MARTHA ROSLER
Brooklyn, New York
| ARTISTS' BOOKS | ||
| 3 Works | The Nova Scotia Pamphlets #1 | 1981 |
| Service: A Trilogy on Colonization | Printed Matter, New York | 1978 |
| BOOKS BY OR ABOUT ROSLER | ||
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| Decoys and Disruptions: Selected Writings, 1975-2001 | MIT Press | 2004 |
| If You Lived Here: The City in Art, Theory, and Social Activism - A Project by Martha Rosler | Dia Art Foundation / The New Press | 1991 |
| Paul Chan / Martha Rosler [Between Artists Series - A Conversation between the artists] | A.R.T. Press | 2006 |
| Rights of Passage | Martha Rosler | 1997 |
| INDIVIDUAL CATALOGUES | ||
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| Martha Rosler: Passionate Signals | Sprengel Museum Hannover | 2005 |
| ARTICLES BY ROSLER | ||
| "Lookers, Buyers, Dealers, and Makers: Thoughts on Audience" in Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Place, Position, Power, Politics | The Subversive Imagination: Artists, Society, & Social Responsibility [Routledge] | 1994 |
| Theses on Defunding in Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| Tompkins Square Park, East Village, Lower East Side, Manhattan, New York / Fragments of a Metropolitan Viewpoint | If You Lived Here: The City in Art, Theory, and Social Activism - A Project by Martha Rosler | 1991 |
| Tijuana Maid | Heresies #1 Feminism, Art and Politics | 1977 |
| Video: Shedding the Utopian Moment (1985-86) | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| INTERVIEWS WITH ROSLER | ||
| Interview in Environ 27 ans (peut-etre un peu plus...) | Palais de l'Athene, Salle Crosnier, Geneve | 1997 |
| SELECTED CATALOGUES INCLUDING ROSLER | ||
| A Different War: Vietnam in Art | Independent Curators Incorporated, New York | 1990 |
| American Narrative / Story Art 1967-1977 | Contemporary Art Museum, Houston, Texas | 1978 |
| Artists of Conscience | The Alternative Museum, New York | 1991 |
| A Sound Selection:Audio Works by Artists [with artist statements] | Artists Space, New York | 1980 |
| Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Cultural Economies:Histories from the Alternative Arts Movement, NYC | The Drawing Center, New York | 1996 |
| Difference: On Representation and Sexuality | The New Museum of Contemporary Art, New York | 1984 |
| Disinforamtion: The Manufacture of Consent | The Alternative Museum, New York | 1985 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 12 | Kassel, Germany | 2007 |
| Double Life: Identity and Transformation in Contemporary Life | Generali Foundation, Vienna | 2001 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Green Acres: Neo-Colonialism in the U.S. | Washington University Gallery of Art, St. Louis | 1992 |
| "Harriet Craig" | Apex Art, New York | 1998 |
| Laboratorium | Antwerpen Open | 1999 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Occupying Space: Sammlung Generali Foundation Collection | Generali Foundation, Vienna | 2003 |
| Open Systems: Rethinking Art c. 1970 | Tate Modern | 2005 |
| playing in the ruins [curatorial training program] | Royal College of Art, London | 2001 |
| Performance Art Festival | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels | 1978 |
| Prisoners of Image: Ethnic and Gender Stereotypes | The Alternative Museum, New York | 1989 |
| Public Information | San Francisco MoMA | 1994 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| 75th American Exhibition | Art Institute of Chicago | 1982 |
| The Art of Memory / The Loss of History | The New Museum of Contemporary Art | 1986 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The Last Picture Show | The Walker Art Center | 2003 |
| Third International Open Encounter on Video | CAYC (organized by) / Galleria Civica D'Arte Moderna, Ferrara | 1975 |
| Unacceptable Appetites [catalogue / brochure - video presentations] | Artists Space, New York | 1988 |
| Unknown Secrets: Art and the Rosenberg Era | Hillwood Art Gallery, Long Island University, New York | 1988 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Whitney Biennial 1979 [John G. Hanhardt, Barbara Haskell, Richard Marshall, Mark Segal and Patterson Sims] | Whitney Museum of American Art | 1979 |
| Whitney Biennial 1983 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1983 |
| Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1987 |
| Whitney Biennial 1989 - Film and Video [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1989 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| EAST VILLAGE EXHIBITIONS [INVITATIONS ONLY] | ||
| 100 Years: A Tradition of Social and Political Art on the LOWER EAST SIDE | P.P.O.W. | 1988 |
| SELECTED BOOKS INCLUDING ROSLER | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| But is it Art? The Spirit of Art as Activism | Bay Press | 1995 |
| Collectivism After Modernism: The Art of Social Imagination After 1945 | University of Minnesota Press | 2007 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Discussions in Contemporary Cultural #1 | Dia Art Foundation / Bay Press | 1987 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Illuminating Video: An Essential Guide to Video Art | Aperture | 1990 |
| Mapping the Terrain: New Genre Public Art | Bay Press | 1995 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| The Amazing Decade: Women and Performance Art in America 1970-1980 | Astro Artz | 1983 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Who Cares | Creative Time Books | 2006 |
| SELECTED PERIODICALS INCLUDING ROSLER | ||
| Art in America [A Global Issue: A Symposium with James Clifford, Boris Groys, Craig Owens, Martha Rosler, Robert Storr and Michele Wallace] | July | 1989 |
| Art in America [Sculpture Projects in Munster] | October | 2007 |
| Art Journal [From Gaget Video to Agit Video: Some Notes on Four Recent Video Works [Benjamin Buchloh] [and in Chronology] | Fall | 1985 |
| Art Journal ["Beauty Knows No Pain" by Alexander Alberro] | Summer | 2004 |
| Heresies #1 Feminism, Art and Politics | Heresies | 1977 |
| Heresies # 2 Patterns Of Communication and Space Among Women | Heresies | 1977 |
| Heresies #20 Activists, Organizers, Progressives... | Heresies | 1985 |
| Printed Project # 6 [includes a series of photographs by Rosler] | Visual Artists Ireland | 2007 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| The Fox # 3 | Art and Language | 1976 |
| Third Text # 24 | Third Text, Autumn | 1993 |
| Trans> arts.cultures.media # 5 | Passim, Inc. | 1998 |
| Wedge # 2 | Wedge | 1982 |
| EXHIBITION REVIEWS | ||
| Martha Rosler at University Art Museum, Berkeley | Artforum, February | 1980 |