
CARRIE MAE WEEMS
1953, Portland, Oregon
| INDIVIDUAL CATALOGUES | ||
| Carrie Mae Weems: Ritual and Revolution | Kunstlerhaus Bethanien, Berlin | 1998 |
| OTHER PUBLICATIONS | ||
| Democracy: A Project by Group Material | Bay Press / Dia Art Foundation | 1990 |
| Inserts ["Advertising Supplement to The New York Times" sponsored by the Public Art Fund] | Group Material | 1988 |
| EPHEMERA | ||
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| Carrie Mae Weems: Coming Up for Air / and A Little Bit of This & A Little Bit of That (work from 1997 to the present) [announcement card with image] | P.P.O.W., 555 West 25th Street, New York | 2002 |
| CATALOGUES INCLUDING WEEMS | ||
| Artists of Conscience | The Alternative Museum, New York | 1991 |
| Bad Girls [curator: Marcia Tucker] | The New Museum of Contemporary Art , New York | 1994 |
| Billboard Art on the Road | MASS MoCA, North Adams, Massachusetts | 1999 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Cultural Economies:Histories from the Alternative Arts Movement, NYC | The Drawing Center, New York | 1996 |
| Paradise Now: Picturing the Genetic Revolution [curator: Jodi Hanel and Edward Leffingwell] | Exit Art,, New York and The Tang Museum, Skidmore College, Saratoga Springs, New York | 2000 |
| Prisoners of Image: Ethnic and Gender Stereotypes | The Alternative Museum, New York | 1989 |
| Reframing the Family | Artists Space, New York | 1991 |
| Re/Righting History: Counternarratives by Contemporary African-American Artists | Katonah Museum of Art, Katonah, New York | 1999 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| Whitney Biennial 1991 [Richard Armstrong, John G. Hanhardt, Richard Marshall, and Lisa Phillips] | Whitney Museum of American Art | 1991 |
| GROUP MATERIAL EXHIBITIONS | ||
| Resistance (Anti-Baudrillard) | White Columns, New York | 1987 |
| BOOKS INCLUDING WEEMS | ||
| Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| Blasted Allegories: An Anthology of Writings by Contemporary Artists | The New Museum of Contemporary Art | 1987 |
| Mixed Blessings: New Art in a Multicultural America [Lucy Lippard] | Pantheon Books | 1990 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| The Pink Glass Swan: Selected Feminist Essays on Art | The New Press, New York | 1995 |
| PERIODICALS INCLUDING WEEMS | ||
| Third Text # 24 | Third Text, Autumn | 1993 |