Formes | Yvon Lambert | 1989 |
| Lines in two directions and in five colors on five colors with all their combinations | Walker Art Center | 1988 |
| Openings Series | Morning Star Publications | 1994 |
| PhotoGrids | Paul David Press | 1977 |
| Schematic drawing for Muybridge II [from Artists and Photographs Box] | Multiples, Inc. | 1970 |
| Serial Project # 1 (1967 Dwan Gallery Exhibition - included in Aspen 5+6] | Aspen Magazine | 1967 |
| The Location of Lines | Lisson Publications | 1974 |
| The Location of Straight, Not-Straight & Broken Lines and All Their Combinations | John Weber Gallery, New York | 1976 |
| EPHEMERA | ||
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| A line drawn between the two points where... [exhibition flyer] | Galerie December, Munster | 1974 |
| All Combinations of Arcs from Four Corners, Arcs from Four Sides... [poster] | Visual Arts Museum, New York | 1976 |
| Double Page Number 1: Sol Lewitt / Location of Six Geometric Figures. | Published by Annemarie Verna, Zurich | 1976 |
| Forms derived from a cube [poster] | Leo Castelli, New York | 1982 |
| One Set of Nine Pieces [poster] | Dwan Gallery | 1967 |
| One line from the middle of the left side.... [postcard] | Image Bank Post Card Show | 1977 |
| Sol LeWitt [poster] | Heiner Friedrich Galery, Munich | 1968 |
| EXHIBITION BROCHURES | ||
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| Sol LeWitt [includes floor plan for wall drawings] | Museum of Modern Art, NY | 1978 |
| Sol LeWitt: A Retrospective [Whitney Museum brochure] | San Francisco MoMA | 2000 |
| Sol LeWitt: Prints 1970 - 1995 | Museum of Modern Art, NY | 1996 |
| DOCUMENTS AND OTHER PUBLICATIONS | ||
| Art Workers Coalition - Open Hearing | Art Workers Coalition | 1969 |
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| John Weber Gallery Newsletter | John Weber Gallery | 1975 |
| Projects Class (12 artists / 12 cards - submitted to class) | Nova Scotia College of Art and Design | 1969 |
| ARTICLES / PROJECTS | ||
| Numero Quattro a cura di Sol Lewitt - Periodical Curated by LeWitt | Edizione Cenobio Visualita Ass., Milan | 1982 |
| Paragraphs on Conceptual Art | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Sentences on Conceptual Art | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Walls Rooms Lines [3 works by LeWitt linked to text by Lippard] | Unmuzzled Ox #13 | 1976 |
| INDIVIDUAL CATALOGUES: | ||
| Sol LeWitt | Museum of Modern Art, NYC | 1978 |
| Sol LeWitt: A Retrospective | San Francisco MoMA | 2000 |
| Sol LeWitt: Incomplete Open Cubes | The Wadsworth Atheneum | 2001 |
| Sol LeWitt: Structures 1962-1993 [Chrissie Iles / David Elliott / Rosalind Krauss / David Batchelor] | Museum of Modern Art Oxford | 1993 |
| CATALOGUES INCLUDING LEWITT: | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| Afterimage: Drawing Through Process | Museum of Contemporary Art, Los Angeles | 1999 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Ars - Aevi - International Cultural Project | Museum of Contemporary Art, Sarajevo | 1999 |
| Art by Telephone | Museum of Contemporary Art, Chicago | 1969 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| A Second Talent: Painters and Sculptors Who are Also Photographers | The Aldrich Museum of Contemporary Art | 1985 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Concept </> Decoratif: Anti-Formalist Art of the 70s | Nahan Contemporary, New York | 1990 |
| Construction in Process | 37 Pkwn Street, Lodz, Poland | 1981 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Diagrams & Drawings | Rijksmuseum Kroller-Muller, Otterlo | 1972 |
| Directions 3: Eight Artists | Milwaukee Art Center | 1971 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Drawings | John Weber Gallery, New York | 1991 |
| Earth Works (no catalogue, anouncement card written in sand) | Virginia Dawn Gallery | 1968 |
| 18 Paris IV.70 | Seth Siegelaub | 1970 |
| 557,087 | Seattle | 1969 |
| Focus 2: Minimal Art, Concept Art, Land Art and Arte Povera [brochure] | Museum Moderner Kunst Stiftung Ludwig | 2004 |
| From the Collection of Sol LeWitt | ICI - Independent Curators | 1984 |
| Function of Drawing | Rijksmuseum Kroller-Muller, Otterlo | 1975 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Guggenheim International Exhibition | Guggenheim Museum | 1971 |
| Image Bank Post Card Show | Image Bank, Vancouver | 1977 |
| In another moment / at the moment | Gallery SKG, Belgrade | 1971 |
| Information | MoMA, NY | 1970 |
| July / August Exhibition Book | Studio International | 1970 |
