TONY OURSLER
1957, New York
| INDIVIDUAL CATALOGUES | ||
| Tony Oursler: Introjection: Mid-Career Survey 1976-1999 | Williams College Museum of Art, Williamstown | 1999 |
| EXHIBITIONS CURATED | ||
| Station to Station [curated with Gary Simmons] | Artists Space, New York | 1997 |
| CATALOGUES INCLUDING OURSLER | ||
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| ArtCite: When Montreal Turns Into a Museum | Musse D'Art Contemporain de Montreal | 2001 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Disparities & Deformations: Our Grotesque - 5th Site Santa Fe Biennial [Robert Storr] | Site Santa Fe, New Mexico | 2004 |
| Documenta 8 [curator: Manfred Schneckenburger] Video | Kassel | 1987 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Documenta 10 | Kassel, Germany | 1997 |
| Empty Dress: Clothing as Surrogate in Recent Art [curator: Nina Felshin] | Independent Curators, Inc., New York | 1993 |
| Flipside (lost in translation: the flipside of the message) | Artists Space, New York | 2004 |
| Heart of Darkness | Kroller-Muller Museum-Otterlo | 1994 |
| Home Video Redefined: Media, Sculpture and Domesticity | Center of Contemporary Art in North Miami | 1994 |
| I Love New York [curator: Jochen Poetter] | Museum Ludwig Koln | 1998 |
| Istanbul Biennial # 4 | Istanbul | 1995 |
| Istanbul Biennial # 6 - The Passion and the Wave [curator: Paulo Colombo] | Istanbul Foundation for Culture and Arts | 1999 |
| Radikale Bilder / Radical Images: 2nd Austrian Triennial on Photography [book 2] | Neue Galerie am Landesmuseum Joanneum + Kunstlerhaus, Ganz | 1996 |
| The Figure as Fiction: The Figure in Visual Art and Literature [curator: Elaine A. King] | The Contemporary Arts Center, Cincinnati | 1994 |
| The Ten Commandments | Deutschen Hygiene Museum, Dresden | 2004 |
| Valencia Bennial #1 - communication between the arts [Achille Bonito Oliva, Peter Greenaway, David Perez, and Viktor Misiano +] | Valencia, Spain | 2001 |
| Video Spaces: Eight Installations | The Museum of Modern Art, New York | 1995 |
| Whitney Biennial 1989 - Film and Video [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1989 |
| Whitney Biennial 1997 [Lisa Phillips and Louise Neri] | Whitney Museum of American Art | 1997 |
| Whitney Biennial 2006 [Elisabeth Sussman, John G. Hanhardt, Thelma Golden, and Lisa Phillips] | Whitney Museum of American Art | 2006 |
| Zones of Disturbance / Zonen der Ver-Storung | Steirischer Herbst | 1997 |
| BOOKS INCLUDING OURSLER | ||
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Illuminating Video: An Essential Guide to Video Art | Aperture | 1990 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Video by Artists 2 | Art Metropole, Toronto | 1986 |
| PERIODICALS INCLUDING OURSLER | ||
| Grand Street #52 - Games [artists pages: Dummies, Flowers, and Alters] | Grand Street | 1995 |
| Parkett # 47 | Parkett | 1996 |
| Parkett # 61 [mentioned in Cumulus] | Parkett | 2001 |
| Trans> arts.cultures.media # 5 | Passim, Inc. | 1998 |
| Trans> arts.cultures.media # 6 | Passim, Inc. | 1999 |