MARIO MERZ
1925, Turin, Italy - Died, 2003
| INDIVIDUAL CATALOGUES | ||
| Mario Merz | Fundacoa de Serralves | 1999 |
| EPHEMERA | ||
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| Mario Merz: Identifications [individual artist exhibition post card] | Fernsehgalerie Gerry Schum, Hannover | 1970 |
| CATALOGUES INCLUDING MERZ | ||
| ArtCite: When Montreal Turns Into a Museum | Musse D'Art Contemporain de Montreal | 2001 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deconstruct / Reconstruct | John Gibson Gallery, New York | 1986 |
| De Europa | John Weber Gallery | 1972 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Epicenter Ljubljana [Harald Szeemann] | Moderna galerija Ljubljana | 1997 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| Focus 2: Minimal Art, Concept Art, Land Art and Arte Povera [brochure] | Museum Moderner Kunst Stiftung Ludwig | 2004 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Guggenheim International | Guggenheim Museum | 1971 |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] | Kunstverein, Hannover / TV Broadcast | 1970 |
| July / August Exhibition Book | Studio International | 1970 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Nature and Anti-Nature / also in: Ambient Art | Venice | 1976 |
| la Biennale di Venezia 45: Opera Italiana - Transiti - Museo Elettronico | Venice, various locations | 1993 |
| La Biennale di Venezia 47 | Venice, Italy | 1997 |
| Op Losse Schroeven (Square peg in round hole) | Stedelijk Museum | 1969 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| The Last Picture Show | The Walker Art Center | 2003 |
| Third International Open Encounter on Video | CAYC (organized by) / Galleria Civica D'Arte Moderna, Ferrara | 1975 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| Zero to Infinity: Arte Povera 1962-1972 | Walker Art Center | 2001 |
| BOOKS INCLUDING MERZ | ||
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Povera: Earthworks - Impossible Art - Actual Art - Conceptual Art | Praeger | 1969 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| On the Museum's Ruins | MIT Press | 1993 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The New Avant-Garde: Issues for the Art of the Seventies | Praeger | 1972 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING MERZ | ||
| Flash Art [The Art of Coexistence] | November-December | 1991 |
| Parkett # 15 | Parkett | 1988 |
| Sculpture, Vol.22, #10 [interview] | December | 2003 |
| EXHIBITION REVIEWS | ||
| Mario Merz at Spereone Westwater Fischer | Artforum, January | 1981 |