ROBERT RYMAN
1930 - Nashville, Tennessee
| INDIVIDUAL CATALOGUE | ||
| OTHER PUBLICATIONS | ||
| The Museum of Drawers | Kunsthaus Zurich | 1978 |
| SELECTED CATALOGUES INCLUDING RYMAN | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Anti-Form [announcement card / no catalogue] | John Gibson Gallery, New York | 1968 |
| Anti-Illusion: Procedures/Materials | Whitney Museum | 1969 |
| As Painting: Division and Displacement | Wexner Center for the Arts, Columbus | 2001 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Carnegie International 88 [Curator: John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1988 |
| Conceptual Art: The NSCAD Connection 1967-1973 | The Press of the Nova Scotia College of Art and Design | 1994 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| 18 Paris IV.70 | Seth Siegelaub | 1970 |
| Endgame: Reference and Simulation in Recent Painting and Sculpture [mentioned in essay by Hal Foster / work not in exhibition] | The Institute of Contemporary Art, Boston | 1987 |
| Exhibition to Benefit the Student Mobilization Committee to End the Vietnam War [no catalogue, included as a point of information] | Paula Cooper Gallery | 1968 |
| 557,087 | Seattle | 1969 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Guggenheim International Exhibition 1971 | Guggenheim Museum | 1971 |
| 955,000 | Vancouver Art Gallery | 1970 |
| Op Losse Schroeven (Square peg in round holesÉ) | Stedelijk Museum | 1969 |
| Painting Zero Degree | Independent Curators, Inc. | 2000 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Rooms P.S.1 | P.S.1 | 1977 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| When Attitudes Become Form (Bern and London) | ICA, London | 1969 |
| Whitney Biennial 1987 [Richard Armstrong, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1987 |
| SELECTED BOOKS INCLUDING WEINER | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| On the Museum's Ruins | MIT Press | 1993 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Artist's Contract | Verlag der Buchhandlung Walther Konig, Koln |
2009 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| DOCUMENTS AND OTHER PUBLICATIONS | ||
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| John Weber Gallery Newsletter | John Weber Gallery | 1975 |
| SELECTED PERIODICALS INCLUDING WEINER | ||
| Artforum [Ryman, Marden, Manzoni: Theory, Sensibility, Meditation by Robert Pincus-Witten] | June | 1972 |
| Art in America [Robert Ryman: Another View ] | September | 1979 |
| Art in America [Report from Italy: Count Panza Divests] | December | 1984 |
| Art-Rite No. 9 | Spring | 1975 |
| EXHIBITION REVIEWS | ||
| Robert Ryman at Weber | Art in America, March-April | 1975 |