BRUCE NAUMAN
1941, Fort Wayne, Indiana
| POSTERS / MULTIPLES | ||
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| Body Pressure, 1974 (2003) | Dia Beacon | 2003 |
| Falls, Pratfalls + Sleights of Hand [poster] | Leo Castelli, New York | 1984 |
| Mapping the Studio II (Fat Chance John Cage) [flip book] | Sperone Westwater | 2001 |
| EPHEMERA | ||
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| Square Dance, Pulling Mouth, Violin I II, Bouncing Two Balls [announcement card for Videoausstellung Art Make Up NR. 1-4, Videotape Colour. This card also anounces video by Richard Serra] | Videogalerie Gerry Schum, Dusseldorf | 1972 |
| BOOKS BY NAUMAN | ||
| Please Pay Attention Please: Bruce Nauman's Words Writings and Essays | The MIT Press | 2002 |
| RECORDINGS | ||
| Rhythmic Stamping/Four Rythms in Preparation for Video Tape Problems, 1969 | Surface Tension: Prolematics of Site | 2003 |
| OTHER PUBLICATIONS | ||
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| Sex-Quake: Art After the Apocalypse [an exhibition in book form] | 1st Art-Genes Portable Museum | 1993 |
| INDIVIDUAL CATALOGUES | ||
| Bruce Nauman | Magasin 3 | 1996 |
| Bruce Nauman: Mapping the Studio I (Fat Chance John Cage) | Museum Ludwig, Koln | 2003 |
| Bruce Nauman: Raw Materials | Tate Modern, London | 2004 |
| Bruce Nauman: Works from 1965-1972 | Los Angeles County Museum of Art | 1972 |
| SELECTED CATALOGUES INCLUDING NAUMAN | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| Afterimage: Drawing Through Process | The Museum of Contemporary Art, Los Angeles | 1999 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Anti-Illusion: Procedures/Materials | Whitney Museum | 1969 |
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| Art by Telephone | Museum of Contemporary Art, Chicago | 1969 |
| ArtCite: When Montreal Turns Into a Museum | Musse D'Art Contemporain de Montreal | 2001 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Berlin Biennial # 4 - Of Mice and Men [curators: Maurizio Cattelan, Massimiliano Gioni, and Ali Subotnick] | various locations, Berlin | 2006 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Carnegie International 88 [Curator: John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1988 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Connections: Bridges/Ladders/Ramps/Staircases/Tunnels | Institute of Contemporary Art, University of Pennsylvania | 1983 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deconstruct / Reconstruct | John Gibson Gallery, New York | 1986 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Dia Chelsea [periodic exhibition brochures in binder] - 2002 | Dia Chelsea, New York | 1981- |
| Diagrams & Drawings | Rijksmuseum Kroller-Muller, Otterlo | 1972 |
| Dislocations | Museum of Modern Art, New York | 1991 |
| Disparities & Deformations: Our Grotesque - 5th Site Santa Fe Biennial [Robert Storr] | Site Santa Fe, New Mexico | 2004 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Energieen [Energies] | Stedelijk Museum, Amsterdam | 1990 |
| 557,087 | Seattle | 1969 |
| Function of Drawing | Rijksmuseum Kroller-Muller, Otterlo | 1975 |
| Guggenheim International | Guggenheim Museum | 1971 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Information | Museum of Modern Art, New York | 1970 |
| Into the Light: The Projected Image in American Art 1964-1977 | Whitney Museum | 2001 |
| Istanbul Biennial # 4 | Istanbul | 1995 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - TheVisual Convention / also in: Ambient Art | Venice | 1976 |
| la Biennale di Venezia 46: Identity and Alterity: Figures of the Body 1895-1995 [Jean Clair] | Venice, various locations | 1995 |
| la Biennale di Venezia 48 | Venice, Italy | 1999 |
| la Biennale di Venezia 51: The Experience of Art / Always a Little Further | Venice | 2005 |
| Longing and Belonging From the Faraway Nearby | Site Santa Fe | 1995 |
| Loop - Back to the Beginning [curator: Klaus Biesenbach] | P.S. 1 Contemporart Art Center, New York | 2001 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| Mediascape | Guggenheim Museum Soho | 1996 |
| Memento Mori | Moore College of Art, Philadelphia | 1985 |
| Metropolis | Martin Gropius Bau, Berlin | 1991 |
| Nauman / Kruger / Jaar | Daros, Zurich | 2001 |
