
AD REINHARD
1913, Buffalo, New York [born Adolph Dietrich Friedrich Reinhardt] - 1967, New York City
| BOOKS BY OR ABOUT REINHARDT | ||
| Art as Art: The Selected Writings of Ad Reinhardt | University of California Press | 1991 |
| ARTICLES AND INTERVIEWS BY OR WITH REINHARDT | ||
| Twelve Rules for a New Academy. 25 Lines on Words on Art: Statement. The Black-Square Paintings | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| CATALOGUES INCLUDING REINHARDT | ||
| A Different War: Vietnam in Art [mentioned in Lippard's essays, not in the exhibition] | Independent Curators Incorporated, New York [traveled] | 1990 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Focus on Light | The New Jersey State Museum, Trenton | 1967 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Great Abstraction and Great Realism | Venice | 1976 |
| Off Limits: Rutgers University and the Avant-Garde, 1957-1963 [mentioned in text - not in exhibition] | The Newark Museum | 1999 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Strategies for the Last Painting / Strategies for the Next Painting | Wolff Gallery, New York | 1991 |
| Symptoms of Interference | Camden Arts Center, London | 1994 |
| 10 | Dwan Gallery | 1966 |
| The Art of the Real: USA 1948-1968 | The Museum of Modern Art, New York | 1968 |
| The Desire of the Museum | Whitney Museum Downtown at Federal Reserve Plaza | 1989 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| BOOKS INCLUDING REINHARDT | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Rewriting Conceptual Art | Reaktion Books [Critical Views], London | 1999 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING REINHARDT | ||
| Art in America [The Prize: An Exchange of Letters between Ajay and Reinhardt] | November-December | 1971 |
| Art International [mentioned in Smithson's article: A Museum of Language in the Vicinity of Art] | March | 1968 |
| New Observations #82 - Response to War | New Observations Ltd., New York | 1991 |
| The Flue Vol 4 #3/4 - Special Issue on Mail Art | Franklin Furnace, Winter | 1984 |
| Tracks: a journal of artists' writings, Volume 1, Number 3 | Fall | 1975 |
| EXHIBITION REVIEWS | ||