| July - August - September 1969 | Seth Siegelaub | 1969 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - The Entropy of Art / also in: Ambient Art | Venice | 1976 |
| La Biennale di Venezia 47 | Venice, Italy | 1997 |
| Lyon Biennale #5 - 5th Biennale D'Art Contemporain de Lyon - Partage d'Exotismes | Lyon, France | 2000 |
| 955,000 | Vancouver, B.C. | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| No Title: The Collection of Sol LeWitt | Wesleyan University | 1981 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Primary Structures: Younger American and British Sculptors | The Jewish Museum, New York | 1966 |
| Prints: Bochner LeWitt Mangold Marden Martin Renouf Rockburne Ryman | Art Gallery of Ontario | 1975 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Reasoned Space | Center for Creative Photography, U. of Arizona | 1980 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| Schemes: A Decade of Installation Drawings | Elise Meyer Inc | 1981 |
| 75th American Exhibition | Art Institute of Chicago | 1982 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Stations | Centre International D'Art Contemporian De Montreal | 1988 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| 10 | Dwan Gallery | 1966 |
| The Art of the Real: USA 18948-1968 | The Museum of Modern Art | 1968 |
| The Edge of Awareness | World Health Organization | 1998 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| The Xerox Book | Seth Siegelaub / John Wendler | 1968 |
| Urban Encounters: Art Architecture Audience [listed in 100 sites] | ICA, University of Pennsylvania | 1980 |
| Wall Works: Wall Installations in Editions 1992-93 | Edition Schellmann, Koln and New York | 1993 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Whitney Biennial 1979 [John G. Hanhardt, Barbara Haskell, Richard Marshall, Mark Segal and Patterson Sims] | Whitney Museum of American Art | 1979 |
| Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1987 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art | Walther Konig, Koln | 1966/ 1997 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| Zero to Infinity: Arte Povera 1962-1972 | Walker Art Center | 2001 |
| SELECTED BOOKS INCLUDING LEWITT | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
| Art Recollections:Artists' Interviews and Statements in the Nineties | Danilo Montanari & Exit & Zona Archives Editori | 1997 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Conceptuallism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Postminimalism | Out of London Press | 1977 |
| Recording Conceptual Art | Norvell, Patricia | 2001 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The New Avant-Garde: Issues for the Art of the Seventies | Gregoire Muller | 1972 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Thinking About Exhibitions | Routledge | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| SELECTED PERIODICALS INCLUDING LEWITT | ||
| Artforum ["Entropy and the New Momuments" by Robert Smithson] | June | 1966 |
| Artforum [Earthworks and the New Picturesque] | December | 1968 |
| Art in America, [Article: Impossible Art] | May-June | 1969 |
| Art in America | September | 1975 |
| Art in America, [A Critic's Diary: The New York Art Year by David Bourdon] | July-August | 1977 |
| Art in America [Sol LeWitt: Energy as Form / LeWitt Goes to School] | May-June | 1978 |
| Art International [A Museum of Language in the Vicinity of Art by Robert Smithson] | March | 1968 |
| Art International [Buenos Aires] | April 20 | 1968 |
| Art International [Minimal Art at the Hague] | May 15 | 1968 |
| Art Journal [(words)] | Summer | 1982 |
| Art-Language: The Journal of Conceptual Art Vol.1 #1 | Art-Language | 1969 |
| Arts Magazine | April | 1978 |
| Aspen No. 5+6 | Fall / Winter | 1967 |
| Avalanche #04 | Avalanche | 1972 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| TriQuarterly #32 | Charles Newman | 1975 |
| 0 to 9 Number 4 | Acconci and Mayer, reprint 2006, June | 1968 |
| 0 to 9 Number 5 | Acconci and Mayer, reprint 2006, January | 1969 |
| 0 to 9 Number 6 | Acconci and Mayer, reprint 2006, July | 1969 |
| Unmuzzled Ox #13 | Unmuzzled Ox, New York | 1976 |
| EXHIBITION REVIEWS | ||
| Sol LeWitt at Dwan | Artforum, April | 1968 |
| Sol LeWitt at Dwan | Art International, April 20 | 1968 |
| Sol LeWitt at John Weber | Arts Magazine, November | 1971 |
| Sol LeWitt at John Weber | Art in America, May-June | 1973 |
| Sol LeWitt at John Weber | Arts Magazine, April | 1978 |
| Sol LeWitt at John Weber | Artforum, January | 1981 |
| IMAGES / INSTALLATIONS IN | ||
| SoHo: The Essential Guide to Art and Life in Lower Manhattan | Simon and Schuster | 1979 |