DENNIS OPPENHEIM
1938, Mason City (electric City) Washington - Lives and works in New York
| ARTISTS BOOKS AND MULTIPLES | ||
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| Cancelled Crop / Forest Project / Notes on Ecologic Projects | Aspen Magazine # 8 | 1970-1 |
| Flower Arrangement for Bruce Nauman [from Artists and Photographs Box] | Multiples, Inc. | 1970 |
| Proposals 1967 - 1974 (signed and numbered) | Lebeer-Hossmann, Bruxelles, Hamburg | 1974 |
| RECORDINGS | ||
| Broken Record Blues (Airwaves) | 110 Records | 1976 |
| Theme from a Major Hit ("It ain't what you make it's what makes you do it." | American Narrative / Story Art 1967-1977 - Record | 1978 |
| VIDEO AND FILM | ||
| Tooth and Nail: FIlm and VIdeo 1970 - 74 by Dennis Oppenheim | Slought Foundation | 2008 |
| EPHEMERA | ||
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| Dennis Oppenheim (announcement card) | John Gibson Commissions, New York | 1970 |
| Dennis Oppenheim (announcement card) | John Gibson Gallery, New York | 1977 |
| Mind Twists: A portfolio of burned out thoughts (invitation card) | Multiples, Inc. (Marian Goodman Gallery) | 1977 |
| Timetrack [individual mailed announcement card for work in Land Art exhibition] | Fernsehgalerie Gerry Schum, Berlin | 1969 |
| ARTICLES AND CONTRIBUTIONS | ||
| Discussion with Michael Heizer, Dennis Oppenheim, and Robert Smithson | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Top Raw Marerial (contribution to catalogue: Odd Lots: Revisiting Gordon Matta-Clark's Fake Estates) | White Columns / Queens Museum, New York | 2005 |
| OTHER PUBLICATIONS | ||
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| On Site #4 - Not Seen and/or Less Seen of... | Site, Inc., New York | 1973 |
| The Kitchen Center for Video and Music 75-76 | The Kitchen, New York | 1976 |
| INDIVIDUAL CATALOGUES | ||
| Dennis Oppenheim: Explorations | Charta | 2001 |
| Dennis Oppenheim: Retrospective - Works 1967-1977 [plus: Three Interviews - excerpts and Checkist - Art Gallery of Ontario] | Musee d'Art Contemporain, Montreal | 1978 |
| Dennis Oppenheim: Selected Works 1967 - 1990 | P.S. 1 | 1991 |
| Nine Days with Dennis Oppenheim | CAYC - Centro de arte y Comunicacion | 1971 |
| SELECTED CATALOGUES INCLUDING OPPEBNHEIM | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| American Narrative / Story Art 1967-1977 | Contemporary Art Museum, Houston, Texas | 1978 |
| Art by Telephone | Museum of Contemporary Art, Chicago | 1969 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| A Second Talent: Painters and Sculptors Who are Also Photographers | The Aldrich Museum of Contemporary Art | 1985 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Construction in Process | 37 Pkwn Street, Lodz, Poland | 1981 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deconstruct / Reconstruct | John Gibson Gallery, New York | 1986 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Earth | Andrew Dickson White | 1969 |
| Early Work by Five Contemporary Artists [Curator: Marcia Tucker - including interviews with each artist] | The New Museum of Contemporary Art , New York | 1977 |
| Earth, Air, Fire, Water: Elements of Art | Museum of Fine Arts, Boston | 1971 |
| Earth Works (no catalogue, anouncement card written in sand) | Virginia Dawn Gallery | 1968 |
| 18'6" x 6'9" x 11'21/2" x 47' x 11 3/16" x 29'8 1/2" x 31' 9 3/16 [poster] | San Francisco Art Institute | 1969 |
| 557,087 | Seattle | 1969 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Information | MoMA, New York | 1970 |
| Into the Light: The Projected Image in American Art 1964-1977 | Whitney Museum | 2001 |
| La Biennale di Venezia 1976 - International Events | Venice | 1976 |
| la Biennale di Venezia 45: Opera Italiana - Transiti - Museo Elettronico | Venice, various locations | 1993 |
| Land Art | Fernsehgalerie Berlin Gerry Schum | 1969 |
| Land Marks: New site proposals by twenty-two original pioneers of environmental art | Bard College Center | 1984 |
| 995,000 | Vancouver | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| One Month: March 1969 | Seth Siegelaub | 1969 |
| Op Losse Schtoeven (Square Peg in Round Holes) | Stedelijk Museum | 1969 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Pulsa 2: Report on a Phenomenon [curator: Phyllis Plous] | University Art Museum, Santa Barbara, California | 1990 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Reasoned Space | Center for Creative Photography, U. of Arizona | 1980 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Rooms, P.S.1 | P.S.1 | 1977 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| Schemes: A Decade of Installation Drawings | Elise Meyer Inc | 1981 |
| Sculptural Ideas: 29th Annual Contemporary Art Exhibition | Leheigh University Art Galleries, Bethlehem, Pennsylvania | 1984 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Slide Show: Projected Images in Contemporary Art | The Baltimore Museum of Art | 2005 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| Valencia Biennial #2 - The Ideal City | Valencia, Spain | 2003 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Whitney Biennial 1981 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1981 |
| Whitney Museum Sculpture Annual 1970 | Whitney Museum of American Art | 1970 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| SELECTED BOOKS OF THE INCLUDING OPPENHEIM | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art and Life | Praeger | 1971 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Art Povera: Earthworks - Impossible Art - Actual Art - Conceptual Art | Praeger | 1969 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| Fantastic Architecture | Something Else Press | 1969 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Individuals: Post-Movement Art in America | E.P. Dutton & Co., Inc. | 1977 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Recording Conceptual Art | Norvell, Patricia | 2001 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| PERIODICALS INCLUDING OPPENHEIM | ||
| Artforum [Earthworks and the New Picturesque] | December | 1968 |
| Artforum [Real Time Systems] | September | 1969 |
| Art in America, [Article: Impossible Art] | May-June | 1969 |
| Arts Magazine [Paris] | February | 1970 |
| Aspen Magazine No. 8 | Fall / Winter | 1970-1 |
| Avalanche # 01 | Avalanche | 1970 |
| Avalanche # 02 | Avalanche | 1971 |
| Frieze [Labours of Love - Flavin and Oppenheim] | November - December | 2001 |
| Interfunktionen # 03 | Interfunktionen | 1969 |
| Interfunktionen # 04 | Interfunktionen | 1970 |
| Interfunktionen #05 | Interfunktionen | 1970 |
| Interfunktionen #06 | Interfunktionen | 1971 |
| Interfunktionen # 07 | Interfunktionen | 1971 |
| Interfunktionen # 09 | Interfunktionen | 1972 |
| Parachute # 9 (interview) | Parachute | 1977 |
| EXHIBITION REVIEWS | ||
| Dennis Oppenheim at John Gibson | Art in America, March-April | 1970 |
| Dennis Oppenheim at Sonnabend | Art in America, May-June | 1973 |
| Dennis Oppenheim at Francoise Lambert, Milan | Artforum, February | 1980 |
| Vito Acconci, Robert Morris, Dennis Oppenheim at Sonnabend | Artforum, Summer, | 1980 |
| ADVERTISEMENTS | ||
| Dennis Oppenheim at John Gibson (with image - "Snow Projects") | Artforum, January | 1969 |