
RICHARD SERRA
1939, San Francisco, California - Lives and works in New York
F / S / V / INSTV
| POSTERS | ||
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| Richard Serra "Around the Corner," 1982 A Sculpture Installation | BlumHelman Gallery | 1983 |
| Richard Serra [Blindspot] | Gagosian Gallery | 2003 |
| Richard Serra: 8 Drawings: Weights and Measures [The American Flag is not an object of worship....] | Leo Castelli | 1989 |
| Richard Serra: "Slice" [blueprint] | Leo Castelli | 1981 |
| Richard Serra: TMU, 1979/80 Location: New York, W. Braodway at Franklin and Leonard | m Gallery, Bochum, W. Germany | 1980 |
| St. Johns Rotary Arc 1975/80 | Leo Castelli | 1980 |
| Tilted Arc Defense Fund | Leo Castelli | 1985 |
| Torqued Spirals Toruses and Spheres | Gagosian Gallery | 2001 |
| OTHER WORKS | ||
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| Lead Shot [submission to Aspen Magazine # 8] | Aspen Magazine # 8 | 1970-1 |
| EPHEMERA | ||
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| Colour Aid, Bobby Deal, Sock Cymbal, Hands Catching Lead, Tied Hands, Hands Scraping, China Girl [announcement card for video presentation. This card also includes works by Bruce Nauman] | Videogalerie Gerry Schum, Dusseldorf | 1972 |
| Richard Serra: Skulpturen, Neon-Objekte [this is Serra's second solo exhibition] | Galerie Ricke, Koln | 1968 |
| Richard Serra: stuffed animal habitats, 1966 [the original 1966 exhibition of stuffed animals at Galleria La Salita was Serra's first one person exhibition] | Galleria La Salita, Rome | 1972 |
Richard Serra: Filme 16 mm 1968-1971 |
Ursula Wevers "Projection", Koln | 1971? |
| "Stop Bush" (handout of painting in the Biennial) | Whitney Biennial | 2006 |
| BOOKS BY OR ABOUT SERRA | ||
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| Richard Serra: Interviews, Etc. 1970-1980 | The Hudson River Museum | 1980 |
| Richard Serra, October Files | The MIT Press | 2000 |
| Richard Serra's Tilted Arc [documentation] | Van Abbemuseum, Eindhoven | 1988 |
| OTHER PUBLICATIONS | ||
| In and Out of Kutztown: a documentation of the Art Series Program 1974-1981 | Kutztown State College, Pennsylvania | 1983 |
| INDIVIDUAL CATALOGUES | ||
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| Mel Bochner / Richard Serra | Hayden Gallery / MIT | 1980 |
| Richard Serra | Pasadena Art Museum, Pasadena, California | 1970 |
| Richard Serra Sculpture: Forty Yours | Museum of Modern Art, New York | 2007 |
| Richard Serra Sculpture 1985 - 1987 | Pace Gallery / Leo Castelli | 1987 |
| Richard Serra: Torqued Ellipses | Dia | 1997 |
| Richard Serra: Weights and Measure Drawings | The Drawing Center, New York | 1994 |
| ARTICLES AND INTERVIEWS | ||
| Entries: Oedipus Reconciled [Robert Pincus-Witten] | Arts Magazine, November | 1980 |
| Joint Statement [presented as an ad] in Artforum regarding exhibitions and artists rights (in response to Documenta 5) | Artforum, June | 1972 |
| "Play it Again Sam" (article by Serra) | Arts Magazine, February | 1970 |
| Richard Serra's Te Tuhirangi Contour: Time in the Space in Between | Sculpture, Vol.27, #9 , November | 2008 |
| Richard Serra: Slow Information [Robert Pincus-Witten] | Artforum, September | 1969 |
| Richard Sera's Paris Promenade | Sculpture, Vol.27, #9 , November | 2008 |
| Richard Serra's "Tilted Arc": Art and Non-Art Issues - article by Serra | Art Journal ,Winter | 1989 |
| Richard Serra's Urban Scu;pture: An Interview [with Douglas Crimp] | Arts Magazine, November | 1980 |
| Richard Serra, Utopian Constructivist [Donald B. Kuspit] | Arts Magazine, November | 1980 |
| Shift [article by Serra, edited by Rosalind Krauss] | Arts Magazine, April | 1973 |
| SELECTED CATALOGUES INCLUDING SERRA | ||
