CILDO MEIRELES
1948, Rio de Janeiro
| VIDEO ABOUT MEIRELES | ||
| Cildo Meireles | ICA Institute of Contemporary Art, Boston | 1997 |
| EPHEMERA | ||
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| Cildo Meireles (exhibition brochure) | The New Museum of Contemporary Art, New York | 2000 |
| Disapearing Elements / Disappeared Elements [white / green / blue popsicle wrappers and sticks] | Documenta 11 | 2002 |
| INDIVIDUAL CATALOGUES | ||
| Cildo Meireles | IVAM Centre del Carme | 1995 |
| CATALOGUES INCLUDING MEIRELES | ||
| Arte no es Vida: Actions by Artists of the Americas, 19960-2000 | el Museo del Barrio, New York | 2008 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Documenta 11 | Kassel, Germany | 2002 |
| Encounters / Displacements: Luis Camnitzer, Alfredo Jaar, Cildo Meireles | U. of Texas at Austin | 1992 |
| Espelho Cego / Blind Mirror: Selections from a Contemporary Collection | Museu de Arte Moderna de Sao Paulo | 2001 |
| Garden of the Forking Path | Kunstforeningen, Copenhagen | 1998 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Havana Bienal #2 - Segunda Bienal de la Habana | Museo Nacional de Bellas Artes, Havana | 1986 |
| Information | MoMA, NY | 1970 |
| La Biennale di Venezia 1976 - International Events | Venice | 1976 |
| Istanbul Biennial #8 Poetic Justice | Istanbul | 2003 |
| la Biennale di Venezia 50: Dreams and Conflicts: The Dictatorship of the Viewer | Venice | 2003 |
| la Biennale di Venezia 51: The Experience of Art / Always a Little Further | Venice | 2005 |
| Latin American Artists of the Twentieth Century | The Museum of Modern Art, New York | 1993 |
| Life Experience | Generali Foundation, Vienna | 2000 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Re-Aligning Vision: Alternative Currents in South American Drawing [Mari Carmen Ramirez and Edith A. Gibson] | Archer M. Huntington Art Museum, The University of Texas at Austin | 1997 |
| Rhetorical Image | The New Museum of Contemporary Art, New York | 1990 |
| Tempo [curated by: Paulo Herkenhoff, Roxana Marcoci and Mariam Basilio] | The Museum of Modern Art, New York | 2002 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Disappeared / Los Desaparecidos | North Dakota Museum of Art | 2006 |
| Transcontinental | Verso and Ikon Gallery | 1990 |
| Worthless (Invaluable) | Moderna galerija Ljubljana | 2000 |
| BOOKS INCLUDING MEIRELES | ||
| Beyond the Fantastic: Contemporary art criticism from Latin America [The Void and the Dialogue in the Western Hemisphere] | MIT Press | 1996 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptuallism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| OTHER PUBLICATIONS | ||
| Art Action 1958 - 1998 | Inter Art Actuel et Le Lieu, Centre en Art Actuel, Quebec | 2001 |
| PEREIODICALS INCLUDING MEIRELES | ||
| Art in America [Report From Sao Paulo Crossed Signals: The 16 Bienal by John Perreault] | May | 1982 |
| Art in America [Sao Paulo Diary] | January | 1989 |
| Art Journal [The Second Johannesburg Biennale] | Summer | 1998 |
| Art Nexus #17 [Cildo Meireles] | July-September | 1995 |
| Art Nexus #24 [Cildo Meireles at ICA, Boston by Monica Amor] | April-June | 1997 |
| Art Nexus #26 [Asi esta la cosa: Installation and Object Art in Latin America] | October-December | 1997 |
| Art Nexus Vol.27 [The Second Johannesburg Biennial] | January-March | 1998 |
| Art Nexus #31 [24th Sao Paulo Biennial: A Cannibalist Proposal] | February-April | 1999 |
| Art Nexus #41 [Perverting Minimalism: It's Not Just What You See] | August-October | 2001 |
| Poliester #13 Danger [Cildo Meireles by Adriano Pedrosa] | Fall | 1995 |
| Sculpture, Vol.22, #10 [interview] | December | 2003 |
| The Flue Vol 3 #2 - Special Issue - Latin America | Franklin Furnace, Spring | 1983 |
| Third Text # 24 | Third Text, Autumn | 1993 |
| Trans> arts.cultures.media # 3/4 | Passim, Inc. | 1997 |
| Trans> arts.cultures.media # 5 | Passim, Inc. | 1998 |
| Trans> arts.cultures.media # 6 | Passim, Inc. | 1999 |
| Trans> arts.cultures.media # 7 [included in article: Knowing Can Be Destroying] | Passim Inc. | 2000 |