
ROBERT LONGO
1953, Brooklyn, New York
| INDIVIDUAL CATALOGUES | ||
| Robert Longo | Los Angeles County Museum of Art | 1989 |
| Robert Longo: Drawings & Reliefs | Akron Art Museum, Akron, Ohio | 1984 |
| VIDEO INCLUDING LONGO | ||
| Two Moon July | The Kitchen, New York | 1987 |
| ARTICLES/ESSAYS BY LONGO | ||
| "Snowed-In" in An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns | White Columns, New York | 1991 |
| EXHIBITIONS CURATED | ||
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| Forced Sentiment | Artists Space, New York | 1984 |
| EPHEMERA | ||
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| Robert Longo: The Sickness of Reason (press release with images) | Metro Pictures, New York | 2004 |
| CATALOGUES INCLUDING LONGO | ||
| A Decade of New Art: Artists Space | Artists Space, New York | 1984 |
| A Forest of Signs: Art in the Crisis of Representation | The Museum of Contemporary Art, Los Angeles | 1989 |
| An International Survey of Recent Painting and Sculpture | The Museum of Modern Art, New York | 1984 |
| Body Language: Figurative Aspects of Recent Art [curator: Roberta Smith] | Hayden Gallery, MIT University | 1981 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection | San Jose Art Museum | 1991 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Eight Artists: The Anxious Edge [curator: Lisa Lyons] | Walker Art Center, Minneapolis, Minnesota | 1982 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| La Biennale di Venezia 47 | Venice, Italy | 1997 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| 35 Artists Return to Artists Space: A Benefit Exhibition | Artists Space, New York | 1981 |
| Whitney Biennial 1983 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1983 |
| Whitney Biennial 2004 [Chrissie Iles, Shamim M. Momin, and Debra Singer] | Whitney Museum of American Art, New York | 2004 |
| BOOKS INCLUDING LONGO | ||
| An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns | White Columns, New York | 1991 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| On the Museum's Ruins | MIT Press | 1993 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Picture This: Films Chosen by Artists | Hallways Contemporary Art Center, Buffalo | 1987 |
| PERIODICALS INCLUDING LONGO | ||
| Art in America [Double Takes - with David Salle] | October | 1980 |
| October # 8 [Pictures (the exhibition) by Douglas Crimp] | Spring | 1979 |
| Upfront # 12/13 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1986/7 |
| Wedge #01 [EMPIRE: A Performance Trilogy] | Brian Wallis and Phil Mariani | 1982 |
| EXHIBITION REVIEWS | ||
| Robert Longo at Metro Pictures | Art in America, March | 1981 |