ROBERT RAUSCHENBERG
1925, Port Arthur, Texas - 2008
| INDIVIDUAL CATALOGUES | ||
| Currents | Dayton's Gallery 12 | 1970 |
| FILM / VIDEO | ||
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| Linoleum (1967) [excerpt] | Aspen Magazine 5& 6 | 1967 |
| Open Score (1966) | Microcinema | 2007 |
| EPHEMERA | ||
| Next Wave Festival 1983 Program [Trish Brown: collaboration with Robert Rauschenberg and Donald Judd, visuals / Laurie Anderson, music-performance] | Brooklyn Academy of Music | 1983 |
| CATALOGUES INCLUDING RAUSCHENBERG | ||
| A Different War: Vietnam in Art [mentioned in Lippard's essays, not in the exhibition] | Independent Curators Incorporated, New York [traveled] | 1990 |
| Art About Art | Whitney Museum of American Art | 1978 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| A Second Talent: Painters and Sculptors Who are Also Photographers | The Aldrich Museum of Contemporary Art | 1985 |
| Blam! The Explosion of Pop, Minimalism and Performance 1958-1964 | Whitney Museum of American Art | 1984 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Connections: Bridges/Ladders/Ramps/Staircases/Tunnels | Institute of Contemporary Art, University of Pennsylvania | 1983 |
| Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958-1972 | Mason Gross Art Galleries, Rutgers University / Mead Art Gallery, Amherst | 2003 |
| Deep Storage: Collecting, Storing, and Archiving in Art | P.S.1 Contemporary Art Center | 1998 |
| Directions 1: Options | Milwaukee Art Center | 1968 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - The Urban Iconosphere | Venice | 1976 |
| la Biennale di Venezia 46: Identity and Alterity: Figures of the Body 1895-1995 [Jean Clair] | Venice, various locations | 1995 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Off Limits: Rutgers University and the Avant-Garde, 1957-1963 [mentioned in text - not in exhibition] | The Newark Museum | 1999 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Edge of Awareness | World Health Organization | 1998 |
| The Machine as seen at the end of the mechanical age | The Museum of Modern Art, New York | 1968 |
| The Object Transformed | The Museum of Modern art, New York | 1966 |
| The Rebounding Surface: A Study of Reflections in the Work of Nineteen Contemporary Artists [curator: Linda Weintraub] | Edith C. Blum Art Institute Avery Center for the Arts, Bard College | 1982 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| Urban Encounters: Art Architecture Audience [listed in 100 sites] | ICA, University of Pennsylvania | 1980 |
| Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| Works for New Spaces | Walker Art Center, Minneapolis | 1971 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| BOOKS INCLUDING RAUSCHENBERG | ||
| ABC No Rio Dinero: The Story of a Lower East Side Art Gallery | ABC No Rio with Collaborative Projects | 1985 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Assemblage, Environments & Happenings | Abrams | 1966 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Collectivism After Modernism: The Art of Social Imagination After 1945 | University of Minnesota Press | 2007 |
| Conceptual Art | Phaidon | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Happenings and Other Acts | Routledge | 1995 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| New Art of Cuba [author: Luis Camnitzer] (Rauschenberg's influence on Cuban artists) | University of Texas Press, Austin | 1994 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| OTHER PUBLICATIONS | ||
| The Arties - Franklin Furnace's Tenth Anniversary Celebration | Franklin Furnace, New York | 1986 |
| PERIODICALS | ||
| Art in America [print insert] | November-December | 1970 |
| Art in America [Give my regards to Eighth Street] | March-April | 1971 |
| Art in America [Vietnam War protest print] | November-December | 1971 |
| Art in America [Four Difficult Pieces (Robert Rauschenberg)] | July | 1991 |
| Art in America [Compound Pleasures - Rauschenberg's Combines] | December | 2006 |
| Art Journal [Robert Rauschenberg: A Retrospective] | Summer | 1998 |
| Aspen No. 5+6 | Fall / Winter | 1967 |
| Grand Street #38 [artists pages: Seven Works on Paper] | Grand Street | 1991 |
| Grand Street #62 - Itentity [Women of Allah: Secret Identities] | Grand Street | 1997 |
| Third Text # 24 | Third Text, Autumn | 1993 |