NANCY SPERO
1926, Cleveland, Ohio - Lives and works in New York
| INDIVIDUAL CATALOGUES | ||
| Nancy Spero [Notes in Time on Women Part II Women: Appraisals, Dance & Active Histories] | The Picker Art Gallery, Charles A. Dana Arts Center, Colgate University, Hamilton, NY | 1979 |
| Notes in Time: Leon Golub and Nancy Spero | Fine Arts Gallery, University of Maryland | 1995 |
| EPHEMERA | ||
| Nancy Spero / Maude Boltz [single fold announcement with images and text ] | A.I.R. Gallery, New York | 1973 |
| Point d' Ironie poster | Agnes B. / Hans-Ulrich Obrist | 2005 |
| INTERVIEWS WITH SPERO | ||
| Woman as Protagonist: Interview with Nancy Spero | in Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | 1996 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| Inserts ["Advertising Supplement to The New York Times" sponsored by the Public Art Fund] | Group Material | 1988 |
| CATALOGUES INCLUDING SPERO | ||
| A Different War: Vietnam in Art | Independent Curators Incorporated, New York | 1990 |
| Art and Ideology | The New Museum of Contemporary Art, New York | 1984 |
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Bodies of Resistance [Curator: Barbara Hunt] | Real Art Ways, Hartford, Connecticut / Visual AIDS | 2000 |
| Committed to Print: Social and Political Themes in Recent American Printed Art | The Museum of Modern Art, New York | 1988 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Cultural Economies:Histories from the Alternative Arts Movement, NYC | The Drawing Center, New York | 1996 |
| Detente | Museum Moderner Kunst Stiftung Ludwig, Vienna | 1994 |
| Devil on the Stairs: Looking Back on the Eighties | Institute of Contemporary Art, Philadelphia | 1991 |
| Disarming Images: Art for Nuclear Disarmament | The Art Museum Association of America | 1984 |
| Disinforamtion: The Manufacture of Consent | The Alternative Museum, New York | 1985 |
| Documenta 10 | Kassel, Germany | 1997 |
| Do It | Independent Curators, Inc., New York | 1997 |
| Liberty and Justice [curated by Group Material and the Alternative Museum] | Alternative Museum, New York | 1986 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| Making Their Mark: Women Artists Move Into The Mainstream 1970-85 | Cincinatti Museum of Art | 1993 |
| Massive Political Group Show II: Visual Art, Performance, Music, Poetry, Video. [poster / no catalogue] | ABC No Rio, New York | 1985 |
| Matrix, A Changing Exhibition of Contemporary Art [1983] | Wadsworth Atheneum, Hartford, CT | 1975+ |
| Memento Mori | Moore College of Art, Philadelphia | 1985 |
| Messages: Words and Images | Freedman Gallery, Albright College | 1981 |
| Overview 1972-1977: An Exhibition in Two Parts | A.I.R. Gallery | 1978 |
| Perverted by Language | Hillword Art Gallery, New York | 1987 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Stations | Centre International D'Art Contemporian De Montreal | 1988 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The End of the World:Contemporary Visions of the Apocalypse [Curator: Lynn Gumpert] | The New Museum of Contemporary Art, New York | 1983 |
| The Matter at Hand: Contemporary Drawings | Fine Arts Gallery, UWM Art Museum, U. of Wisconsin, Wilwaukee | 1990 |
| The Subject of Rape [curated by the Whitney Independent Study Group] | Whitney Museum of American Art | 1993 |
| The Walls of the 70s: A Pluralist Exhibition | The QCC Art Gallery - Queensborough Community College CUNY | 1983 |
| Three Cities Against the Wall: Ramallah / Tel Aviv / New York | ABC No Rio, New York / Al-Hallaj Gallery, Ramallah / Beit Ha'omanim, Tel Aviv | 2005 |
| WACK! Art and the Feminist Revolution | The Museum of Contemporary Art, Los Angeles | 2007 |
| Walk Ways | Independent Curators International | 2002 |
| Whitney Biennial 1993 [Elisabeth Sussman with Thelma Golden, John G. Hanhardt and Lisa Philips]] | Whitney Museum of American Art | 1993 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| GROUP MATERIAL EXHIBITIONS | ||
| MASS | The New Museum of Contemporary Art, New York | 1986 |
| Resistance (Anti-Baudrillard) | White Columns, New York | 1987 |
| BOOKS INCLUDING SPERO | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art in the Age of Mass Media | Westview Press | 1994 |
| Art Talk: The Early 80s | Da Capo Press | 1988 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From the Center: feminist essays on women's art | Dutton | 1976 |
| Hot Off The Press: Prints and Politics | Tamarind Institute / The University of New Mexico Press | 1994 |
| SoHo: The Rise and Fall of an Artists' Colony | Routledge | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| Thinking About Exhibitions | Routledge | 1996 |
| PERIODICALS INCLUDING SPERO | ||
| Art in America, [A Critic's Diary: The New York Art Year by David Bourdon: pertaining to the picket at the Whitney related to the Rockefeller collection exhibition] | July-August | 1977 |
| Art in America [From Existence to Essence: Nancy Spero by David Kuspit] | January | 1984 |
| Art Journal [Going Virtual - Franklin Furnace] | Summer | 2000 |
| Art-Rite # 9 | Art-Rite Publishing | 1975 |
| Heresies #1 Feminism, Art and Politics | Heresies | 1977 |
| Heresies #6 On Women and Violence | Heresies | 1978 |
| Heresies #15 Racism | Heresies | 1982 |
| Heresies #20 Activists, Organizers, Progressives... | Heresies | 1985 |
| Heresies #24 Twelve Years | Heresies | 1989 |
| Heresies #25 The Art of Education | Heresies | 1990 |
| Ikon, Second Series: Special Issue Art Against Apartheid | Ikon, New York | 1986 |
| New Observations #82 - Response to War | New Observations Ltd., New York | 1991 |
| Parkett # 14 | Parkett | 1987 |
| Printed Project # 6 [included in The Agency of Unrealized Projects] | Visual Artists Ireland | 2007 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| The Flue Vol. 3, #1: Special Issue on Artists' Books, Archives and Collections | Franklin Furnace | 1982 |
| Third Text # 1 | Third Text, Autumn | 1987 |
| Upfront # 12/13 - PADD [Politicial Art and Documentation / Distribution] | PAD/D | 1986/7 |
| EXHIBITION REVIEWS | ||
| See: A.I.R. Gallery | ||