EDWARD RUSCHA
1937, Omaha, Nebraska
| ARTISTS' BOOKS AND MULTIPLES | ||
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| Parking Lot [submission to Aspen Magazine # 8] | Aspen Magazine # 8 | 1970-1 |
| S Books | self | 2001 |
| Seven Products / Twentyfive Apartments / Three Palm Trees / Six Products and One Arial View | Gagosian Gallery | 2003 |
| Various Small Fires and Milk (2nd ed.) | self | 1970 |
| BOOKS BY RUSCHA | ||
| Leave Any Information at the Signal | MIT Press | 2002 |
| POSTCARDS AND EPHEMERA | ||
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| Cotton Puffs, Q-Tips, Smoke and Mirrors: The Drawings of Ed Ruscha (exhibition brochure) | The Whitney Msueum of American Art | 2004 |
| "Dreams" and other works on paper (exhibition announcement) | Leo Castelli Gallery, New York | 1989 |
| Edward Ruscha: Industrial Strength [large folded poster] | The Fabric Workshop and Museum, Philadelphia | 2008 |
| Edward Ruscha [sun / mon / tue / ...] (exhibition announcement) | Leo Castelli Gallery, New York | 1989 |
| Who (exhibition announcement) | Leo Castelli Gallery, New York | 1987 |
| Very Angry People (postcard) | Image Bank Post Card Show | 1977 |
| INTERVIEWS WITH RUSCHA | ||
| Premeditated: an interview with Ed Ruscha [interview by Jana Sterbak] | Real Life Magazine: Selected Writings and Project s 1979-1994 | 2006 |
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| INDIVIDUAL CATALOGUES | ||
| Edward Ruscha and Photography | Whitney Museum | 2004 |
| The Works of Edward Ruscha [I dont want no retro spective] | San Francisco MoMA | 1982 |
| CATALOGUES INCLUDING RUSCHA | ||
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| American Narrative / Story Art 1967-1977 | Contemporary Art Museum, Houston, Texas | 1978 |
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| A Second Talent: Painters and Sculptors Who are Also Photographers | The Aldrich Museum of Contemporary Art | 1985 |
| Aspects of the 70's - Photography: Recent Directions | DeCordova Museum, Lincoln, Massachusetts | 1980 |
| Aufnahmen [takes, recordings] [Buren / Graham / Ruscha] | Osterreichische Galerie Belvedere | 1999 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beau Monde: Toward a Redeemed Cosmopolitanism - Site Santa Fe 4th International Biennial | Site Santa Fe, New Mexico | 2001 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Carnegie International [curator: Madeleine Grynsztejn] | Carnegie Museum of Art, Pittsburgh, Pennsylvania | 1999 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Conception, Conceptual Documents 1960-1990 | Norwich Gallery, Norwich School of Art and Design, U.K. | 2001 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Construction in Process | 37 Pkwn Street, Lodz, Poland | 1981 |
| Deep Storage: Collecting, Storing, and Archiving in Art | P.S.1 Contemporary Art Center | 1998 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 9 [curator: Jan Hoet] | Kassel | 1992 |
| Duration Piece #8 Global | Douglas Huebler | 1973 |
| 18 Paris VI. 70 | Seigelaub, Seth | 1970 |
| First Impressions: Early Prints by Forty-six Contemporary Artists | The Walker Art Center, Minneapolis | 1989 |
| 557,087 | Seattle | 1969 |
| Image Bank Post Card Show | Image Bank, Vancouver | 1977 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| Inforamtion | MoMA, New York | 1970 |
| Konzeption - Conception Documentation of Today's Art Tendencies | Westdeutscher Verlag | 1969 |
| La Biennale di Venezia 1976 - International Events / also included in the USA Pavilion (among others) | Venice | 1976 |
| La Biennale di Venezia 47 | Venice, Italy | 1997 |
| Matrix, A Changing Exhibition of Contemporary Art [1976] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| Metropolis | Martin Gropius Bau, Berlin | 1991 |
| 955,000 | Vancouver | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Public Art | Nexus Contemporary Art Center, Atlanta | 1985 |
| Public Information | San Francisco MoMA | 1994 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| The 1984 Show | Ronald Feldman Fine Art, Inc, New York | 1983 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Typologies: Nine Contemporary Photographers | Newport Harbor Art Museum | 1991 |
| We Interrupt This Program: Print Ads and TV Spots by Artists | Mercer Union, Toronto | 2009 |
| Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1987 |
| Whitney Biennial 1997 [Lisa Phillips and Louise Neri] | Whitney Museum of American Art | 1997 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| Words as Images | The Renaissance Society, University of Chicago | 1981 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| BOOKS INCLUDING RUSCHA | ||
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art in the Land: A Critical Anthology of Environmental Art | E. P. Dutton | 1983 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Minimal Art: A Critical Survey | E.P. Dutton & Co. | 1968 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| SELECTED PERIODICALS INCLUDING RUSCHA | ||
| Artforum [Problems of Criticism, V: the Politics of Art Part II by Barbara Rose] | January | 1969 |
| Artforum [Artist's Projects Issue] | Artforum | 1980 |
| Art International [A Museum of Language in the Vicinity of Art by Robert Smithson] | March | 1968 |
| Art-Rite # 11-12 (cover) | Art-Rite Publishing | 1975-6 |
| Aspen Magazine No. 8 | Fall / Winter | 1970-1 |
| Avalanche # 07 | Avalanche | 1973 |
| Flash Art No. 66-67 Venice Biennale Issue | Flash Art | 1976 |
| Flash Art [Ed Ruscha: The Big Picture] | October | 1991 |
| Parkett # 18 [with poster insert by Ruscha] | Parkett | 1988 |
| Parkett # 22 | Parkett | 1989 |
| Parkett # 55 | Parkett | 1999 |
| Vision #1 - California | Crown Point Press | 1976 |
| Vision #5 - Artists' Photographs | Crown Point Press | 1982 |
| EXHIBITION REVIEWS | ||
| Edward Ruscha at IOLAS | Arts Magazine, February | 1970 |
| Ed Ruscha at Castelli (uptown) | Arts Magazine, April | 1973 |
| Edward Ruscha at Robert Miller and Castelli | Art in America, February | 1988 |