THINKING ABOUT EXHIBITIONS
Routledge, 1996
Editors: Reesa Greenberg , Bruce W. Ferguson, and Sandy Nairne
Note: Related texts on curatorial studies.
| I. THE FUTURE OF HISTORY | |
| Debora J. Meijers | The Museum and the "Ahistorical" Exhibition: the latest gimmick by the arbiters of taste, or an important cultural phenomenon? |
| Mari Carmen Ramirez | Brokering Identities: art curators and the politics of cultural representation |
| Jean-Marc Poinsot | Large Exhibitions: a sketch of a typology |
| II. STAGING SPECTATORS | |
| Tony Bennett | The Exhibitionary Complex |
| Johanne Lamoureux | The Museum Flat |
| Peter S. Hawkins | Naming Names: the art of memory and the NAMES Project AIDS Quilt |
| III. GRAMMATIC ACTS | |
| Jean-Francois Lyotard | Les Immateriaux |
| Bruce W. Ferguson | Exhibition Rhetorics: material speech and utter sense |
| Gerald McMaster | Creating Spaces |
| Mieke Bal | The Discourse of the Museum |
| IV. CURATORS OR CATERERS | |
| Lawrence Alloway | The Great Curatorial Dim-Out |
| Nathalie Heinich / Michael Pollak | From Museum Curator to Exhibition Auteur: inventing a single position |
| Ivan Karp / Fred Wilson | Constructing the Spectacle of Culture in Museums |
| John Miller | The Show You Love To Hate: a psychology of the mega-exhibition |
| Clementine Deliss | Free Fall - Freeze Frame: Africa, exhibitions,artists |
| V. SPATIAL PLAY | |
| Valery Petrovich Sazonov | The One-Picture Gallery |
| Judith Barry | Dissenting Spaces |
| Daniel Buren | Function of Architecture: notes on work in connection with the places where it is installed taken between 1967 and 1975, some of which are specially summarized here |
| Brian O'Doherty | The Gallery as Gesture |
| Ropsalind E. Krauss | Postmodernism's Muiseum Without Walls |
| Reesa Greenberg | The Exhibited Redistributed: a case for reassessing space |
| VI. THE EXHIBITION CONDITION | |
| Germano Celant | A Visual Machine: art installation and its modern archetypes |
| Sandy Nairne | The Institutionalization of Dissent |
| Diana Nemiroff | Modernism, Nationalism and Beyond: a critical history of exhibitions of First Nation art |
| Andrea Fraser | In and Out of Place [Louise Lawler / Allan McCollum] |
| Martha Ward | What's Important About the History of Modern Art Exhibitions? |
Partial List: Primarily Exhibitions / Institutions / Curators - with only a few of the artists mentioned
| ABC No Rio |
| AIDS Quilt |
| A.I.R. Gallery |
| Alternatives in Retrospect (1981) |
| Apartment Number (1981) |
| Arrangements of Pictures [Louise Lawler] |
| Art Gallery of Ontario |
| Art of the Real (1968) |
| Art Workers Coalition |
| Artists Space |
| Arts Lab, London |
| Bachelor Machine, The [Harald Szeemann] |
| Barry, Judith |
| Barry, Robert |
| Bern Kunsthalle |
| Beuys, Joseph |
| Beyond History (1989) |
| Mary Boone |
| Borrowed Time (1983) |
| Broodthaers, Marcel |
| Brooklyn Museum |
| Buren, Daniel |
| Bykert Gallery |
| CAPC Musee d'art contemporain de Borbeaux |
| Castelli |
| Centre Georges Pompidou |
| Chicago, Judy |
| Civilian Warfare |
| Colab |
| Conceptual Art / Arte Povera (1970) |
| Damaged Goods [1986] |
| de Maria, Walter |
| Decade Show (1990) |
| Destruction Art (1968) |
| Dia Art Foundation |
| Documenta |
| Durham, Jimme |
| East Village Scene (1984) |
| Eight Contemporary Artists |
| 18 Paris IV 70 (1970) |
| Encounters / Displacements (1992) |
| Events (1980) |
| Fashion Moda |
| Flavin, Dan |
| Fred Sandback Museum |
| From Receiver to Remote Control (1989) |
| Fuchs, Rudi |
| Fun Gallery |
| Galeria Foksal, Warsaw |
| Galleria Sperone |
| Gracie Mansion |
| Green Gallery, New York |
| Guggenheim Museum |
| Haacke, Hans |
| Hallways |
| Happening & Fluxus |
| Hoet, Jan |
| Information (1970) |
| Institute of Contemporary Art, Philadelphia |
| Institute of Contemporary Art, London |
| July, August, September (1969) |
| Karp, Ivan |
| Konig, Kaspar |
| Kosuth, Joseph |
| Kunsthalle Bern |
| Land Art (1970) |
| Latin American Artists of the Twentieth Century |
| Lawler, Louise |
| LeWitt, Sol |
| Lew, Jeffery |
| Lippard, Lucy |
| McCollum, Allan |
| Magiciens de la Terre (1989) |
| Metro Pictures, New York |
| Morris, Robert |
| Museum of Contemporary Art, Chicago |
| Museum of Modern Art, New York |
| NAMES Project |
| New Museum of Contemporary Art, New York |
| Oldenburg, Claes |
| Picture is no Substitute for Anything (1981-2) |
| Real Estate Show (1980) |
| Rosario Group |
| Siegelaub, Seth |
| Skulptur Projekte, Munster |
| Smith, Jaune Quick-to-See |
| Spero, Nancy |
| Stedelijk Museum, Amsterdam |
| Steinbach, Haim |
| Strum Gallery, Berlin |
| Szeemann, Harald |
| Times Square Show |
| Tucker, Marcia |
| Twenty Six Contemporary Women Artists (1971) |
| van Abbemuseum, Eindhoven |
| Violence in Recent American Art (1968) |
| Visions of Power (1991) |
| Warhol, Andy (Andy Warhol Museum, Pittsburgh) |
| When Attitudes Become Form (1969) |
| White Columns |
| Whitney Museum of American Art / Biennials |
| Wilson, Fred |
| Women Artists in Revolution (WAR) |
| Women's Action Coalition (WAC) |
| Zeitgeist (1982) |