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SELECTED CATALOGUES
BY TITLE
| Actualite d'un Bilan | Claura, Michel | 1972 | Yvon Lambert, Paris |
| A Different War: Vietnam in Art | Lippard, Lucy | 1990 | Independent Curators Incorporated, New York |
| A Fatal Attraction: Art and the Media | Ghez, Susanne (essay by Thomas Lawson) | 1982 | The Renaissance Society at the University of Chicago |
| A Forest of Signs: Art in the Crisis of Representation | Goldstein, Ann and Mary Jane Jacob | 1989 | The Museum of Contemporary Art, Los Angeles |
| Afterimage: Drawing Through Process | Butler, Cornelia H. | 1999 | Museum of Contemporary Art, Los Angeles |
| After the Wall | Elliott, David | 1999 | Moderna Museet, Stockholm |
| Air Art | Sharp, Willoughby | 1968 | Arts Council YM/YWHA, Philadelphia |
| A.I.R. Gallery Opening Exhibition [large multi-fold brochure] | collective | 1972 | A.I.R. Gallery, New York |
| Alternatives in Retrospect: An Historical Overview 1969-1975 | Apple, Jacki | 1981 | The New Museum of Contemporary Art, New York |
| American Narrative / Story Art 1967-1977 | Schimmel, Paul | 1978 | Contemporary Art Museum, Houston, Texas |
| A Minimal Future? Art as Object 1958 - 1968 | Goldstein, Ann | 2004 | MoCA, Los Angles |
| An International Survey of Recent Painting and Sculpture | McShine, Kynaston | 1984 | The Museum of Modern Art, New York |
| Ante America / Regarding America | Mosquera, Gerardo , Carolina Ponce de Leon, and Rachel Weiss | 1992 | Biblioteca Luis-Angel Arango, Bogota |
| Anti-Form [announcement card / no catalogue] | Gibson, John | 1968 | John Gibson Gallery, New York |
| Anti-Illusion: Procedures/Materials | Tucker, Marcia | 1969 | Whitney Museum of American Art |
| Apex Art Exhibitions [brochures] | Rand, Steven | 1994 | Apex Art, New York |
| Archive Fever: Uses of the Document in Contemporary Art | Enwezor, Okwui | 2008 | International Center for Photography, New York |
| Ars Aevi - International Cultural Project | Comi, Enrico R. , Bruno Cora, Zadenka Badovinac, Izeta Gradevic and Chiara Bertola | 1999 | Museum of Contemporary Art, Sarajevo |
| Art and Ideology | Benjamin Buchloh, Donald Kuspit, Lucy Lippard, Nilda Peraza, and Lowery Sims | 1984 | The New Museum of Contemporary Art, New York |
| Art & Social Change | Olander, William | 1983 | Allen Memorial Art Museum, Oberlin College, Ohio |
| Art and the Dialectic Process [catalogue brochure] | Schweitzer, Robert | 1987 | Everhart Museum, Scranton, Pennsylvania |
| art & project bulletins | art & project | 1969 | art & project , Amsterdam |
| Art by Telephone (record) | van der Marck, Jan | 1969 | Museum of Contemporary Art, Chicago |
| Arte de Sistemas | Glusberg, Jorge | 1971 | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires |
| Arte no es Vida: Actions by Artists of the Americas, 1960-2000 | Zugazagoitia, Julian | 2008 | el Museo del Barrio, New York |
| Art in Public Places | Labossiere, Robert and Wayne Baerwaldt | 1984 | Plug-In Inc, Winnipeg, Manitoba |
| Art in Space: Some Turning Points | Goossen, E.C. | 1973 | The Detroit Institute of Arts |
| Artist and Camera | Strickland-Constable, Miranda | 1980 | Art Council of Great Britian |
| Artists of Conscience: 16 Years of Social and Political Commentary | Rodriguez, Geno | 1991 | Alternative Museum, New York |
| A Second Talent: Painters and Sculptors Who are Also Photographers | Metzger, Robert | 1985 | The Aldrich Museum of Contemporary Art |
| As Painting: Division and Displacement | Armstrong, Philip, Laura Lisbon and Stephen Melville | 2001 | Wexner Center for the Arts, Columbus |
| A View of a Decade 1967-1977 | Prokopoff, Stephen | 1977 | Museum of Contemporary Art, Chicago |
| Behind the Facts: Interfunktionen 1968 - 1975 | Moure, Gloria | 2004 | Fundacio Jan Miro, Barcelona |
| Belgrade Art Inc. Moments of change | Lulic, Marko | 2004 | Secession, Vienna |
| Berlin Biennale 2 | Bos, Saskia | 2001 | Kunts-Werke / Postfuhramt |
| Beyond Belief: Contemporary Art from East Central Europe | Hoptman, Laura J. | 1995 | MoCA, Chicago |
| Beyond Geometry: Experiments in Form 1940s-1970s | Zelevansky, Lynn | 2004 | Los Angeles County Museum of Art |
| Beyond Preconceptions: The Sixties Experiment | Kalinovska, Milena | 2000 | Independent Curators International, NY |
| Billboard Art on the Road | Heon, Laura Steward, Peggy Diggs, and Joseph Thompson | 1999 | MASS MoCA, North Adams, Massachusetts |
| Blam! The Explosion of Pop, Minimalism, and Performance 1958-1964 | Haskell, Barbara | 1984 | Whitney Museum of American Art |
| Blurring the Boundries: Installation Art 1969-1996 | Davies, Hugh M. | 1996 | MoCa, San Diego |
