RIRKRIT TIRAVANIJA
1961, Buenos Aires - Lives and works in New York and Berlin
F / S / V / INSTV
| INDIVIDUAL CATALOGUES | ||
| Supermarket | Migros Museum fur Gegenwartskunst, Zurich | 1998 |
| Untitled 1998 (On the road with Jiew Jeaw Jieb Sri and Moo) | Philadelphia Museum of Art | 1998 |
| CATALOGUES INCLUDING TIRAVANIJA | ||
| Berlin Biennale 1 - Berlin/Berlin [curator: Klaus Biesenbach] | Kunst Werke, Berlin | 1998 |
| Cities on the Move | Secession, Vienna | 1997 |
| Cocido y Crudo | Museo Nacional Centro de Arte Reina Sofia | 1995 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Do It | Independent Curators, Inc., New York | 1997 |
| House in Time | Moderna Galerija, Ljubljana | 1995 |
| Istanbul Biennial # 7 - Egofugal [curator: Yuko Hasegawa] | Istanbul Foundation for Culture and Arts | 2001 |
| la Biennale di Venezia 45: Aperto - Emergency [Achille Bonito Oliva, Helena Kontova, with Francesco Bonami, among others] | Venice, various locations | 1993 |
| La Biennale di Venezia 48: OPERTO over ALL | Venice, Italy | 1999 |
| La Biennale di Venezia 50: Dreams and Conflicts: The Dictatorship of the Viewer | Venice | 2003 |
| Manifesta 1 [Rosa Martinez, Viktor Misiano, Katalin Neray, Hans-Ulrich Obrist, and Andrew Renton] | Rotterdam, The Netherlands | 1996 |
| New Economy | Artists Space, New York | 2007 |
| Outside the Frame: Performance and the Object | Cleveland Center for Contemporary Art | 1994 |
| Plug-In: Utility and Mobility | Westfalischen Landesmuseums fur Kunst + | 2001 |
| The Big Nothing | Institute for Contemporary Art, Philadelphia | 2004 |
| The Big Nothing or Le Presque Rien | The New Museum of Contemporary Art, New York | 1992 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Quiet in the Land: Everyday Live, Contemporary Art and Projeto AXE [Concept: France Morin] | Museo de Arte Moderna Da Bahia | 2000 |
| Thinking Print: Books to Billboards, 1980-1995 | The Museum of Modern Art, New York |
1996 |
| Transgressions in the White Cube: Territorial Mappings | Bennington College Suzanne Lemberg Usdan Gallery | 1992 |
| Whitney Biennial 1995 [Klaus Kertess] | Whitney Museum of American Art | 1995 |
| Whitney Biennial 2006 [Elisabeth Sussman, John G. Hanhardt, Thelma Golden, and Lisa Phillips] | Whitney Museum of American Art | 2006 |
| Wounds: Between Democracy and Redemption in Contemporary Art | Moderna Museet, Stockholm | 1998 |
| BOOKS INCLUDING TIRAVANIJA | ||
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art Recollections:Artists' Interviews and Statements in the Nineties | Danilo Montanari & Exit & Zona Archives Editori | 1997 |
| Conceptual Art | Phaidon | 1998 |
| Echoes: Contemporary Art in the Age of Endless Conclusions | The Monacelli Press | 1996 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Interarchive | Verlag der Buchhandlung Wather Konig | 2002 |
| In the Making: Creative Options for Contemporary Art | Distributed Art Publishers, Inc. D.A.P. | 2003 |
| Land Art | Tate Publishing | 2006 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| Site-Specificity: The Ethnographic Turn | de-,dis-,ex-. Volume 4, Black Dog Publishing Limited, London | 2000 |
| The Everyday [Documents of Contemporary Art] | MIT Press and Whitechapel Gallery | 2008 |
| PERIODICALS INCLUDING TIRVANIJA | ||
| Art Journal | Spring | 2000 |
| Documents #13 [Rirkrit Tiravanija's Liability by Janet Kraynak] | Fall | 1998 |
| Trans> arts.cultures.media # 6 | Passim, Inc. | 1999 |