GABRIEL OROZCO
1962, Veracruz, Mexico
F / S / V / INSTV
| BOOKS BY OR ABOUT OROZCO | ||
| Empty Club: Gabriel Orozco | Artangel | 1998 |
| EXHIBITIONS CURATED | ||
| Lines of Loss | Artists Space, New York | 1997 |
| The Everyday Altered | Venice Biennale 50 | 2003 |
| EPHEMERA | ||
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| Gabriel Orozco [announcement card with image and text] | Marian Goodman Gallery, New York | 2001 |
| INDIVIDUAL CATALOGUES | ||
| Gabirel Orozco | The Museum of Contemporary Art, Los Angeles | 2000 |
| Gabriel Orozco: Photography | Philadelphia Museum of Art | 1999 |
| SELECTED CATALOGUES INCLUDING OROZCO | ||
| Berlin Biennale 1 - Berlin/Berlin [curator: Klaus Biesenbach] | Kunst Werke, Berlin | 1998 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Carnegie International [curator: Madeleine Grynsztejn] | Carnegie Museum of Art, Pittsburgh, Pennsylvania | 1999 |
| Cocido y Crudo | Museo Nacional Centro de Arte Reina Sofia | 1995 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Documenta 10 | Kassel, Germany | 1997 |
| Documenta 11 | Kassel, Germany | 2002 |
| Istanbul Biennial # 7 - Egofugal [curator: Yuko Hasegawa] | Istanbul Foundation for Culture and Arts | 2001 |
| la Biennale di Venezia 45: Aperto - Emergency [Achille Bonito Oliva, Helena Kontova, with Francesco Bonami, among others] | Venice, various locations | 1993 |
| la Biennale di Venezia 50: Dreams and Conflicts: The Dictatorship of the Viewer | Venice | 2003 |
| la Biennale di Venezia 51: The Experience of Art / Always a Little Further | Venice | 2005 |
| Laboratorium | Antwerpen Open | 1999 |
| Lesa Natura: Reflexiones Sobre Ecologia | Museo de Arte Moderno, Sala Jose Juan Tablada, Mexico, D.F. | 1993 |
| Let's Entertain: Life's Guilty Pleasures | Walker Art Center | 2000 |
| Looking for a Place | Site Santa Fe - 3rd International Biennial | 1999 |
| Moving Pictures: Contemporary Photography and Video from the Guggenheim Collections | Solomon R. Guggenheim Museum, New York | 2003 |
| ...om det sublima / ...on the sublime | Rooseum, Malmo | 1999 |
| Present Tense: Nine Artists in the Nineties [curator: Gary Garrels, Janet Bishop, and John S. Weber, with an essay by Julie Ault: "Everything is more complicated than visible"] | San Francisco Museum of Modern Art | 1997 |
| Propositions | Musee Departmental de Rochechouart | 1996 |
| Tempo [curated by: Paulo Herkenhoff, Roxana Marcoci and Mariam Basilio] | The Museum of Modern Art, New York | 2002 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| Unfinished History | Walker Art Center, Minneapolis | 1998 |
| Vanitas: Meditations on Life and Death in Contemporary Art [Curator: John B. Ravenal] | Virginia Museum of Fine Arts, Richmond | 2000 |
| Whitney Biennial 1995 [Klaus Kertess] | Whitney Museum of American Art | 1995 |
| Whitney Biennial 1997 [Lisa Phillips and Louise Neri] | Whitney Museum of American Art | 1997 |
| Zero to Infinity: Arte Povera 1962-1972 | Walker Art Center | 2001 |
| BOOKS INCLUDING OROZCO | ||
| Conceptual Art | Phaidon | 1998 |
| Echoes: Contemporary Art in the Age of Endless Conclusions | The Monacelli Press | 1996 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| PERIODICALS INCLUDING OROZCO | ||
| Art Journal [Readymade, Found Objects, Photograph] | Summer | 2004 |
| Art Nexus #25 [Gabriel Orozco: Placement, Displacement / also in: Transterritorial by Octavio Zaya and The Whitney Biennial review by Luis Camnitzer] | July-September | 1997 |
| Art Nexus #31 [24th Sao Paulo Biennial: A Cannibalist Proposal] | February-April | 1999 |
| Art Nexus #38 | November - January | 2001 |
| Art Nexus #41 [Versions of the South F(r)ictions ] | August-October | 2001 |
| Atlantica International Revista de las Artes #17 [Gabriel Orozco: Infinite Silences by Okwui Enwezor] | Centro Atlantico de Arte Moderno, Gran Canaria | 1997 |
| Flash Art [Gabriel Orozco] | March-April | 1994 |
| Grand Street #61 - All-American [Paradise] | Grand Street | 1997 |
| Parkett #39 | Parkett | 1994 |
| Parkett # 48 | Parkett | 1996 |
| Poliester Vol.5 #17 | Winter | 1996 |
| Third Text # 36 | Third Text, Autumn | 1996 |
| Trans> arts.cultures.media # 7 | Passim Inc. | 2000 |
| Witte de With - Cahier #2 | Witte de With center for contemporary art, Rotterdam | 1994 |
| EXHIBITION REVIEWS | ||
| Gabriel Orozco at Hayward Gallery, London | Art and Design: New Art from Latin America | 1994 |
| Gabriel Orozco at Marian Goodman Gallery, New York | Art Nexus Vol.23, January-March | 1997 |
| Gabriel Orozco at Museum of Modern Art of the City of Paris | Art Nexus #31, February-April | 1999 |