GER VAN ELK
1941, Netherlands
| MULTIPLES / ARTISTS BOOKS | ||
| Art & Project Bulletin # 033 | art & project | 1971 |
| Art & Project Bulletin # 065 | art & project | 1973 |
| Ger Van Elk: The Well Shaven Cactus... (5 works) [edition 300] | art & project | 1972 |
| EPHEMERA | ||
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| Ger Van Elk: Identifications [individual artist exhibition post card] | Fernsehgalerie Gerry Schum, Hannover | 1970 |
| INDIVIDUAL CATALOGUES | ||
| Ger van Elk | Stedelijk Museum, Amsterdam | 1974 |
| CATALOGUES INCLUDING VAN ELK | ||
| An International Survey of Recent Painting and Sculpture | The Museum of Modern Art, New York | 1984 |
| Artist and Camera | Art Council of Great Britian | 1980 |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Europe in the Seventies: Aspects of Recent Art | The Art Institute of Chicago | 1977 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] | Kunstverein, Hannover / TV Broadcast | 1970 |
| In & Out of Amsterdam: Travels in Conceptual Art, 1960-1976 | The Museum of Modern Art, New York | 2009 |
| La Biennale di Venezia 1976 - From Nature to Art, from Art to Nature - TheVisual Convention | Venice | 1976 |
| Made by Sculptors | Stedelijk Museum, Amsterdam | 1978 |
| Matrix, A Changing Exhibition of Contemporary Art | Wadsworth Atheneum, Hartford, CT | 1975+ |
| Op Losse Schroeven (Square Peg in Round Holes) | Stedelijk Museum | 1969 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Sonsbeek 86 | Arnhem, The Netherlands | 1986 |
| The Last Picture Show | The Walker Art Center | 2003 |
| The Real Big Picture | The Queens Museum, New York | 1986 |
| When Attitudes Become Form (Bern) | Kunsthalle Bern | 1969 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| Word Works | Mt. San Antonio College, Walnut, California |
1974 |
| BOOKS INCLUDING VAN ELK | ||
| Art Povera: Eartheworks/Impossible Art/Actual Art/ Conceptual Art | Germano Celant | 1969 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| Land Art | Tate Publishing | 2006 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| PERIODICALS INCLUDING VAN ELK | ||
| Art International [Letter from Holland (including: discussion of Square Peg in Round Holes and When Attitudes Become Form] | May 20 | 1969 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |