CAROLEE SCHNEEMANN
| ARTISTS' BOOKS | ||
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| The Recent History And Destruction of Lebanon: A Research Extract 1983 - (to be read with "War Mop") | self | 1987 |
| Video Burn | San Francisco Art Institute | 1992 |
| BOOKS BY OR ABOUT SCHNEEMANN | ||
| Imaging Her Erotics: Essays, Interviews, Projects | The MIT Press | 2002 |
| More Than Meat Joy: Performance Works and Selected Writings | Documentext, New Paltz, New York | 1979 |
| INTERVIEWS / ESSAYS / ARTICLES | ||
| From the Notebooks (1962-63). Women in the Year 2000 | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Interviewed by Linda Montano | The Flue, Summer Issue - Sex, Performance and the 80's | 1982 |
| rain stops after seven days | Unmuzzled Ox #13 | 1976 |
| Statement on "Water Light / Water Needle" | Filmdance 1890's -1983 (cited catalogues) | 1983 |
| INDIVIDUAL CATALOGUES | ||
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| Carolee Schneemann: Up To And Including Her Limits | The New Museum of Contemporary Art | 1996 |
| CATALOGUES INCLUDING SCHNEEMANN | ||
| A Different War: Vietnam in Art [mentioned in Lippard's essays, not in the exhibition] | Independent Curators Incorporated, New York [traveled] | 1990 |
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Wexner Center for the Arts | 1991 |
| Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958-1972 | Mason Gross Art Galleries, Rutgers University / Mead Art Gallery, Amherst | 2003 |
| Disinforamtion: The Manufacture of Consent | The Alternative Museum, New York | 1985 |
| double space | Apex Art, New York | 2000 |
| Filmdance 1890's - 1983 | The Public Theater, New York | 1983 |
| In the Spirit of Fluxus | Walker Art Center | 1993 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - Ambient Art | Venice | 1976 |
| la Biennale di Venezia 44: Ubi Fluxus | Venice | 1990 |
| la Biennale di Venezia 46: Identity and Alterity: Figures of the Body 1895-1995 [Jean Clair] | Venice, various locations | 1995 |
| Off Limits: Rutgers University and the Avant-Garde, 1957-1963 [mentioned in text - not in exhibition] | The Newark Museum | 1999 |
| Out of Actions: Between Performance and the Object 1949-1979 | L.A. Museum of Contemporary Art | 1998 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Theater of the Object: Reconstructions, Re-creations, Reconsiderations 1958 | The Alternative Museum, New York | 1988 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Rebounding Surface: A Study of Reflections in the Work of Nineteen Contemporary Artists [curator: Linda Weintraub] | Edith C. Blum Art Institute Avery Center for the Arts, Bard College | 1982 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Museum Moderner Kunst Stiftung Ludwig Wein | 2004 |
| BOOKS INCLUDING SCHNEEMANN | ||
| Art and Life | Prager | 1971 |
| Fantastic Architecture | Something Else Press | 1969 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Happenings and Other Acts | Routledge | 1995 |
| How many 'bad' feminists dose it take to change a lightbulb? | Sixty Percent Solution, New York | 1994 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance Artists Talking in the Eighties | University of California Press, Berkely | 2000 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Amazing Decade: Women and Performance Art in America 1970-1980 | Astro Artz | 1983 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| OTHER PUBLICATIONS | ||
| Art Action 1958 - 1998 | Inter Art Actuel et Le Lieu, Centre en Art Actuel, Quebec | 2001 |
| Sex-Quake: Art After the Apocalypse [an exhibition in book form] | 1st Art-Genes Portable Museum | 1993 |
| The Kitchen Center for Video and Music 75-76 | The Kitchen, New York | 1976 |
| PERIODICALS INCLUDING SCHNEEMANN | ||
| Art in America [Dance Without Movement by Peter Hutchinson (including: "Meat Joy" and "Snows") | January-February | 1968 |
| Art in America [When Video was Young] | May | 2007 |
| Art-Rite # 10 | Art-Rite Publishing | 1975 |
| Freize [Action Replay [live museum events] | September | 2003 |
| Heresies #5 The Great Goddess | Heresies | 1978 |
| Heresies #17 Women in Theater and Performance Acting Up! | Heresies | 1984 |
| Heresies #23 Coming of Age | Heresies | 1988 |
| Parkett # 22 | Parkett | 1989 |
| Poliester #13 Danger [Dangerous Performances] | Fall | 1995 |
| Unmuzzled Ox #13 | Unmuzzled Ox, New York | 1976 |