| Blut & Honig [Blood and Honey] | Szeemann, Harald | 2003 | Sammlung Essl, Vienna |
| Body and the East: From the 1960s to the Present | Badovinac, Zdenka | 1998 | Moderna galerija, Ljubljana |
| Bodyworks | Licht, Ira | 1975 | Museum of Contemporary Art, Chicago |
| Breakthroughs: Avant-Garde Artists in Europe and America, 1950-1990 | Stearns, Robert | 1991 | Wexner Center for the Arts |
| Choices: Making Art of Everyday Life | Tarcia, Marcia | 1986 | The New Museum of Contemporary Art, New York |
| Cinco Continentes y una Ciudad | Palau, Marta, Rita Eder, Okwui Enwezor, Gerardo Mosquera + | 1997 | Museo de la Ciudad de Mexico |
| Cities on the Move | Hou Hanru and Hans-Ulrich Obrist | 1997 | Secession, Vienna |
| Cocido y Crudo (Cooked and Raw) | Cameron, Dan | 1995 | Museo Nacional Centro de Arte Reina Sofia |
| Collected Views from East to West [no catalogue] | Breitwieser, Sabine | 2004 | Generali Foundation, Vienna |
| Color Chart: Reinventing Color, 1950 to Today | Temkin, Ann | 2008 | Museum of Modern Art, New York |
| Committed to Print: Social and Political Themes in Recent American Printed Art | Wye, Deborah | 1988 | The Museum of Modern Art, New York |
| Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection | Vojvodich, Colleen | 1991 | San Jose Art Museum |
| Concept </> Decoratif: Anti-Formalist Art of the 70s | Morgan, Robert C. | 1990 | Nahan Contemporary, New York |
| Conception, Conceptual Documents 1960-1990 | Moseley, Catherine | 2001 | Norwich Gallery, Norwich School of Art and Design, U.K. |
| Conceptual Art Conceptual Aspects | Karshan, Donald | 1970 | The New York Cultural Center |
| Conceptual Art: The NSCAD Connection 1967-1973 | Barber, Bruce | 1994 | The Press of the Nova Scotia College of Art and Design |
| Connections: Bridges/Ladders/Ramps/Staircases/Tunnels | Kardon, Janet | 1983 | Institute of Contemporary Art, University of Pennsylvania |
| Constitution | Group Material | 1987 | The Temple Gallery, Temple University, Philadelphia |
| Construction in Process | Wasko, Ryszard | 1981 | 37 Pkwn Street, Lodz, Poland |
| Contemporary Art from Cuba: Irony and Survival on the Utopian Island | Zeitlin, Marilyn A. | 1999 | Arizona State University Museum, Tempe, Arizona |
| Contemporary Sculpture. Projects in Munster 1997 | Bussman, Klaus, Kasper Konig, and Florian Matzner | 1997 | Munster, Germany |
| Content: A Contemporary Focus 1974-1984 | Fox, Howard N., Miranda McClintic and Phyllis Rosenzweig | 1984 | Hirshhorn Museum and Sculpture Garden |
| Cordially Invited, episode 3 [Who if not we...] | Hlavajova, Maria | 2004 | BAK basis voor actuele kunst |
| Creative Solutions to Ecological Issues | Gelburd, Gail Enid | 1993 | Dallas Museum of Natural History [traveled] |
| Critical Mass: Happenings, Fluxus, Performance, Intermedia and Rutgers University 1958-1972 | Hendricks, Geoffrey | 2003 | Mason Gross Art Galleries, Rutgers University + |
| Critical Perspectives | Heiss, Alanna + others | 1982 | P.S. 1 - The Institute for Art and Urban Resources, Inc., New York |
| Cuba Avant-Garde: Contemporary Cuban Art from the Farber Collection | Mena Chicuri, Abelardo G. | 2007 | Samuel P. Harn Museum of Art, University of Florida, Gainesville |
| Cultrual Economies: Histories from the Alternative Art Movement, NYC | Ault, Julie | 1996 | The Drawing Center, New York |
| Damaged Goods: Desire and the Economy of the Object | Wallis, Brian | 1986 | The New Museum of Contemporary Art, New York |
| Deconstruct / Reconstruct | Nickas, Robert and William Childress | 1986 | John Gibson Gallery, New York |
| Deep Storage: Collecting, Storing, and Archiving in Art | Siemens Culture Program | 1998 | P.S.1 Contemporary Art Center |
| De Europa | Weber, John | 1972 | John Weber Gallery |
| Detente | Rainer Fuchs + | 1994 | Museum Moderner Kunst Stiftung Ludwig, Vienna |
| Deurle 11/7/73 (ed. 250) | Andre, Carl et. al. | 1973 | La Cambre, Brussels |
| Devil on the Stairs: Looking Back on the Eighties | Storr, Robert and Judith Tannenbaum | 1991 | Institute of Contemporary Art, Philadelphia |
| Dia:Beacon [Collection Catalogue] | Cooke, Lynne and Michael Govan | 2003 | Dia Art Foundation |
| Dia: Chelsea [Binder with Periodic/Seasonal Exhibition Brochures] | Cooke, Lynne and Michael Govan | 1981- | Dia Art Foundation |
| Diagrams & Drawings | Oxenaar, R. and Carter Ratcliff | 1972 | Rijksmuseum Kroller-Muller, Otterlo |
| Difference On Representation and Sexuality | Linker, Kate and Jane Weinstock | 1984 | The New Museum of Contemporary Art, New York, |
| Directions 1: Options | Alloway, Lawrence, essay | 1968 | Milwaukee Art Center |
