
LAWRENCE WEINER
1940, Bronx, New York - Lives and works in New York
| ARTISTS' BOOKS / CATALOGUES + MULTIPLES | ||
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| Altered to Suit / Passend Gemacht | krefelder Kunstmuseen, Krefeld | 1988 |
| A Parable | Die Gabe / Olaf Nicolai | 1993 |
| A Primer | Documenta 5, Kassel | 1972 |
| Afloat [pen - 500, initialed and #ed] | Massimo de Carlo, Milan | 1992 |
| Art & Project Bulletin # 010 | art & project | 1969 |
| Art & Project Bulletin # 053 | art & project | 1972 |
| Art & Project Bulletin # 054 | art & project | 1972 |
| Art & Project Bulletin # 072 | art & project | 1973 |
| Art & Project Bulletin #113 | art & project | 1979 |
| A Natural Water Course Diverted Reduced of Displaced | (public domain) | 2001 |
| AND/OR: GREEN AS WELL AS BLUE AS WELL AS RED | Jack Wendler, London | 1972 |
| Collection Public Freehold | l'ancien college des Jesuites | 2003 |
| Deep Blue Sky Light Blue Sky | onestar press | 2003 |
| Displacement | Dia Center for the Arts, New York | 1991 |
| Do It Yourself Kit [with LeWitt and Diamond] | IC Editions | 1993 |
| Factors in the Scope of Distance | Moved Pictures | 1984 |
| 5 Elements 2 Times | Galerie Dorothea van der Koelen, Mainz | 1999 |
| How To Touch What | Powerhouse Books | 2000 |
| In Relation to Probable Use | Renaissance Society | 1978 |
| Lawrence Weiner / Frank Perrin: Rencontres 7 | Almine Rech Editions, Paris | 2002 |
| Pertaining to a Structure - Text by Lawrence Weiner / Photographs by Buren | Robert Self Publications | 1977 |
| Regarding Inscriptions (of a Sort) | Moved Pictures | 1978 |
| Relative to Hanging | Edition After Hand, Ringkobing | 1975 |
| Statements | Seth Siegelaub | 1968 |
| 10 Works | Yvon Lambert, Paris | 1971 |
| The Metaphor Problem Again | ink-tree & mai 36 | 1999 |
| Tracce / Traces | Sperone editore, Torino | 1970 |
| Various Manners with Various Things | ICA New Gallery, London | 1976 |
| Works | Anatol AV, Hamburg | 1977 |
| BOOKS BY OR ABOUT WEINER | ||
| Having Been Said: Writings & Interviews of Lawrence Weiner 1968 - 2003 | Hatje Cantz | 2004 |
| Lawrence Weiner Books 1968-1989 - Catalogue Raisonne | Verlag der Buchhandlung Walther Konig | 1989 |
| FILMS / VIDEOS | ||
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| Altered to Suit | Moved Pictures Production | 1979 |
| Plowmans Lunch | Moved Pictures Production | 1982 |
| RECORDINGS | ||
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| 7 / A ( ) C | Yvon Lambert | 1972 |
| Nothing to Lose | Van Abbemuseum, Eindhoven | 1976 |
| POSTERS AND EPHEMERA | ||
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| Altered to Suit: A Film by Lawrence Weiner [announcement post card] | Castelli/Sonnabend Tapes and Films | 1979 |
| Lawrence Weiner: Identifications [individual artist exhibition post card] | Fernsehgalerie Gerry Schum, Hannover | 1970 |
| Lawrence Weiner - 6 post cards | I. igrec graphics | 1994 |
| Learn to Read Art / Printed Matter Books by Artists [pin - first edition] | Printed Matter | 1984 |
| (often found) within the context of effectiveness: from major to minor / from small to large [street poster] | Claire L. Copley, Los Angeles | 1974 |
| Plowmans Lunch [poster] | De Appel, Amsterdam | 1982 |
| Post Card to Rudi Fuchs updating him on a work included in an exhibition at Claire Copley Gallery in January1977: cat.# 439 BACK TO BACK... | Lawrence Weiner | 1977 |
| Still from Plowmans Lunch, 1982 [post card] | Van Abbemuseum, Eindhoven | 1982 |