| 995,000 | Vancouver | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Op Losse Schroeven (Square peg in round hole) | Stedelijk Museum | 1969 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Points of Origin: Origins in Video | Independent Curators Inc, New York | 1991 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Pulsa 2: Report on a Phenomenon [curator: Phyllis Plous] | University Art Museum, Santa Barbara, California | 1990 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Rooms P.S.1 | P.S. 1 | 1977 |
| Schemes: A Decade of Installation Drawings | Elise Meyer Inc | 1981 |
| 75th American Exhibition | Art Institute of Chicago | 1982 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| Stations | Centre International D'Art Contemporian De Montreal | 1988 |
| Sydney Biennale 2000 | Sydney, various venues | 2000 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The Interrupted Life [curated by France Morin. Including: Beuys, Boltanski, Calle, Charlesworth, Dittborn, Hatoum, Nauman, and Stilinovic] | The New Museum of Contemporary Art, New York | 1991 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Whitney Biennial 1985 [Richard Armstrong, John G. Hanhardt, Barbara Haskell, Richard Marshall, Lisa Phillips, and Patterson Sims] | Whitney Museum of American Art | 1985 |
| Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1987 |
| Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| Whitney Biennial 1997 [Lisa Phillips and Louise Neri] | Whitney Museum of American Art | 1997 |
| Whitney Museum Sculpture Annual 1970 | Whitney Museum of American Art | 1970 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| SELECTED BOOKS INCLUDING NAUMAN | ||
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
| Art Povera: Earthworks - Impossible Art - Actual Art - Conceptual Art | Praeger | 1969 |
| Art Recollections:Artists' Interviews and Statements in the Nineties | Danilo Montanari & Exit & Zona Archives Editori | 1997 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Postminimalism | Out of London Press | 1977 |
| Sex-Quake: Art After the Apocalypse [an exhibition in book form] | 1st Art-Genes Portable Museum | 1993 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The New Avant-Garde: Issues for the Art of the Seventies | Praeger | 1972 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Video by Artists 2 | Art Metropole, Toronto | 1986 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| PERIODICALS INCLUDING NAUMAN | ||
| Artforum [Review of Anti-Illusion: Procedures / Materials] | September | 1969 |
| Artforum [Aligned with Nazca by Robert Morris] | October | 1975 |
| Art in America [The Emperor's New Bikini by Hilton Kramer] | January-February | 1969 |
| Art in America, [Article: Impossible Art] | May-June | 1969 |
| Art in America [Report from Italy: Count Panza Divests] | December | 1984 |
| Art in America [Under Western Eyes] | January | 1989 |
| Art in America [The Heart of Darkness: Film and Video at the Whitney Biennial] | October | 1991 |
| Art in America [Sculpture Projects in Munster] | October | 2007 |
| Art Journal [From Gaget Video to Agit Video: Some Notes on Four Recent Video Works [Benjamin Buchloh] [and in Chronology] | Fall | 1985 |
| Avalanche # 02 | Avalanche | 1971 |
| Flash Art [The Body as Site] | November-December | 1991 |
| Flash Art [Bruce Nauman: Being is Nothing] | March-April | 1993 |
| Interfunktionen #06 | Interfunktionen | 1971 |
| Interfunktionen #08 | Interfunktionen | 1972 |
| Interfunktionen #11 | Interfunktionen | 1974 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| Sculpture, Vol.21, #8 [Collecting Experience: A Conversation with Steven Oliver] | October | 2002 |
| Trans> arts.cultures.media #1 | Passim, Inc. | 1995 |
| Trans> arts.cultures.media # 9/10 | Passim, Inc. | 2001 |
| Witte de With - Cahier #4 | Witte de With center for contemporary art, Rotterdam | 1996 |
| EXHIBITION REVIEWS | ||
| Bruce Nauman at Castelli | Artforum, April | 1968 |
| Bruce Nauman at Castelli | Arts Magazine, November | 1971 |
| Bruce Nauman at Castelli and Sonnabend | Art in America, March-April | 1977 |
| Bruce Nauman at Dia Center for the Arts, New York | Tema Celeste #91, May-June | 2002 |
| ADVERTISEMENTS | ||
| Bruce Nauman at Nicholas Wilder, L.A. | Artforum, January | 1969 |