| Directions 3: Eight Artists | Taylor, John lloyd | 1971 | Milwaukee Art Center |
| Disarming Images: Art for Nuclear Disarmament | Felshin, Nina | 1984 | The Art Museum Association of America |
| Disinformation: The Manufacture of Consent | Rodriguez, Geno | 1985 | Alternative Museum, New York |
| Dislocations | Storr, Robert | 1991 | Museum of Modern Art, New York |
| Dispossessed Installations | Lindbloom, Terri and Paul Rutkovsky | 1992 | Florida State University Gallery and Museum |
| Distemper: Dissonant Themes in the Art of the 1990s | Benezra, Neal and Olga M. Viso | 1996 | Hirshhorn Museum and Sculpture Garden |
| Documenta 4 | Bode, Arnold | 1968 | Kassel, Germany |
| Documenta 5 | Szeemann, Harald | 1972 | Kassel, Germany |
| Documenta 7 | Fuchs, Rudi | 1982 | Kassel, Germany |
| Documenta 10 | David, Catherine | 1997 | Kassel, Germany |
| Documenta 11 | Enwezor, Okwui | 2002 | Kassel, Germany |
| Documenta 12 | Buegel, Roger M. and Ruth Noack | 2007 | Kassel, Germany |
| Do It | Obrist, Hans-Ulrich | 1997 | Independent Curators, Inc., New York |
| Double Life: Identity and Transformation in Contemporary Life | Breitwieser, Sabine and Hemma Schmutz | 2001 | Generali Foundation, Vienna |
| Drawings | Weber, John | 1991 | John Weber Gallery, New York |
| Duration Piece #8 Global | Huebler, Douglas | 1973 | Correspondence |
| Earth Art | Sharp, Willoughby | 1969 | Andrew Dickson White... |
| Earth, Air, Fire, Water: Elements of Art | Gunter, Virginia | 1971 | Museum of Fine Arts, Boston |
| Earth Works (no catalogue - anouncement card) | Dawn, Virginia | 1968 | Virginia Dawn Gallery |
| Earthworks: Land Reclamation as Sculpture | Johnson, Yamkee | 1979 | Seattle Art Museum |
| East Village USA | Cameron, Dan | 2004 | The New Museum of Contemporary Art, New York |
| Ecologic Art [postcard - no catalogue] | Gibson, John | 1969 | John Gibson Gallery, New York |
| Eight Contemporary Artists | Licht, Jennifer | 1974 | The Museum of Modern Art, New York |
| 8 Young Artists | Goossen, E.C. | 1964 | Bennington College, Vermont and The Hudson River Museum |
| 8 Young Artists Then and Now 1964 - 1991 | Goossen, E.C. | 1991 | Hunter Collecge of The City University of New York |
| 18'6" x 6'9" x 11'21/2" x 47' x 11 3/16" x 29'8 1/2" x 31' 9 3/16 [poster] | Butler, Eugenia | 1969 | San Francisco Art Institute |
| 18 Paris VI. 70 | Siegelaub, Seth | 1970 | Seth Siegelaub |
| Emergencies | Doctor Roncero, Rafael | 2006 | Museo de Arte Contemporaneo de Castilla y Leon, |
| Encounters / Displacements: Luis Camnitzer, Alfredo Jaar, Cildo Meireles | Ramirez, Mari Carmen | 1992 | U. of Texas at Austin |
| Endgame: Reference and Simulation in Recent Painting and Sculpture | Sussman, Elisabeth, David Joselit, and Bob Riley | 1987 | The Institute of Contemporary Art, Boston |
| Energieen [Energies] | Beeren, Wim | 1990 | Stedelijk Museum, Amsterdam |
| Europe in the Seventies: Aspects of Recent Art | Speyer, A. James and Anne Rorimer | 1977 | The Art Institute of Chicago |
| Exhibition to Benefit the Student Mobilization Committee to End the Vietnam War [no catalogue, included as a point of information | Lippard, Lucy | 1968 | Paula Cooper Gallery |
| 55 Mercer / 12 Years | Alloway, Lawrence | 1982 | 55 Mercer, New YOrk |
| Films by American Artists: One Medium Among Many | Cornwell, Regina | 1981 | Art Council of Great Britian - a traveling exhibition of films |
| 557,087 | Lippard, Lucy | 1969 | Seattle |
| Flipside (lost in translation: the flipside of the message) | Carl, Katherine | 2004 | Artists Space, New York |
| Floored | Perreault, John | 1983 | Hillwood Art Gallery, School of the Arts, Long Island University |
| Focus 2: Minimal Art, Concept Art, Land Art and Arte Povera [brochure] | Fuchs, Rainer and Sophie Haaser | 2004 | Museum Moderner Kunst Stiftung Ludwig |
| Form Specific | Badovinac, Zdenka | 2003 | Moderna Galerija Ljubljana |
| 14 Sculptors: The Industrial Edge | Friedman, Martin | 1969 | Walker Art Center, Minneapolis, Minnesota |
| Fragile Ecologies: Contemporary Artists' Interpretation and Solutions | Matilsky, Barbara C. | 1992 | The Queens Museum, New York |
| fragmentos a su iman [text in Spanish] | Diaz Bringas, Tamara | 1998 | Galeria Latinoamericana, Casa de las Americas, Havana |
| From the Collection of Sol LeWitt | Miller-Keller, Andrea | 1985 | Independent Curators |
| Function of Drawing / Funktiesvantekenen | Fuchs, Rudi | 1975 | Rijksmuseum Kroller-Muller, Otterlo |
| Garden of the Forking Path | Zaya, Octavio | 1998 | Kunstforeningen, Copenhagen |
