CINDY SHERMAN
1954, Glen Ridge, New Jersey - Lives and works in New York
| BOOKS BY OR ABOUT SHERMAN | ||
| Cindy Sherman: A Play of Selves | Hatje Cantz / Metro Pictures, New York | 2007 |
| Cindy Sherman: The Complete Untitled Film Stills | The Museum of Modern Art, New York | 2003 |
| VIDEO INCLUDING SHERMAN | ||
| Two Moon July | The Kitchen, New York | 1987 |
| ARTICLES AND INTERVIEWS BY OR WITH SHERMAN | ||
| Interview with Sherman | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| Untitled Statement | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| EXHIBITIONS CURATED | ||
| Somatogenics [curated with Sarah Charlesworth and Laurie Simmons] | Artists Space, New York | 1995 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| INDIVIDUAL CATALOGUES | ||
| Cindy Sherman: Clowns | kestnergesellschaft, Hannover | 2004 |
| CATALOGUES INCLUDING SHERMAN | ||
| A Decade of New Art: Artists Space | Artists Space, New York | 1984 |
| A Forest of Signs: Art in the Crisis of Representation | The Museum of Contemporary Art, Los Angeles | 1989 |
| Ars - Aevi - International Cultural Project | Museum of Contemporary Art, Sarajevo | 1999 |
| Art and Film Since 1945: Hall of Mirrors | The Museum of Contemporary Art, Los Angeles | 1996 |
| Body Language: Figurative Aspects of Recent Art [curator: Roberta Smith] | Hayden Gallery, MIT University | 1981 |
| Carnegie International 1985 [Curators: John R. Lane and John Caldwell] | The Carnegie Museum of Art, Pittsburg, Pennsylvania | 1985 |
| Compassion and Protest: Recent Social and Political Art from the Eli Broad Family Foundation Collection | San Jose Art Museum | 1991 |
| Contemporary Perspectives 1984 | Bucknell University, Lewisburg, Pennsylvania | 1984 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Cultural Economies:Histories from the Alternative Arts Movement, NYC | The Drawing Center, New York | 1996 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Disparities & Deformations: Our Grotesque - 5th Site Santa Fe Biennial [Robert Storr] | Site Santa Fe, New Mexico | 2004 |
| Documenta 7 | Kassel, Germany | 1982 |
| Double Life: Identity and Transformation in Contemporary Life | Generali Foundation, Vienna | 2001 |
| Espelho Cego / Blind Mirror: Selections from a Contemporary Collection | Museu de Arte Moderna de Sao Paulo | 2001 |
| East Village USA [not in exhibition but mentioned in Cameron's catalogue essay] | The New Museum of Contemporary Art, New York | 2004 |
| Eight Artists: The Anxious Edge [curator: Lisa Lyons] | Walker Art Center, Minneapolis, Minnesota | 1982 |
| Empty Dress: Clothing as Surrogate in Recent Art [curator: Nina Felshin] | Independent Curators, Inc., New York | 1993 |
| Energieen [Energies] | Stedelijk Museum, Amsterdam | 1990 |
| Image Scavengers: Photography | Institute of Contemporary Art, University of Pennsylvania | 1983 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| la Biennale di Venezia 46: Identity and Alterity: Figures of the Body 1895-1995 [Jean Clair] | Venice, various locations | 1995 |
| Let's Entertain: Life's Guilty Pleasures | Walker Art Center | 2000 |
| ...., Louise Lawler, Adrian Piper, and Cindy Sherman | Artists Space, New York | 1978 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Metropolis | Martin Gropius Bau, Berlin | 1991 |
| ...om det sublima / ...on the sublime | Rooseum, Malmo | 1999 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Public Art | Nexus Contemporary Art Center, Atlanta | 1985 |
| Radikale Bilder / Radical Images: 2nd Austrian Triennial on Photography [book 2] | Neue Galerie am Landesmuseum Joanneum + Kunstlerhaus, Ganz | 1996 |
| The Burbs: The Influence of Suburban Iconography on Pictorial Art [Curators: Peter Drake and John Nickle] | Suburbarama, New York | 2003 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Photography of Invention: American Pictures on the 1980s | National Museum of American Art, Smithsonian Institution | 1989 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| The Television's Impact on Contemporary Art | The Queens Museum, New York | 1986 |
| the Time of Our Lives [Marcia Tucker, curator] | The New Museum of Contemporary Art, New York | 1999 |
| 35 Artists Return to Artists Space: A Benefit Exhibition | Artists Space, New York | 1981 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Wall Works: Wall Installations in Editions 1992-93 | Edition Schellmann, Koln and New York | 1993 |
| Whitney Biennial 1983 [John G. Hanhardt, Barbara Haskell, Richard Marshall, and Patterson Sims] | Whitney Museum of American Art | 1983 |
| Whitney Biennial 1985 [Richard Armstrong, John G. Hanhardt, Barbara Haskell, Richard Marshall, Lisa Phillips, and Patterson Sims] | Whitney Museum of American Art | 1985 |
| Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| Whitney Biennial 1993 [Elisabeth Sussman with Thelma Golden, John G. Hanhardt and Lisa Philips]] | Whitney Museum of American Art | 1993 |
| Whitney Biennial 1995 [Klaus Kertess] | Whitney Museum of American Art | 1995 |
| BOOKS INCLUDING SHERMAN | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| Beyond Recognition: Representation, Power, and Culture | University of California Press | 1992 |
| Fabrications: Staged, Altered, and Appropriated Photographs | Abbeville Press, New York | 1987 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| On the Museum's Ruins | MIT Press | 1993 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| Performance: Live Art Since 1960 | Harry N. Abrams | 1998 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Witness to Her Art [Eau de Cologne - Monika Spruth Galerie] | Center for Curatorial Studies, Bard College | 2006 |
| PERIODICALS INCLUDING SHERMAN | ||
| Art in America [Shermanettes by Peter Schjeldahl] | March | 1982 |
| Parkett # 22 | Parkett | 1989 |
| Parkett #29 | Parkett | 1991 |
| Trans> arts.cultures.media #1 | Passim, Inc. | 1995 |
| Witte de With - Cahier #4 | Witte de With center for contemporary art, Rotterdam | 1996 |
| Zona F #3 | 2000 | |
| EXHIBITION REVIEWS | ||
| Cindy Sherman [Untitled #s 250-264] at Metro Pictures, New York | Splash Magazine, Spring | 1992 |
| Cindy Sherman at Ghislaine Hussenot, Paris | Flash Art, November-December | 1993 |