RICHARD PRINCE
1949, Panama Canal Zone, Lives and works in New York
| INDIVIDUAL CATALOGUES | ||
| Richard Prince | Whitney Museum of American Art | 1992 |
| RECORDINGS | ||
| Tellus: The Audio Cassette Magazine # 5/6 | Tellus / Harvestworks media Arts | |
| BOOKS BY OR ABOUT PRINCE | ||
| Richard Prince | Phaidon | 2003 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| Inserts ["Advertising Supplement to The New York Times" sponsored by the Public Art Fund] | Group Material | 1988 |
| ARTICLES / ESSAYS / INTERVIEWS | ||
| Interview with Peter Halley (1984) | Appropiation [Documents of Contemporary Art] | 2009 |
| "The Ballad of Spiritual America" in An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns | White Columns, New York | 1991 |
| The Perfect Tense (from "Why I Go to the Movies", published by Tanam Press, NYC) in New Observations # 17 | New Observations, Ltd., New York | 1983 |
| SELECTED CATALOGUES INCLUDING PRINCE | ||
| A Decade of New Art: Artists Space | Artists Space, New York | 1984 |
| A Fatal Attraction: Art and the Media | The Renaissance Society at the University of Chicago | 1982 |
| A Forest of Signs: Art in the Crisis of Representation | The Museum of Contemporary Art, Los Angeles | 1989 |
| Body Language: Figurative Aspects of Recent Art [curator: Roberta Smith] | Hayden Gallery, MIT University | 1981 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| East Village USA | The New Museum of Contemporary Art, NY | 2004 |
| Image Scavengers: Photography | Institute of Contemporary Art, University of Pennsylvania | 1983 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Knowledge: Aspects of Conceptual Art | University Art Museum, Santa Barbara | 2002 |
| La Biennale di Venezia 50: Dreams and Conflicts: The Dictatorship of the Viewer | Venice | 2003 |
| Let's Entertain: Life's Guilty Pleasures | Walker Art Center | 2000 |
| Metropolis | Martin Gropius Bau, Berlin | 1991 |
| Perverted by Language | Hillword Art Gallery, New York | 1987 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Public Art [Lawler designed the catalogue for this exhibition] | Nexus Contemporary Art Center, Atlanta | 1985 |
| Radikale Bilder / Radical Images: 2nd Austrian Triennial on Photography [book 2] | Neue Galerie am Landesmuseum Joanneum + Kunstlerhaus, Ganz | 1996 |
| Recent Tendencies in Black and White | Sidney Janis Gallery, New York | 1987 |
| Reprises de Vues / TV: For Real | Halle Sud, Geveve | 1988 |
| The Art of Memory / The Loss of History | The New Museum of Contemporary Art | 1986 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The Last Decade: American Artists of the 80's | Tony Shafrazi Gallery, New York | 1990 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Pictures Generation 1974-1984 | The Metropolitan Museum of Art, New York | 2009 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| 35 Artists Return to Artists Space: A Benefit Exhibition | Artists Space, New York | 1981 |
| Whitney Biennial 1985 [Richard Armstrong, John G. Hanhardt, Barbara Haskell, Richard Marshall, Lisa Phillips, and Patterson Sims] | Whitney Museum of American Art | 1985 |
| Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1987 |
| Whitney Biennial 1997 [Lisa Phillips and Louise Neri] | Whitney Museum of American Art | 1997 |
| Whitney Biennial 2004 [Chrissie Iles, Shamim M. Momin, and Debra Singer] | Whitney Museum of American Art, New York | 2004 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| BOOKS INCLUDING PRINCE | ||
| An Anthology of Statements Celebrating the Twentieth Anniversary of White Columns | White Columns, New York | 1991 |
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| Fabrications: Staged, Altered, and Appropriated Photographs | Abbeville Press, New York | 1987 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| On the Museum's Ruins | MIT Press | 1993 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| The Archive [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2006 |
| SELECTED PERIODICALS INCLUDING PRINCE | ||
| Art in America [Social Science Fiction (an interview with Richard Prince)] | March | 1987 |
| Art in America [Under Western Eyes (including: Joseph Beuys, Rebecca Horn, Bruce Nauman, Richard Prince, Lorna Simpson, and Bill Viola)] | January | 1989 |
| New Observations # 17 - Science Fiction Issue (editred by Peter Halley) | New Observations Ltd, New York | 1983 |
| Parkett # 28 | Parkett | 1991 |
| Parkett # 34 | Parkett | 1992 |
| Real Life Magazine #4 | Real Life | 1980 |
| Wedge # 2 | Wedge | 1982 |