| Gerry Schum | Mignot, Dorine | 1980 | Stedelijk Museum, Amsterdam |
| Global Conceptualism: Points of Origin, 1950s - 1980s | Camnitzer, Luis ++ | 1999 | Queens Museum of Art |
| Global Feminism: New Directions in Contemporary Art | Nochlin, Linda / Maura Reilly | 2007 | Brooklyn Museum |
| Global Priority | Jahoda, Susan and Grady Gerbracht | 2003 | Herter Art Gallery, University of Massachusetts, Amherst |
| Gloria:Another Look at Feminist Art of the 1970s | Schaffner, Ingrid and Catherine Morris | 2002 | White Columns, New York |
| Green Acres: Neo-Colonialism in the U.S. | Scoates, Christopher | 1992 | Washington University Gallery of Art, St. Louis |
| Guggenheim International Exhibition 1971 | Waldman, Diane + | 1971 | Guggenheim Museum |
| Hacia un Perfil del Arte Latinoamericano | Glusberg, Jorge | 1972 | CAYC - Centro de Arte y Communicacion, Buenos Aires |
| Hanging / Leaning | Littman, Robert R. | 1970 | The Emily Lowe Gallery, Hofstra University, Hempstead, New York |
| Heart of Darkness | Brouwer, Marianne | 1994 | Kroller-Muller Museum-Otterlo |
| Havana Bienal # 5 - Quinta Bienal de la Habana: Art/Sociedad/Reflexion | Llanes Godoy, Lilian | 1994 | Centro Wifredo Lam |
| Here and Now: Experiences in Sculpture | Hopper, Robert and Greville Worthington | 1999 | Henry Moore Institute, Leeds |
| Holly Solomon Gallery: The First Two Years | Solomon, Holly | 1977 | Holly Solomon Gsllery |
| Homeland | Independent Study Program Exhibition | 2003 | Whitney Museum of American Art, New York |
| House in Time | Badovinac, Zdenka | 1995 | Moderna galerija, Ljubljana |
| Idea and Image in Recent Art | Rorimer, Anne | 1974 | The Art Institute of Chicago |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] (announcement only - no catalogue) | Schum, Gerry | 1970 | Kunstverein, Hannover / TV Broadcast |
| Image Bank Post Card Show | Image Bank | 1977 | Image Bank, Vancouver |
| Image Scavengers: Photography | Marincola, Paula | 1983 | Institute of Contemporary Art, University of Pennsylvania |
| Images of Power: Visual Statements by Ten Major Women Artists | Giordano, Joan | 1987 | Rockland Center for the Arts, Nyack, New York |
| Image World: Art and Media Culture | Heiferman, Marvin and Lisa Phillips with John G. Hanhardt | 1989 | Whitney Museum of American Art |
| In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976 | Cherix, Christophe | 2009 | The Museum of Modern Art, New York |
| In and Out: Onufri 2000 | Muka, Edi and Gezim Qendo | 2000 | National Gallery of Arts, Tirana |
| In Another Moment / At the Moment | Dimitrijevic, Braco | 1971 | Gallery SKG, Belgrade |
| Information | McShine, Kynaston L. | 1970 | MoMA, NY |
| Infotainment (18 Artists from New York) | Nagy, Peter | 1985 | Nature Morte, New York |
| In the Spirit of Fluxus | Armstrong, Elizabeth and Joan Rothfuss | 1993 | Walker Art Center |
| Inquires: Language in Art | Ritchie, Christina | 1990 | Art Gallery of Ontario, Toronto |
| Intervenciones | Villaespesa, Mar | 1992 | Pabellon de Andalucia |
| Interzones: A Work in Progress | Zaya, Octavio and Anders Michelsen | 1996 | Kunstforeningen, Copenhagen |
| In the Gorges of the Balkan | Block, Rene | 2003 | KunsthalleFridericianum, Kassel |
| Into the Light: The Projected Image in American Art 1964-1977 | Iles, Chrissie | 2001 | Whitney Museum of American Art |
| I Promise It's Political: Performativity in Art | Hantelmann, Dorothea von and Majorie Jongbloed | 2002 | Museum Ludwig, Koln |
| Islands: Contemporary Installations | Davidson, Kate and Michael Desmond | 1996 | National Gallery of Australia |
| Istanbul Biennial # 4 The Vision of Art in a Paradoxical World | Block, Rene | 1995 | Istanbul |
| Istanbul Biennial # 5 On Life, Beauty, Translations and Other Difficulities | Martinez, Rosa | 1997 | Istanbul |
| Istanbul Biennial # 8 Poetic Justice | Cameron, Dan | 2003 | Istanbul |
| January 5 - 31, 1969 | Siegelaub, Seth | 1969 | Seth Siegelaub |
| Joseph Kosuth / Robert Morris | Siegelaub, Seth | 1969 | Bradford Junior College |
| July - August - September 1969 | Siegelaub, Seth | 1969 | Seth Siegelaub |
| July / August Exhibition Book | Siegelaub, Seth | 1970 | Studio International |
| Knowledge: Aspects of Conceptual Art | Plous, Phyllis | 2002 | University Art Museum, Santa Barbara |
| "Konzept" - Kunst | Fischer, Konrad | 1972 | Kunstmuseum, Basel |
| Konzeption - Conception: Documentation of today's art tendencies | Fischer, Konrad | 1969 | Stadtisches Museum, Leverkusen |
| la Biennale di Venezia 47 | Celant, Germano | 1997 | Venice, Italy |
| la Biennale di Venezia 48 : OPERTO over ALL | Szeemann, Harald | 1999 | Various locations, Venice |
