RICHARD LONG
1945, Bristol, England
F / S / V / INSTV
| ARTISTS' BOOKS AND MULTIPLES | ||
|
|
|
|
| A Walk Past Standing Stones | Coracle Press / d'Offay | 1980 |
| Art & Project Bulletin # 035 | art & project | 1971 |
| Art & Project Bulletin # 071 | art & project | 1973 |
| Art & Project Bulletin # 090 | art & project | 1975 |
| Art & Project Bulletin # 099 | art & project | 1976 |
| Every Grain of Sand | Kunstverein Hannover | 1998 |
| Inca Rock | Stellar Press | 1974 |
| John Barleycorn | Stedelijk Museum Amsterdam | 1973 |
| Mirage | Metamorphosis Verlag, Munchen | 1997 |
| Mountains and Waters | George Braziller, Inc. | 1993 |
| Planes of Vision (1,000) | Ottenhausen Verlag Aachen | 1983 |
| Rain Dance [from Artists and Photographs Box] | Multiples, Inc | 1970 |
| Sixteen Works (1,000 paper) | Coracle Press | 1984 |
| Sixteen Works (500 HB) | Coracle Press | 1984 |
| The North Woods | Whitechapel Art Gallery | 1977 |
| Twelve Works | Coracle Press / d'Offay | 1981 |
| Walking In Circles | George Braziller, Inc. | 1991 |
| EPHEMERA | ||
|
|
  |
|
| Milestones - A Three Mile Walk from Tipperary to Sligo... (announcement card) | Rolf Preisig, Basel | 1979 |
| Richard Long (announcement card - two images) | Wide White Space | 1973 |
| Richard Long: Driftwood (announcement card - drawing) | Wide White Space | 1975 |
| Richard Long Exhibition One Year 69-70 [full sheet of paper with two images - this was Long's first one person museum exhibition] | Museum Haus Lange, Krefeld | 1969 |
| Richard Long (announcement card) | Sperone Westwater | 2004 |
| Richard Long: Books Prints Printed Matter [brochure / poster] | The New York Public Library | 1994 |
| 10 Miles of Landscape...[individual mailed announcement card for Land Art exhibition] | Fernsehgalerie Gerry Schum, Berlin | 1969 |
| The Legend of Silbury Hill (2 announcement cards) | Dwan Gallery | 1970 |
| Merthyr Tydfil Line, Wales [postcard from Coracle Press] | Coracle Press, London | 1980 |
| ARTICLES AND INTERVIEWS | ||
| Earth, Water, Wind [interview] | Contemporanea, April | 1990 |
| Nineteen stills from the work of Richard Long | Studio International, March, | 1970 |
| OTHER PUBLICATIONS / CATALOGUES | ||
 |
||
| Aggie Weston's No. 16 Winter 1979 - Richard Long | Coracle Press | 1979 |
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| Richard Long: Selected Statements & Interviews | Haunch of Venison | 2007 |
| Some notes on the work of Richard Long. | British Pavilion, 37th Venice Biennale | 1976 |
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Richard Long | Solomon R. Guggenheim Museum | 1986 |
| SELECTED CATALOGUES INCLUDING LONG | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| Andre / Le Va / Long | Corcoran Gallery of Art, Washington, D.C. | 1976 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Construction in Process | 37 Pkwn Street, Lodz, Poland | 1981 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| De Europa | John Weber Gallery | 1972 |
| Documenta 5 | Documenta | 1972 |
| Documenta 7 | Kassel, Germany | 1982 |
| Earth Art | Andrew Dikson White Museum of Art, Cornell | 1969 |
Ecologic Art (postcard, no catalogue) |
John Gibson Gallery, New York | 1969 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Guggenheim International Exhibition 1971 | Solomon R. Guggenheim Museum | 1971 |
| 18 Paris IV.70 | Seth Siegelaub | 1970 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| Focus 2: Minimal Art, Concept Art, Land Art and Arte Povera [brochure] | Museum Moderner Kunst Stiftung Ludwig | 2004 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Function of Drawing | Rijksmuseum Kroller-Muller, Otterlo | 1975 |
| Information | MoMA, NY | 1970 |
| July - August - September 1969 | Seth Seigelaub | 1969 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Nature and Anti-Nature / also: National Pavilion - Great Britain | Venice | 1976 |
| Land Art | Fernsehgalerie Berlin Gerry Schum | 1969 |
| Live in Your Head: Concept and Experiment in Britan 1964-75 | Whitechapel Art Gallery | 2000 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| 19:45 - 21:55 September 9th 1967 Frankfurt Germany [397/500] | Paul Maenz, Brussels | 1967 |
| One Month: March, 1969 | Seth Siegelaub | 1969 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Op Losse Schroeven (Square peg in round holes) | Stedelijk Museum | 1969 |
| Probing The Earth: Contemporary Land Projects | Hirshorn Museum | 1978 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Signs of Life: Process and Materials, 1960-1990 | Institute of Contemporary Art, U. of Pensylvania, Philadelphia | 1990 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| The Critical Eye / I | Yale Center for British Art | 1984 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The New Art | Hayward Gallery | 1972 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| When Attitudes Become Form (Bern) | Kunsthalle Bern | 1969 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| Zero to Infinity: Arte Povera 1962-1972 | Walker Art Center | 2001 |
| SELECTED BOOKS INCLUDING LONG | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Art Povera: Eartheworks/Impossible Art/Actual Art/ Conceptual Art | Germano Celant | 1969 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance: Live Art 1909 to the Present | Harry N. Abrams | 1979 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS | ||
| Artforum [Three Modes of Conceptual Art by Lizzie Borden] | June | 1972 |
| Artforum [Documenta 5] | October | 1972 |
| Artforum [Artist's Projects Issue] | February | 1980 |
| Artforum [Long Walks by Nancy Foote] | Summer | 1980 |
| Art in America [Report from Italy: Count Panza Divests] | December | 1984 |
| Art in America [Walking Into Art] | April | 1987 |
| Art in America [The Whole Earth Show part 2 by Eleanor Heartney ["Magicines de la Terre"] | July | 1989 |
| Art International [London: Metamorphic Strategies] | Summer | 1990 |
| Avalanche # 01 | Avalanche | 1970 |
| Flash Art [Richard Long: A Walk Around the Block] | October | 1991 |
| Interfunktionen # 03 | Interfunktionen | 1969 |
| Interfunktionen # 07 | Interfunktionen | 1971 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| Parkett # 32 | Parkett | 1992 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| Third Text # 22 [review of "Gravity and [Dis] Grace"] | Third Text, Spring | 1993 |
| TriQuarterly # 32 | TriQuarterly | 1975 |
| Vision #5 - Artists' Photographs | Crown Point Press | 1982 |
| EXHIBITION REVIEWS | ||
| Richard Long at Yvon Lambert | Arts Magazine, February | 1970 |
| Richard Long at John Weber | Art in America, July-August | 1974 |
| Richard Long at Sperone Westwater Fischer | Art in America, March | 1981 |
