ANA MENDIETA
1948, Havana, Cuba (moved to Iowa in 1961 - lived and worked in New York) - 1985
| INDIVIDUAL CATALOGUES | ||
| Ana Mendieta: A Retrospective | The New Museum of Contemporary Art, New York | 1987 |
| Ana Mendieta: Earth Body, Sculpture and Performance 1972-1985 | Hirshhorn Museum and Sculpture Garden | 2004 |
| CATALOGUES INCLUDING MENDIETA | ||
| Ante America / Regarding America | Biblioteca Luis-Angel Arango, Bogota | 1992 |
| Arte no es Vida: Actions by Artists of the Americas, 19960-2000 | el Museo del Barrio, New York | 2008 |
| Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection | Samuel P. Harn Museum of Art, University of Florida, Gainesville | 2007 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Double Life: Identity and Transformation in Contemporary Arts | Generali Foundation, Vienna | 2001 |
| Havana Bienal #1 - 1 Bienal de la Habana | Museo Nacional de Bellas Artes, Havana | 1984 |
| Istanbul Biennial # 5 On Life, Beauty, Translations and Other Difficulities | Istanbul | 1997 |
| Land Marks: New site proposals by twenty-two original pioneers of environmental art | Bard College Center | 1984 |
| Latin American Artists of the Twentieth Century | The Museum of Modern Art, New York | 1993 |
| Life Experience | Generali Foundation, Vienna | 2000 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Slide Show: Projected Images in Contemporary Art | The Baltimore Museum of Art | 2005 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Subject of Rape [curated by the Whitney Independent Study Group] | Whitney Museum of American Art | 1993 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| BOOKS INCLUDING MENDIETA | ||
| Conceptual Art | Phaidon | 1998 |
| English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco] | The New Press, New York | 1995 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] | Pantheon Books | 1990 |
| New Art of Cuba [author: Luis Camnitzer] | University of Texas Press, Austin | 1994 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| The Bodies That Were Not Ours and other writings [Coco Fusco] | Routledge | 2001 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| PERIODICALS INCLUDING MENDIETA | ||
| Art Journal [The Heart of Matter] | Summer | 1992 |
| Art Journal [Recapturing History: The (Un)official Story in Contemporary Latin American Art] | Winter | 1992 |
| Art Journal [Going Virtual - Franklin Furnace] | Summer | 2000 |
| Grand Street #61 - All-American [Paradise] | Grand Street | 1997 |
| Heresies #5 The Great Goddess | Heresies | 1978 |
| Heresies #8 Third World Women: the politics of being other | Heresies | 1979 |
| Heresies #13 Feminism & Ecology | Heresies | 1981 |
| Heresies #15 Racism | Heresies | 1982 |
| Heresies #18 / 19 Mothers, Mags, & Movie Stars - Feminism and Class / Satire | Heresies | 1985 |
| Heresies #22 Art in Unestablished Channels includes Feigenbaum's essay on Reclamation Art | Heresies | 1987 |
| Heresies #24 Twelve Years | Heresies | 1989 |
| Heresies #27 Latina | Heresies | 1993 |
| Third Text # 7 | Third Text, Summer | 1989 |
| EXHIBITION REVIEWS | ||
| Ana Mendieta at the Galician Center of Contemporary Art, Galicia, Spain | Art Nexus Vol.23, January-March | 1997 |
| Vito Acconci and Ana Mendieta at Galeria Lelong, New York | Art Nexus #41, August-October | 2001 |