ANDRES SERRANO
1950, New York
| INDIVIDUAL CATALOGUES | ||
| Andres Serrano: Works 1983-1993 | Institute of Contemporary Art, University of Pennsylvania, Philadelphia | 1994 |
| INTERVIEWS WITH SERRANO | ||
| Shooting the Klan: An Interview with Andres Serrano by Coco Fusco | The Citizen Artist: 20 Years of Art in the Public Arena: An Anthology from High Performance Magazine 1978 - 1998 | 1998 |
| SELECTED CATALOGUES INCLUDING SERRANO | ||
| Acts of Faith: Politics and the Spirit [curated by Lucy Lippard] | Art Gallery, Cleveland State University | 1988 |
| Ars - Aevi - International Cultural Project | Museum of Contemporary Art, Sarajevo | 1999 |
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Constitution [organized by Group Material] | The Temple Gallery, Temple University, Philadelphia | 1987 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Fake [Curator: William Olander] | The New Museum of Contemporary Art, New York | 1987 |
| In & Out: Onufri 2000 | National Gallery of Arts, Tirana, Albania | 2000 |
| Longing and Belonging From the Faraway Nearby | Site Santa Fe | 1995 |
| Radikale Bilder / Radical Images: 2nd Austrian Triennial on Photography [book 2] | Neue Galerie am Landesmuseum Joanneum + Kunstlerhaus, Ganz | 1996 |
| Seeing is Believing? Photo Generated Artworks | TheAlternative Museum, New York | 1986 |
| Strange Attractors: Signs of Chaos | The New Museum of Contemporary Art, New York | 1989 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The Photography of Invention: American Pictures on the 1980s | National Museum of American Art, Smithsonian Institution | 1989 |
| Valencia Bennial #1 - communication between the arts [Achille Bonito Oliva, Peter Greenaway, David Perez, and Viktor Misiano +] | Valencia, Spain | 2001 |
| GROUP MATERIAL EXHIBITIONS | ||
| MASS | The New Museum of Contemporary Art, New York | 1986 |
| BOOKS INCLUDING SERRANO | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art, Activism & Oppositionality: Essays from Afterimage | Duke University Press | 1998 |
| Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| But is it Art? The Spirit of Art as Activism | Bay Press | 1995 |
| English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco] | The New Press, New York | 1995 |
| Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] | Pantheon Books | 1990 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| The Citizen Artist: 20 Years of Art in the Public Arena - An Anthology from High Performance Magazine 1978-1998# | Critical Press / D.A.P. | 1998 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| Your House Is Mine | Bullet Space, New York | 1993 |
| PERIODICALS INCLUDING SERRANO | ||
| Art Nexus Vol.18 | October-December | 1995 |
| New Observations #82 - Response to War | New Observations Ltd., New York | 1991 |
| Poliester Vol.5 #17 | Winter | 1996 |
| Third Text # 16/17 [Sublime Abjection: and interview with Andres Serrano by Coco Fusco] | Autumn / Winter | 1991 |