HELIO OITICICA
1937, Rio de Janeiro - 1980
F / S / V / INSTV
| INDIVIDUAL CATALOGUES | ||
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| Helio Oiticica | Walker Art Center, Minneapolis | 1992 |
| Mas Alla del Espacio - Ho (in Spanish) [small catalogue/brochure] | 6th Havana Bienal | 1997 |
| WRITINGS BY OITICICA | ||
| To Return Earth unto the Earth - in Whitte de With - Cahier #2 | Witte de With center for contemporary art, Rotterdam | 1994 |
| EPHEMERA | ||
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| Helio Oiticica: Quasi-Cinemas (exhibition brochure) | The New Museum of Contemporary Art, New York | 2002 |
| CATALOGUES INCLUDING OITICICA | ||
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Arte no es Vida: Actions by Artists of the Americas, 19960-2000 | el Museo del Barrio, New York | 2008 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| Documenta 10 | Kassel, Germany | 1997 |
| Espelho Cego / Blind Mirror: Selections from a Contemporary Collection | Museu de Arte Moderna de Sao Paulo | 2001 |
| Form Specific | Moderna Galerija Ljubljana | 2003 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Information | MoMA, NY | 1970 |
| La Biennale di Venezia 1976 - International Events | Venice | 1976 |
| Latin American Artists of the Twentieth Century | The Museum of Modern Art, New York | 1993 |
| Life Experience | Generali Foundation, Vienna | 2000 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Painting at the Edge of the World | Walker Art Center | 2001 |
| The Last Picture Show | The Walker Art Center | 2003 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| BOOKS INCLUDING OITICICA | ||
| Beyond the Fantastic: Contemporary art criticism from Latin America [The Void and the Dialogue in the Western Hemisphere] | MIT Press | 1996 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptuallism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| OTHER PUBLICATIONS | ||
| Art Action 1958 - 1998 | Inter Art Actuel et Le Lieu, Centre en Art Actuel, Quebec | 2001 |
| PERIODICALS INCLUDING OITICICA | ||
| Art in America [Report From Sao Paulo Crossed Signals: The 16 Bienal by John Perreault] | May | 1982 |
| Art in America [Courting the Carnivalesque] | January | 1989 |
| Art in America [Helio Oiticica: Reverie and Revolt by Guy Brett] | January | 1989 |
| Art Journal | Spring | 2000 |
| Art Journal [Tactile Dematerialization, Sensory Politics: Helio Oiticica's Parangoles] | Summer | 2004 |
| Art Nexus #42 [Geometric Abstraction: Latin American Art] | November 2001 - January | 2002 |
| Poliester #16 [Sao Paulo Biennial Review] | Fall | 1996 |
| Third Text # 28/29 | Third Text, Autumn | 1994 |
| Trans> arts.cultures.media #1 [Guy Brett - Museum Parangole] | Passim, Inc. | 1995 |
| Trans> arts.cultures.media # 5 | Passim, Inc. | 1998 |
| Trans> arts.cultures.media # 6 | Passim, Inc. | 1999 |
| Trans> arts.cultures.media # 7 [included in article: Knowing Can Be Destroying] | Passim Inc. | 2000 |
| Trans> arts.cultures.media # 8 | Passim Inc. | 2000 |
| Whitte de With - Cahier #1 | Witte de With center for contemporary art, Rotterdam | 1994 |