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Anti-Form [announcement card / no catalogue] | John Gibson Gallery, New York | 1968 |
| Anti-Illusion: Procedures/Materials | Whitney Museum | 1969 |
| Art by Telephone | Museum of Contemporary Art, Chicago | 1969 |
| ArtCite: When Montreal Turns Into a Museum | Musse D'Art Contemporain de Montreal | 2001 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| Art in Space: Some Turning Points | The Detroit Institute of Arts | 1973 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Carnegie International 1991 [Curators: Lynne Cooke and Mark Francis] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1991 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Connections: Bridges/Ladders/Ramps/Staircases/Tunnels | Institute of Contemporary Art, University of Pennsylvania | 1983 |
| Construction in Process | 37 Pkwn Street, Lodz, Poland | 1981 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Cultural Economies:Histories from the Alternative Arts Movement, NYC | The Drawing Center, New York | 1996 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Dia Chelsea [periodic exhibition brochures in binder] - '97 - '98 | Dia Chelsea, New York | 1981- |
| Diagrams & Drawings | Rijksmuseum Kroller-Muller, Otterlo | 1972 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Earth, Air, Fire, Water: Elements of Art | Museum of Fine Arts, Boston | 1971 |
| Films by American Artists: One Medium Among Many | Art Council of Great Britian - a traveling exhibition of films | 1981 |
| 557,087 | Seattle | 1969 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Guggenheim International | Guggenheim Museum | 1971 |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] | Kunstverein, Hannover / TV Broadcast | 1970 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| July August Exhibition Book | Seth Siegelaub | 1970 |
| la Biennale di Venezia 45: Opera Italiana - Transiti - Museo Elettronico | Venice, various locations | 1993 |
| la Biennale di Venezia 49: Plateau of Humankind | Venice, various locations | 2001 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| 995,000 | Vancouver | 1970 |
| 1967: At the Crossroads | Institute of Contemporary Art, Philadelphia | 1987 |
| Op Losse Schroeven (Square Peg in Round Holes) | Stedelijk Museum | 1969 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Rooms P.S.1 | P.S. 1 | 1977 |
| Schemes: A Decade of Installation Drawings | Elise Meyer Inc | 1981 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Structures for Behavior | Art Gallery of Ontario | 1978 |
| The New Sculpture 1965-75: Between Geometry and Gesture | The Whitney Museum of American Art | 1990 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Urban Encounters: Art Architecture Audience [listed in 100 sites] | ICA, University of Pennsylvania | 1980 |
| Video Art | Institute of Contemporary Art, University of Pennyslvania, Philadelphia | 1975 |
| When Attitudes Become Form (Bern and London) | Kunsthalle Bern | 1969 |
| Whitney Biennial 1979 [John G. Hanhardt, Barbara Haskell, Richard Marshall, Mark Segal and Patterson Sims] | Whitney Museum of American Art | 1979 |
| Whitney Biennial 1981 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1981 |
| Whitney Biennial 1995 [Klaus Kertess] | Whitney Museum of American Art | 1995 |
| Whitney Biennial 2006 [Elisabeth Sussman, John G. Hanhardt, Thelma Golden, and Lisa Phillips] | Whitney Museum of American Art | 2006 |
| Whitney Museum Sculpture Annual 1970 | Whitney Museum of American Art | 1970 |
| Works for New Spaces | Walker Art Center, Minneapolis | 1971 |
| Zero to Infinity: Arte Povera 1962-1972 | Walker Art Center | 2001 |