| la Biennale di Venezia 49 : Plateau of Humankind | Szeemann, Harald | 2001 | Various locations, Venice |
| la Biennale di Venezia 50 : Dreams and Conflicts: The Dictatorship of the Viewer | Bonami, Francesco + | 2003 | Various locations, Venice |
| la Biennale di Venezia 51: The Experience of Art / Always a Little Further | Martinez, Rosa and Maria de Corral | 2005 | Various location, Venice |
| Laboratorium | Obrist, Hans-Ulrich and Barbara Vanderlinden | 1999 | Antwerpen Open |
| Land Art [catalogue / poster / ephemera] | Schum, Gerry | 1969 | Fernsehgalerie Berlin Gerry Schum |
| Land Marks: New Site Proposals by Twenty-Two Original Pioneers of Environmental Art | Weintraub, Linda | 1984 | Bard College Center |
| Landscape / Sculpture | Senie, Harriet | 1981 | Amelia A. Wallace Gallery, SUNY, Old Westbury, New York |
| Latin American Artists of the Twentieth Century | Rasmussen, Waldo | 1993 | The Museum of Modern Art, New York |
| Leaving Tracks: Artrenspennine 98: An international contemporary visual art exhibition recorded | Biggs, Lewis and Robert Hopper | 1998 | Various locations, England |
| Lesa Natura: Reflexiones Sobre Ecologia [Marred Nature: Reflections about Ecology] | del Conde, Teresa | 1993 | Museo de Arte Moderno, Sala Jose Juan Tablada, Mexico, D.F. |
| Less: Alternative Living Strategies | Scardi, Gabi | 2006 | Il PAC - Padiglione d'Arte Contemporanea di Milano |
| Let's Entertain: Life's Guilty Pleasures | Vergne, Philippe | 2000 | Walker Art Center |
| Life Experience | Breitwieser, Sabine | 2000 | Generali Foundation, Vienna |
| Live in Your Head: Concept and Experiment in Britan 1964-75 | Phillpot, Clive and Andrea Tarsia | 2000 | Whitechapel Art Gallery |
| Longing and Belonging From the Faraway Nearby | Ferguson, Bruce W. | 1995 | Site Santa Fe |
| Looking for a Place | Martinez, Rosa | 1999 | Site Santa Fe - 3rd International Biennial |
| Louise Lawler, Adrian Piper, and Cindy Sherman [Christopher D'Arcangelo] | Reiring, Janelle | 1978 | Artists Space |
| Louise Lawler / Cindy Sherman / Laurie Simmons | Arkio, Tuula | 1993 | Kunstnernes Hus, Oslo |
| Machineworks | Kardon, Janet | 1981 | Institute of Contemporary Art, Philadelphia |
| Made by Sculptors | de Wilde, Edy | 1978 | Stedelijk Museum, Amsterdam |
| Magiciens de la Terre [list of artists - no catalogue / Third Text special issue of essays in English] | Martin, Jean-Hubert | 1989 | Musee National d'Art Moderne Centre Georges Pompidou |
| Making Their Mark: Women Artists Move into the Mainstream, 1970-85 | Rosen, Randy and Catherine C. Brawer | 1989 | Cincinnati Art Museum, Ohio |
| Manifesta 2 | Fleck, Robert, Maria Lind and Barbara Vanderlinden | 1998 | Casino Luxembourg-Forum d'art contemporain + |
| Marcel Broodthaers: Correspondances | Zwirner, Dorothea | 1995 | Galerie Hauser & Wirth, Zurich and David Zwirner, New York |
| Matrix, A Changing Exhibition of Contemporary Art [three-ring binder of exhibitions from 1975-1987] | Miller-Keller, Andrea | 1975 | Wadsworth Atheneum, Hartford, CT |
| Media Post Media | Collins & Milazzo | 1988 | Scott Hanson Gallery, New York |
| Mediascape | Heinrich Klotz / Nancy Spector | 1996 | Guggenheim Museum Soho |
| Memento Mori | Flood, Richard | 1985 | Moore College of Art, Philadelphia |
| Messages: Words and Images | Marilyn A. Zeitlin | 1981 | Freedman Gallery, Albright College |
| Metropolis | Joachimides,Christos M. and Norman Rosenthal | 1991 | Martin Gropius Bau, Berlin |
| Minimal Art [in German] | Develing, Enno, with texts in German by Lucy Lippard and Develing | 1969 | Akademie der Kunste, Berlin |
| Moving Pictures: Contemporary Photography and Video from the Guggenheim Collections | Dennison, Lisa, Nancy Spector and Joan Young | 2003 | Solomon R. Guggenheim Museum, New York |
| Nauman / Kruger / Jaar | Kaegi, Jacques | 2001 | Daros, Zurich |
| New Economy | Ribas, Joao | 2007 | Artists Space, New York |
| New Galleries of the Lower East Side | Weiner, Helene | 1984 | Artists Space, New York |
| 955,000 | Lippard, Lucy | 1970 | Vancouver Art Gallery |
| 19:45 - 21:55 September 9th 1967 Frankfurt Germany | Maenz, Paul | 1967 | Paul Maenz, Brussels |
| 1967: At the Crossroads | Kardon, Janet | 1987 | Institute of Contemporary Art , Philadelphia |
| Occupying Space: Sammlung Generali Foundation Collection | Breitwieser, Sabine | 2003 | Generali Foundation, Vienna |
| Off Limits: Rutgers University and the Avant-Garde, 1957-1963 | Jacobs, Joseph | 1999 | The Newark Museum |
| ...om det sublima / ...on the sublime | Nilsson, Bo | 1999 | Rooseum, Malmo |
| One Month: March, 1969 | Siegelaub, Seth | 1969 | Seth Siegelaub |