| The Artist May Construct... (stencil in French and English - A Box of Wood...) | Centre National d'Art Contemporain de Grenoble | 1987 |
| Water under the Bridge [announcement card] | Leo Castelli Gallery | 1986 |
| With Relation To The Various Manners of Use:... [announcement card with text on both sides - see catalogue below] | Van Abbemuseum, Eindhoven | 1976 |
| OTHER PUBLICATIONS | ||
| Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann] | Kunstkreis AG Luzern | 1972 |
| Projects Class (12 artists / 12 cards - submitted to class) | Nova Scotia College of Art and Design | 1969 |
| INTERVIEWS WITH WEINER | ||
| A conversation with Lawrence Weiner by Robert C. Morgan | Real Life Magazine: Selected Writings and Project s 1979-1994 | 2006 |
| INDIVIDUAL CATALOGUE | ||
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| Lawrence Weiner: A Selection of Works with Commentary by R.H. Fuchs | Van Abbemuseum, Eindhoven | 1976 |
| Lawrence Weiner: As Far As The Eye Can See 1960-2007 | MoCA, Los Angeles / Whitney Museum of American Art, New York | 2007 |
| SELECTED CATALOGUES INCLUDING WEINER | ||
| Actualite d'un Bilan | Yvon Lambert, Paris | 1972 |
| A Forest of Signs: Art in the Crisis of Representation [not in exhibition but mentioned in catalogue essay by Anne Rorimer: Photography - Language - Context: Prellude to the 1980s] | The Museum of Contemporary Art, Los Angeles | 1989 |
| A Minimal Future? Art as Object 1958-1968 | The Museum of Contemporary Art, L.A. | 2004 |
| Arte de Sistemas | Museo De Arte Moderno / CAYC - Centro de Arte y Communicacion, Buenos Aires | 1971 |
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| A Sound Selection:Audio Works by Artists [with artist statements] | Artists Space, New York | 1980 |
| A View of a Decade 1967-1977 | Museum of Contemporary Art, Chicago | 1977 |
| Behind the Facts: Interfunktionen 1968-1975 | Fundacio Jan Miro, Barcelona | 2004 |
| Beyond Geometry: Experiments in Form, 1940s-1970s | Los Angeles County Museum of Art | 2004 |
| Beyond Preconceptions: The Sixties Experiment | Independent Curators International, NY | 2000 |
| City Projects - Prague | The British Council Prague | 1996 |
| Color Chart: Reinventing Color, 1950 to Today | Museum of Modern Art, New York | 2008 |
| Concept </> Decoratif: Anti-Formalist Art of the 70s | Nahan Contemporary, New York | 1990 |
| Conceptual Art Conceptual Aspects | The New York Cultural Center | 1970 |
| Contemporary Sculpture. Projects in Munster 1997 | Munster, Germany | 1997 |
| Content: A Contemporary Focus 1974-1984 | Hirshhorn Museum and Sculpture Garden | 1984 |
| Deconstruct / Reconstruct | John Gibson Gallery, New York | 1986 |
| Deurle 11/7/73 (ed. 250) | La Cambre, Brussels | 1973 |
| Dia: Beacon [Collection Catalogue] | Dia Art Foundation | 2003 |
| Dia Chelsea [periodic exhibition brochures in binder] - '91 - '92 | Dia Chelsea, New York | 1981- |
| Documenta 5 | Kassel, Germany | 1972 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 7 | Kassel, Germany | 1982 |
| Do It | Independent Curators, Inc., New York | 1997 |
| Duration Piece #8 Global | Douglas Huebler | 1973 |
| Early Work [Curators: Lynn Gumpert, Ned Rifkin, and Marcia Tucker] | The New Museum of Contemporary Art , New York | 1982 |
| 18'6" x 6'9" x 11'21/2" x 47' x 11 3/16" x 29'8 1/2" x 31' 9 3/16 [poster] | San Francisco Art Institute | 1969 |
| 18 Paris IV.70 | Seth Siegelaub | 1970 |
| 557,087 | Seattle | 1969 |
