DORIS SALCEDO
1958, Bogota, Colombia
F / S / V / INSTV
| INDIVIDUAL CATALOGUES | ||
| Doris Salcedo | The New Museum of Contemporary Art / SITE Santa Fe | 1998 |
| BOOKS BY OR ABOUT SALCEDO | ||
| Doris Salcedo | Phaidon | 2000 |
| ESSAYS ABOUT SALCEDO | ||
| "From Birmingham to Bogota: Tracing the Metaphor of Submerged Space Through the Architecture of 1960's Birmingham and the Artistic Practice of Doris Salcedo" by Jane Calow in Advances in Art & Urban Futures Volume 2: Recoveries and Reclamations | intellect | 2002 |
| CATALOGUES INCLUDING SALCEDO | ||
| Ante America / Regarding America | Biblioteca Luis-Angel Arango, Bogota | 1992 |
| Arte no es Vida: Actions by Artists of the Americas, 19960-2000 | el Museo del Barrio, New York | 2008 |
| Cocido y Crudo | Museo Nacional Centro de Arte Reina Sofia | 1995 |
| Distemper: Dissonant Themes in the Art of the 1990s | Hirshhorn Museum and Sculpture Garden | 1996 |
| Documenta 11 | Kassel, Germany | 2002 |
| Espelho Cego / Blind Mirror: Selections from a Contemporary Collection | Museu de Arte Moderna de Sao Paulo | 2001 |
| Havana Bienal # 4 - Bienal de la Habana - El Desafio a la Colonization | Centro Wifredo Lam | 1991 |
| Istanbul Biennial #8 Poetic Justice | Istanbul | 2003 |
| la Biennale di Venezia 45: Aperto - Emergency [Achille Bonito Oliva, Helena Kontova, with Francesco Bonami, among others] | Venice, various locations | 1993 |
| Propositions | Musee Departmental de Rochechouart | 1996 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| The Quiet in the Land: Everyday Live, Contemporary Art and Projeto AXE [Concept: France Morin] | Museo de Arte Moderna Da Bahia | 2000 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| BOOKS INCLUDING SALCEDO | ||
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| PERIODICALS INCLUDING SALCEDO | ||
| Art Journal | Spring | 2000 |
| Art Nexus Vol.18 [About Place by Rachel Weiss] | October-December | 1995 |
| Art Nexus Vol.29 [Doris Salcedo: A Tour of the Borderland of Unland] | August-October | 1998 |
| Grand Street #61 - All-American [Unland] | Grand Street | 1997 |
| Poliester, Vol.4 #12 | Summer | 1995 |
| Poliester #16 [Sydney Biennial Review] | Fall | 1996 |
| Third Text # 24 [Charles Merewether: Naming Violence in the Work of Doris Salcedo] | Third Text, Autumn | 1993 |