| On the Wall / On the Air: Artists Make Noise | Concannon, Kevin | 1985 | Hayden Corridor Gallery, MIT |
| Open Systems: Rethinking Art c. 1970 | De Salvo, Donna | 2005 | Tate Modern |
| Op Losse Schroeven (Square peg in round holes) | Szeemann, Harald | 1969 | Stedelijk Museum |
| Other Ideas | Wagstaff, Samuel J. | 1969 | The Detroit Institute of Arts |
| Out of Actions: Between Performance and the Object 1949-1979 | Schimmel, Paul | 1998 | Los Angles Museum of Contemporary Art |
| Out of Beirut | Cotter, Suzanne | 2006 | Modern Art Oxford |
| Outside the Frame: Performance and the Object | Brentano, Robyn and Olivia Georgia | 1994 | Cleveland Center for Contemporary Art |
| Painting at the Edge of the World | Fogle, Douglas | 2001 | Walker Art Center |
| Parallel Actions: Conceptual Tendencies in Central European Art from 1965-1980 [no catalogue] | Saxenhuber, Hedwig and Georg Schollhammer | 2003 | Austrian Cultural Forum, New York |
| Performance Art Festival | D'Hondt, Roger, Peter Moritz Pickshaus, Amerigo Marras, Georg F. Scharzbauer + | 1978 | Cultureel Animatiecentrum Beursschouwburg VZW, Brussels |
| Persona | Gumpert, Lynn and Ned Rifkin | 1981 | The New Museum of Contemporary Art , New York |
| Perverted by Language | Nickas, Robert | 1987 | Hillword Art Gallery, New York |
| (photo) (photo)2 ... (photo)n Sequenced Photographs | Bourdon, David | 1975 | University of Maryland Art Gallery |
| Pictures | Weiner, Helene with major essay by Thomas Lawson | 1977 | Artists Space, New York |
| Photography in Contemporary German Art: 1960 to the Present | Garrels, Gary | 1992 | Walker Art Center, Minneapolis |
| Plug-In: Utility and Mobility | Westheider, Ortrud and Markus Heinzelmann | 2001 | Westfalischen Landesmuseums fur Kunst + |
| Points of Entry - The Three Rivers Arts Festival | Pearlman, Jeanne | 1997 | The Three Rivers Arts Festival, Pittsburgh |
| Power: Its Myths and Mores in American Art 1961-1991 | Day, Holliday T. | 1991 | Indianapolis Museum of Art |
| Primary Structures: Younger American and British Sculptors | McShine, Kynaston | 1966 | The Jewish Museum, New York |
| Probing The Earth: Contemporary Land Projects | Beardsley, John | 1978 | Hirshorn Museum |
| Projects Class (12 artists / 12 cards - submitted to class) | Askevold, David | 1969 | Nova Scotia College of Art and Design |
| Projects / Performances : Czechoslovakia / Poland | Kotik, Charlotta | 1977 | Hallways Gallery, Buffalo, New York |
| Propositions | Prevost, Jean-Marc | 1996 | Musee Departemental de Rochechouart |
| Prospect 69 | Fischer, Konrad and Hans Strelow | 1969 | Kunsthalle, Dusseldorf |
| Public Art | Jones, Ronald (essay) | 1985 | Nexus Contemporary Art Center, Atlanta |
| Publication | Lamelas, David | 1970 | Nigel Greenwood Inc Ltd |
| Public Information | Garrels, Gary | 1994 | San Francisco MoMA |
| Pulse: Art, Healing, and Transformation | Morgan, Jessica | 2003 | The Institute of Contemporary Art, Boston |
| Quinta Bienal de la Habana: Art/Sociedad/Reflexion [5th Havana Biennial] | Llanes Godoy, Lilian | 1994 | Centro Wifredo Lam |
| Rayuela / Hopscotch: Fifteen Contemporary Latin American Artists | Schweitzer, Robert | 2002 | University of Scranton / Marywood University |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Gross, Ulrike, Barbara Hess and Ursula Wevers | 2003 | Kunsthalle Dusseldorf |
| Reasoned Space | Druckrey, Timothy and Marnie Gillett | 1980 | Center for Creative Photography, U. of Arizona |
| Reconsidering the Object of Art: 1965-1975 | Goldstein, Ann and Anne Rorimer | 1995 | The Museum of Contemporary Art, Los Angeles |
| Reel Work: Artists' Film and Video from the 1970s | Meyers-Kingsley, Dara | 1996 | Museum of Contemporary Art, Miami |
| Remembrances of Things Past | Fitzsimons, Connie | 1986 | Long Beach Museum of Art, California |
| Re/Righting History: Counternarratives by Contemporary African-American Artists | Bloemink, Barbara J. | 1999 | Katonah Museum of Art, Katonah, New York |
| Revered Earth | Mazeaud, Dominique G,W. and Robert B. Gaylor | 1990 | The Center for Contemporary Arts of Santa Fe |
| Rhetorical Image | Kalinovska, Milena | 1990 | The New Museum of Contemporary Art, New York |
| Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner | Self, Robert | 1976 | Fruit Market Gallery, Edinburgh |
| Rooms P.S.1 | Heiss, Alanna | 1976 | P.S.1 |
| Schemes: A Decade of Installation Drawings | Meyer, Elise and Shelley Rice | 1981 | Elise Meyer Inc |
| Sculpture 3 New York Artists on Tour | Donneson, Seena + | 1973 | New York Cultural Council |
