
GERHARD RICHTER
1933, Dresden, Germany - Lives and works in Koln
F / S / V / INSTV
| INDIVIDUAL CATALOGUES | ||
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| Gerhard Richter: Forty Years of Painting | The Museum of Modern Art, New York | 2002 |
| Gerhard Richter: Survey | ifa / Institut for Foreign Cultural Relations, Stuttgart | 2000 |
| BOOKS BY OR ABOUT | ||
| Atlas | D.A.P. / Distributed Art Publishers | 1997 |
| Atlas van de foto's en schetsen | Hedendaagse Kunst, Utretcht | 1972 |
| Gerhard Richter: Sils | D.A.P. Distributed Art Publishers, Inc. | 2002 |
| CATALOGUES INCLUDING RICHTER | ||
| An International Survey of Recent Painting and Sculpture | The Museum of Modern Art, New York | 1984 |
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| As Painting: Division and Displacement | Wexner Center for the Arts, Columbus | 2001 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Carnegie International 88 [Curator: John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1988 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Dia Chelsea [periodic exhibition brochures in binder] - '95 - '96 // '02 - '03 | Dia Chelsea, New York | 1981- |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Documenta 10 | Kassel, Germany | 1997 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Great Abstraction and Great Realism | Venice | 1976 |
| La Biennale di Venezia 47 | Venice, Italy | 1997 |
| la Biennale di Venezia 49: Plateau of Humankind | Venice, various locations | 2001 |
| Matrix, A Changing Exhibition of Contemporary Art [1987] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| Metropolis | Martin Gropius Bau, Berlin | 1991 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Public Information | San Francisco MoMA | 1994 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| Photography in Contemporary German Art: 1960 to the Present | Walker Art Center, Minneapolis | 1992 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| Strategies for the Last Painting / Strategies for the Next Painting | Wolff Gallery, New York | 1991 |
| Sydney Biennale 2000 | Sydney, various venues | 2000 |
| The Last Picture Show | The Walker Art Center | 2003 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| BOOKS INCLUDING RICHTER | ||
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| PERIODICALS INCLUDING RICHTER | ||
| Grand Street #45 [Oil on Photographs] | Grand Street | 1993 |
| Lusitania Volume 1 #3 | Fall | 1990 |
| EXHIBITION REVIEWS | ||
| Gerhard Richter at Sperone Westwater Fischer | Arts Magazine, April | 1978 |