JUAN SANCHEZ
1954, Brooklyn, New York
| INDIVIDUAL CATALOGUES | ||
| EXHIBITIONS CURATED | ||
| The Fairy Tale: Politics, Desire, and Everyday Life [curated with others - also in the exhibition] | Artists Space, New York | 1986 |
| CATALOGUES INCLUDING SANCHEZ | ||
| Acts of Faith: Politics and the Spirit [curated by Lucy Lippard] | Art Gallery, Cleveland State University | 1988 |
| A Different War: Vietnam in Art | Independent Curators Incorporated, New York | 1990 |
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Events: En Foco [includes: Juan Sanchez] / Heresies Collective | The New Museum of Contemporary Art, NY | 1983 |
| Events: Fashion Moda / Taller Boricua / Artists Invite Artists | The New Museum of Contemporary Art, NY | 1980 |
| Havana Bienal #1 - 1 Bienal de la Habana | Museo Nacional de Bellas Artes, Havana | 1984 |
| Havana Bienal #2 - Segunda Bienal de la Habana | Museo Nacional de Bellas Artes, Havana | 1986 |
| Havana Bienal #5 - Quinta Bienal de la Habana: Art/Sociedad/Reflexion | Centro Wifredo Lam | 1994 |
| Latin American Artists of the Twentieth Century | The Museum of Modern Art, New York | 1993 |
| Memento Mori | Moore College of Art, Philadelphia | 1985 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Fairy Tale: Politics, Desire, and Everyday Life | Artists Space, New York | 1986 |
| The Hybrid State | Exit Art, New York | 1992 |
| Unknown Secrets: Art and the Rosenberg Era | Hillwood Art Gallery, Long Island University, New York | 1988 |
| Visual Politics | The Alternative Museum, New York | 1982 |
| BOOKS INCLUDING SANCHEZ | ||
| Beyond the Fantastic: Contemporary art criticism from Latin America | MIT Press | 1996 |
| English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco] | The New Press, New York | 1995 |
| Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] | Pantheon Books | 1990 |
| OTHER PUBLICATIONS | ||
| If You Lived Here: The City in Art, Theory, and Social Activism - A Project by Martha Rosler | Bay Press / Dia Art Foundation | 1991 |
| Your House Is Mine | Bullet Space, New York | 1993 |
| PERIODICALS INCLUDING SANCHEZ | ||
| Art Journal [Africa in the Art of Latin America by Gerardo Mosquera] | Winter | 1992 |
| Art Nexus #26 | October-December | 1997 |
| Art Nexus Vol.29 [The Latin American-ization of the United States by Shifra Goldman] | August-October | 1998 |
| Ikon, Second Series: Special Issue Art Against Apartheid | Ikon, New York | 1986 |
| Upfront # 05 - PAD/D [Political Art Documanetation / Distribution] | PAD/D | 1983 |
| Upfront # 10 - PAD/D [Politicial Art and Documentation / Distribution] | PAD/D | 1985 |
| Upfront # 12/13 - PAD/D [Politicial Art and Documentation / Distribution] | PAD/D | 1986/7 |
| OTHER LINKS | ||
| East Village in the 80s - P.P.O.W. Gallery - Group Exhibitions |