| Focus 2: Minimal Art, Concept Art, Land Art and Arte Povera [brochure] | Museum Moderner Kunst Stiftung Ludwig | 2004 |
| From the Collection of Sol LeWitt | Independent Curators | 1985 |
| Gerry Schum | Stedelijk Museum, Amsterdam | 1980 |
| Global Conceptualism: Points of Origin, 1950s-1980s | Queens Museum of Art | 1999 |
| Guggenheim International Exhibition 1971 | Guggenheim Museum | 1971 |
| Identifications [Fernsehausstellung II / TV Exhibition II- Artscapes] | Kunstverein, Hannover / TV Broadcast | 1970 |
| In another moment / at the moment | Gallery SKG, Belgrade | 1971 |
| Information | MoMA, NY | 1970 |
| Inquires: Language in Art | Art Museum of Ontatio | 1990 |
| Istanbul Biennial # 4 | Istanbul | 1995 |
| January 5 - 31, 1969 | Seth Siegelaub | 1969 |
| July - August - September 1969 | Seth Siegelaub | 1969 |
| July / August Exhibition Book | Studio International | 1970 |
| Knowledge: Aspects of Conceptual Art | University Art Museum, Santa Barbara | 2002 |
| Konzeption - Conception: Documentation of today's art tendencies | Westdeutscher Verlag | 1969 |
| "Konzept" - Kunst | Kunstmuseum, Basel | 1972 |
| Laboratorium | Antwerpen Open | 1999 |
| Leaving Tracks: Artrenspennine 98 | Various locations, England | 1998 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| Marcel Broodthaers: Correspondances | Galerie Hauser & Wirth, Zurich and David Zwirner, New York | 1995 |
| Messages: Words and Images | Freedman Gallery, Albright College | 1981 |
| 955,000 | Vancouver Art Gallery | 1970 |
| One Month: March, 1969 | Seth Siegelaub | 1969 |
| Op Losse Schroeven (Square peg in round holesÉ) | Stedelijk Museum | 1969 |
| Perverted by Language | Hillword Art Gallery, New York | 1987 |
| Prospect 69 | Kunsthalle Dusseldorf | 1969 |
| Publication | David Lamelas | 1970 |
| Ready to Shoot: Fernsehgalerie Gerry Schum / videogalerie schum | Kunsthalle Dusseldorf | 2003 |
| Reconsidering the Object of Art: 1965-1975 | The Museum of Contemporary Art, Los Angeles | 1995 |
| Reel Work: Artists' Film and Video of the 1970s | Museum of Contemporary Art, Miami | 1996 |
| Rhetorical Image | The New Museum of Contemporary Art, New York | 1990 |
| Robert Barry, Victor Burgin, Hamish Fulton, Gilbert & George, Hans Haacke, John Hilliard, Kosuth/Charlesworth, David Tremlett, Lawrence Weiner | Fruit Market Gallery, Edinburgh | 1976 |
| Rooms P.S.1 | P.S.1 | 1977 |
| Singular Forms (Sometimes Repeated): Art from 1951 to the Present | Solomon R. Guggenheim Museum | 2004 |
| '60 - '80: Attitudes / Concepts / Images | Stedelijk Museum, Amsterdam | 1982 |
| Sniper's Nest: Art That Has Lived with Lucy R. Lippard | Center for Curitorial Studies, Bard College | 1996 |
| Software: Information Technology: Its New Meaning for Art | The Jewish Museum | 1970 |
| Sonsbeek 71 | Park Sonsbeek, Arnhem | 1971 |
| Sonsbeek 93 | Arnhem, The Netherlands | 1993 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Art of Eastern Europe in Dialogue with the West | Moderna galerija Ljubljana | 2000 |
| The Big Show / Healing | NICC, Antwerp | 2001 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| The Snow Show [book documenting the exhibition in Finland, 2004] | Thames & Hudson | 2005 |
| The Xerox Book | Seth Siegelaub / John Wendler | 1968 |
| When Attitudes Become Form (Bern and London) | ICA, London | 1969 |
| Whitney Biennial 1995 [Klaus Kertess] | Whitney Museum of American Art | 1995 |
| Wide White Space 1966-1976 Behind the Museum | Palis des Beaux-Arts de Bruxelles | 1995 |