| Sense and Sensibility: Women Artists and Minimalism in the Nineties | Zelevansky, Lynn | 1994 | The Museum of Modern Art, New York |
| 75th American Exhibition | Rorimer, Anne | 1982 | Art Institute of Chicago |
| Short Careers | Neuberger, Susanne and Hedwig Saxenhuber | 2004 | Museum Moderner Kunst Stiftung Ludwig, Vienna |
| Signs of Life: Process and Materials, 1960-1990 | Feldman, Melissa E. | 1990 | Institute of Contemporary Art, U. of Pensylvania, Philadelphia |
| Signs of Transition: 80s Art from Cuba | Fusco, Coco | 1988 | Center for Cuban Studies, New York |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Dennison, Lisa and Nancy Spector | 2004 | Solomon R. Guggenheim Museum |
| 6 Artists 6 Exhibitions | 1968 | Walker Art Center | |
| '60 - '80: Attitudes / Concepts / Images | de Wilde, Edy | 1982 | Stedelijk Museum, Amsterdam |
| Slide Show: Projected Images in Contemporary Art | Alexander, Darsie | 2005 | The Baltimore Museum of Art |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Frankel, David (editor) | 1996 | Center for Curitorial Studies, Bard College |
| Social Creatures: How Body Becomes Art | Druck, Patricia and Inka Schube | 2004 | Sprengel Museum Hannover |
| Social Strategies: Redefining Social Realism | Ottmann, Klaus and Pamela Auchincloss | 2003 | University Art Museum, University of California, Santa Barbara |
| Software: Information Technology: Its New Meaning for Art | Burnham, Jack | 1970 | The Jewish Museum |
| Sonsbeek 71 | Beeren, W.A.L. | 1971 | Park Sonsbeek, Arnhem |
| Sonsbeek 86 | Bos, Saskia | 1986 | Arnhem, The Netherlands |
| Spaces | Licht, Jennifer | 1969 | MoMA, NY |
| Strangers: The First ICP Triennial of Photography and Video | Lehan, Joanna | 2003 | International Center of Photography, New York |
| Strata: Nancy Graves, Eva Hesse, Michelle Stuart, Jackie Winsor | Lippard, Lucy | 1977 | The Vancouver Art Gallery |
| Strategies for the Last Painting / Strategies for the Next Painting | Ostrow, Saul | 1991 | Wolff Gallery, New York |
| Street Works IV [poster, no catalogue] | not identified | 1969 | The Architectural League of New York |
| Structures for Behavior | Nasgaard, Roald | 1978 | Art Gallery of Ontario |
| Symptoms of Interference | Lomax, Jenni and maureen Paley | 1994 | Camden Arts Center, London |
| Tamass: Contemporary Arab Representations - Beirut / Lebanon | David, Catherine | 2002 | Fundacio Antoni Tapies, Barcelona |
| Temporarily Possessed: The Semi-Permanent Collection | Goldfarb, Brian, John Hatfield, Laura Trippi, and Mimi Young | 1995 | The New Museum of Contemporary Art, New York |
| 10 | Dwan, Virginia | 1966 | Dwan Gallery |
| 10th Biennale de Paris | Boudaille, Georges | 1977 | Palais de Tokyo / Musee d'Art Moderne de la Ville de Paris |
| Textile Without Textile (individual artist contributions - ed. of 300) | Galantai, Gyorgy | 1980 | Artpool, Budapest |
| The Art of Eastern Europe | Badovinac, Zdenka | 2001 | Moderna galerija Ljubljana |
| The Art of Eastern Europe in Dialogue with the West | Badovinac, Zdenka | 2000 | Moderna galerija Ljubljana |
| The Art of Memory / The Loss of History | Olander, William | 1986 | The New Museum of Contemporary Art |
| The Art of Participation: 1950 to Now | Frieling, Rudolf | 2008 | San Francisco Museum of Modern Art |
| The Big Nothing | Schnaffer, Ingrid, Bennett Simpson, and Tanya Leighton | 2004 | Institute for Contemporary Art, Philadelphia |
| The Big Show [in three parts] | Peeters, Wim | 2001 | NICC, Antwerp |
| The Critical Eye / I | Paoletti, John | 1984 | Yale Center for British Art |
| The Decade Show: Frameworks of Identity in the 80s | Herzberg, Julia ++ | 1990 | The New Museum of Contemporary Art, New York ++ |
| The East Village Scene | Kardon, Janet | 1984 | Institute of Contemporary Art, Philadelphia |
| The Edge of Awareness | Furstenberg, Adelina von + | 1998 | World Health Organization, Geneve + |
| The End(s) of the Museum [Le Limits del Museu] | Manuel J. Borja-Villel | 1995 | Fundacio Antoni Tapies de Barcelona |
| The Hybrid State |
|
1992 | Exit Art, New York |
| The Last Decade: American Artists of the 80's | Collins & Milazzo | 1990 | Tony Shafrazi Gallery, New York |
| The Last Picture Show | Fogle, Douglas | 2003 | Walker Art Center |
| The Misfits: Conceptualist Strategies in Croatian Contemporary Art | Milovac, Tihomir | 2002 | Museum of Contemporary Art, Zagreb |
| The Museum as Muse: Artists Reflect | McShine, Kynaston | 1999 | MoMA, New York |
| The Museum of Drawers | Distel, Herbert | 1978 | Kunsthaus Zurich |
| The New Art | Seymour, Anne | 1972 | Hayward Gallery |
| The New Sculpture 1965-75: Between Geometry and Gesture | Armstrong, Richard and Richard Marshall |