| SELECTED BOOKS INCLUDING SERRA | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art After Conceptual Art | MIT Press / Generali Foundation | 2006 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art and Life | Praeger | 1971 |
| Art & Technology: A Report on the Art & Technology Program of the Los Angeles County Museum of Art, 1967-1971 | Los Angeles County Museum of Art / The Viking Press | 1971 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Art Povera: Earthworks - Impossible Art - Actual Art - Conceptual Art | Praeger | 1969 |
| Art Workers: Radical Practice in the Vietnam Era | University of California Press | 2009 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Dialogues in Public Art | MIT Press | 2000 |
| Earthworks: Art and the Landscape of the Sixties | Boettger, Suzaan | 2002 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Get the Message? A Decade of Art for Social Change [Lucy Lippard] | E.P. Dutton | 1984 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Land and Environmental Art | Phaidon | 1998 |
| Land Art | Tate Publishing | 2006 |
| Minimalism: Art and Polemics in the Sixties | Yale University Press | 2001 |
| New Art | Rizzoli | 1991 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| 112 Workshop / 112 Greene Street | New York University Press | 1981 |
| Okey Dokey Konrad Fischer | Verlag der Buchhandlung Walther Konig, Koln | 2007 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Performance Anthology: Source Book of California Performance Art | Last Gasp Press / Contemporary Arts Press | 1989 |
| Postminimalism | Out of London Press | 1977 |
| Robert Lehman Lectures on Contemporary Art #2 | Dia Art Foundation | 2004 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Surface Tension: Prolematics of Site [Tilted Arc discussed] | Errant Bodies Press | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| The New Avant-Garde: Issues for the Art of the Seventies | Praeger | 1972 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Video Art | Harcourt Brace Jovanovich | 1976 |
| PERIODICALS INCLUDING SERRA | ||
| Artforum [Notes on Sculpture Part 4: Beyond Objects by Robert Morris] | April | 1969 |
| Artforum [Review of Anti-Illusion: Procedures / Materials] | September | 1969 |
| Artforum [Documenta 5] | October | 1972 |
| Art Journal [Richard Serra's "Tilted Arc": Art and Non-Art Issues - Article by Serra] | Winter | 1989 |
| Art in America [The Emperor's New Bikini by Hilton Kramer] | January-February | 1969 |
| Art in America, [Article: Impossible Art] | May-June | 1969 |
| Art in America [Report from Italy: Count Panza Divests] | December | 1984 |
| Art in America [Tilted Arc Update (also comment on public work by Alan Sonfist)] | February | 1988 |
| Art in America [Tilted Arc Distroyed - article by Serra] | May | 1989 |
| Art in America [Moral Rights: First Stage of False Start? by Martha Buskirk] | July | 1991 |
| Arts Magazine | April | 1973 |
| Aspen Magazine No. 8 | Fall / Winter | 1970-1 |
| Avalanche #08 | Avalanche | 1973 |
| Cover #2 | Artcover, New York | 1980 |
| Cover #3 | Artcover, New York | 1980 |
| Cover # 4 | Artcover, New York | 1980-1 |
| Flash Art [The Body as Site] | November-December | 1991 |
| October # 8 [Sculpture in the Extended Field by Rosalind Krauss] | Spring | 1979 |
| October 10 | The MIT Press | 1979 |
| On Site 5/6 - On Energy | SITE, Inc., New York | 1974 |
| Parkett # 40/41 | Parkett | 1994 |
| Sculpture, Vol.21, #8 [interview] | October | 2002 |
| Sculpture, Vol.27, #9 | November | 2008 |
| The Print Collector's Newsletter | November-December | 1991 |
| TriQuarterly # 32 (with cards) | TriQuarterly | 1975 |
| EXHIBITION REVIEWS | ||
| Richard Serra (and Walter de Maria) at Noah Goldowsky | Artforum, April | 1968 |
| Richard Serra at the School of Visual Arts and Castelli | Art in America, January-February | 1975 |