
ANTONIO MUNTADAS
1942, Barcelona, Spain - Lives and works in New York
| ARTISTS BOOKS | ||
| Meetings | Velan, Torino | 2000 |
| INDIVIDUAL CATALOGUES | ||
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| Muntadas: Media Stadium | IVAM Centre Del Carme, Valencia | 1992 |
| Muntadas: On Translation | Museu d'Art Contemporani de Barcelona | 2002 |
| Words: The Press Conference Room (large three-fold brochure) | Indianapolis Museum of Art | 1991 |
| BOOKS BY OR ABOUT MUNTADAS | ||
| On Translation: The Audiance | Witte de With, Rotterdam | 1999 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| The Kitchen Center for Video and Music 75-76 | The Kitchen, New York | 1976 |
| EPHEMERA / POSTERS | ||
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| The Board Room (large black poster with images / also a three fold brochure for the exhibition) | North Hall Gallery, Massachusetts College of Art | 1987 |
| CATALOGUES INCLUDING MUNTADAS | ||
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| Dark Rooms [1] | Artists Space, New York | 1983 |
| Disinforamtion: The Manufacture of Consent | The Alternative Museum, New York | 1985 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 10 | Kassel, Germany | 1997 |
| Havana Bienal #7 - Septima Bienal de la Habana - Comunicaccion en tiempos dificiles: una mas cerca del otro | Centro Wifredo Lam | 2000 |
| Heterogeneity and Alienation [a video program] | Artists Space, New York | 1987 |
| 9th Biennale de Paris | Musee d'art Moderne de la Ville de Paris | 1975 |
| Perverted by Language | Hillword Art Gallery, New York | 1987 |
| Rhetorical Image | The New Museum of Contemporary Art, New York | 1990 |
| Secular Attitudes | Los Angeles Institute of Contemporary Art | 1985 |
| The Art of Participation: 1950 to Now | San Francisco Museum of Modern Art | 2008 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The End(s) of the Museum [Els Limits del Museu] | Fundacio Antoni Tapies de Barcelona | 1995 |
| Third International Open Encounter on Video | CAYC (organized by) / Galleria Civica D'Arte Moderna, Ferrara | 1975 |
| Unknown Secrets: Art and the Rosenberg Era | Hillwood Art Gallery, Long Island University, New York | 1988 |
| Whitney Biennial 1991 - Film and Video [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| BOOKS INCLUDING MUNTADAS | ||
| Art, Activism & Oppositionality: Essays from Afterimage | Duke University Press | 1998 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Illuminating Video: An Essential Guide to Video Art | Aperture | 1990 |
| The Un/Necessary Image | Tanam Press | 1982 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| Video by Artists 2 | Art Metropole, Toronto | 1986 |
| PERIODICALS INCLUDING MUNTADAS | ||
| From #2 | Witte de With center for contemporary art, Rotterdam | 2000 |
| Lusitania Volume 1 #3 | Fall | 1990 |
| Vision #5 - Artists' Photographs | Crown Point Press | 1982 |