1990 | The Whitney Museum of American Art |
| The 1984 Show | Rickey, Carrie and Ronald Feldman |
1983 | Ronald Feldman Fine Art, Inc, New York |
| The Pictures Generation 1974-1984 | Eklund, Douglas | 2009 | The Metropolitan Museum of Art, New York |
| The Political Arm | Scoates, Chris | 1991 | John Weber Gallery / Washington University Gallery of Art |
| The Real Big Picture | Heiferman, Marvin | 1986 | The Queens Museum, New York |
| The Real Royal Trip | Szeemann, Harald | 2003 | P.S.1 Contemporary Art Center |
| The Snow Show | Fung, Lance | 2004 | Thames & Hudson [book documenting the exhibition] |
| The Subject of Rape | Whitney Independent Study Group | 1993 | Whitney Museum of American Art |
| The Television's Impact on Contemporary Art | Miller, Marc H. | 1986 | The Queens Museum, New York |
| The Ten Commandments / Die Zehn Gebote | Biesenbach, Klaus | 2004 | Deutschen Hygiene Museum, Dresden |
| The Waste Land: Desert and Ice. Barren Landscapes in Photography | Trummer, Thomas | 2001 | Atelier Augarten, Vienna |
| The Xerox Book | Siegelaub, Seth / John Wendler | 1968 | Seth Siegelaub / John Wendler |
| Thinking Print: Books to Billboards, 1980-1995 | Wye, Deborah | 1996 |
The Museum of Modern Art, New York |
| Third International Open Encounter on Video | Glusberg, Jorge | 1975 | CAYC (organized by) / Galleria Civica D'Arte Moderna, Ferrara |
| 13 >Projekt '74< Artists | Maenz, Paul | 1974 | Paul Maenz, Koln |
| Transcontinental | Brett, Guy | 1990 | Verso and Ikon Gallery, England |
| Truce: Echoes of Art in an Age of Endless Conclusions | Bonami, Francesco | 1997 | Site Santa Fe - 2nd International Biennial |
| Twenty Six Contemporary Women Artists | Lippard, Lucy | 1971 | The Aldrich Museum of Contemporary Art |
| 2,972,453 | Lippard, Lucy | 1970 | CAYC, Buenos Aires |
| Typologies: Nine Contemporary Photographers | Freidus, Marc | 1991 | Newport Harbor Art Museum, Newport Beach, California |
| Unfinished History | Bonomi, Francesco | 1998 | Walker Art Center, Minneapolis |
| Utopia / Post-Utopia: Conceptual Photography and Video from Cuba | Posner, Helaine and Eugenio Valdes Figueroa | 2003 | Samuel Dorsky Museum of Art, State University of New York, New Paltz |
| Video Art | Delehanty, Suzanne | 1975 | Institute of Contemporary Art, University of Pennyslvania, Philadelphia |
| Vocation / Vacation | MacNevin, Brian | 1981 | The Baniff Center, School of Fine Arts |
| WACK! Art and the Feminist Revolution | Butler, Cornelia | 2007 | The Museum of Contemporary Art, Los Angeles |
| Walk Ways | Horodner, Stuart | 2002 | Independent Curators International |
| Wall Works: Wall Installations in Editions 1992-93 | Schellmann, Jorg | 1993 | Edition Schellmann, Koln and New York |
| We Interrupt This Program: Print Ads and TV Spots by Artists | Robayo Sheridan, Sarah with Steven Leiber and Ted Purves | 2009 | Mercer Union, Toronto |
| When Attitudes Become Form (Bern and London catalogues) | Szeemann, Harald | 1969 | Kunsthalle Bern / ICA |
| White Cube / Black Box: Video - Installation - Film | Breitwieser,Sabine and Ute Meta Bauer | 1996 | Generali Foundation, Vienna |
| Wide White Space 1966-1976 Behind the Museum | Coessens, Piet | 1995 | Richter Verlag, Dusseldo |
| Whitney Museum Sculpture Annual 1970 | Doty, Robert M., Marcia Tucker and James K. Monte | 1970 | Whitney Museum of American Art |
| Women Choose Women | Lippard, Lucy | 1973 | The New York Cultural Center |
| Word as Image: American Art 1960-1990 | Bowman, Russell and Dean Sobel | 1990 | Milwaukee Art Museum |
| Words as Images | Spector, Buzz, Reagan & Roberta Upshaw | 1981 | The Renaissance Society, University of Chicago |
| Word Works | Jacobs, Jessica |
1974 | Mt. San Antonio College, Walnut, California |
| Working Drawings and other Visible Things on Paper Not Necessarily Meant to be Viewed as Art [reprint 1997] | Bochner, Mel | 1966 /1997 | Visual Arts Gallery, School of Visual Arts, New York |
| Works and Words | Gribling, Frank + | 1980 | De Apel, Amsterdam |
| Works for New Spaces | Friedman, Martin | 1971 | Walker Art Center, Minneapolis |
| Worthless (Invaluable) | Basualdo. Carlos | 2000 | Moderna galerija Ljubljana |
| Wounds: Between Democracy and Redemption in Contemporary Art | Elliott, David and Pier Luigi Tazzi | 1998 | Moderna Museet, Stockholm |
| X-Screen: Film Installations and Actions in the 1960s and 1970s | Michalka, Matthias | 2004 | Museum Moderner Kunst Stiftung Ludwig Wein |
| Zero to Infinity: Arte Povera 1962-1972 | Flood, Richard and Frances Morris | 2001 | Walker Art Center, Minneapolis |