| Word as Image: American Art 1960-1990 | Milwaukee Art Museum | 1990 |
| SELECTED BOOKS INCLUDING WEINER | ||
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art Recollections:Artists' Interviews and Statements in the Nineties | Danilo Montanari & Exit & Zona Archives Editori | 1997 |
| Artists Talk: 1969-1977 | NSCAD, Nova Scotia | 2004 |
| Art Povera: Eartheworks/Impossible Art/Actual Art/ Conceptual Art | Germano Celant | 1969 |
| Challenging Art: Artforum 1962-1974 | Soho Press | 2000 |
| Changing: Essays in Art Criticism [Lucy Lippard] | E. P. Dutton & Co. | 1971 |
| Conceptual Art | Dutton | 1972 |
| Conceptual Art | Phaidon | 1998 |
| Conceptual Art: A Critical Anthology | MIT Press | 1999 |
| Conceptual Art and the Politics of Publicity | MIT Press | 2003 |
| Conceptuallism in Latin American Art: Didactics of Liberation | University of Texas Press | 2007 |
| Fantastic Architecture | Something Else Press | 1969 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| From Margin to Center: The Spaces of Installation Art | MIT Press | 1999 |
| Great Western Salt Works: essays on the meaning of Post-Formalist art | George Braziller | 1974 |
| Hans Ulrich-Obrist Interviews | Charta | 2003 |
| Idea Art: A Critical Anthology | Dutton | 1973 |
| Jack Goldstein and the CalArts Mafia | Minneola Press | 2003 |
| New Art in the 60s and 70s: Redefining Reality | Thames and Hudson | 2001 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| On the Museum's Ruins | MIT Press | 1993 |
| Out of the Box: The Reinvention of Art, 1965-1975 | School of Visual Arts | 2000 |
| Overlay: Contemporary Art and the Art of Prehistory | Pantheon | 1983 |
| Real Life Magazine: Selected Writings and Project s 1979-1994 | Primary Information, New York | 2006 |
| Recording Conceptual Art | Norvell, Patricia | 2001 |
| Six Years: The dematerialization of the art object.... | Praeger | 1973 |
| Surface Tension: Prolematics of Site | Errant Bodies Press | 2003 |
| The Context of Art / The Art of Context | Navado Press, Trieste | 2004 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Words To Be Looked At: Language in 1960s Art | MIT Press | 2007 |
| SELECTED PERIODICALS INCLUDING WEINER | ||
| Artforum [Real Time Systems] | September | 1969 |
| Art in America [Included in article: Impossible Art] | May-June | 1969 |
| Art in America [Between Signs] | October | 1979 |
| Art in America [The Peripatetic Artist: 14 Statements] | July | 1989 |
| Art International [Letter from Holland (including: discussion of Square Peg in Round Holes and When Attitudes Become Form] | May 20 | 1969 |
| Art Journal [Notes from Art] | Summer | 1982 |
| Art Journal [From Gaget Video to Agit Video: Some Notes on Four Recent Video Works [Benjamin Buchloh] [and in Chronology] | Fall | 1985 |
| Art-Language: The Journal of Conceptual Art Vol.1 #1 | Art-Language | 1969 |
| Avalanche #04 | Avalanche | 1972 |
| Interfunktionen #11 | Interfunktionen | 1974 |
| kunst & museumjournall, volume 7, number 1,2,3 [the last issue] | Foundation Internationaal Kunst - en Museumtijdschrift, The Netherlands | 1996 |
| Parkett # 22 | Parkett | 1989 |
| Parkett #42 | Parkett | 1994 |
| Studio International [Groups by Lucy Lippard] | March | 1970 |
| Studio International Vol. 195 No. 990 - Special Issue: Art Galleries & Alternative Spaces | Studio International | 1980 |
| TriQuarterly #32 | Charles Newman | 1975 |
| Whitte de With - Cahier #1 [cover by Weiner] | Witte de With center for contemporary art, Rotterdam | 1993 |
| 0 to 9 Number 6 | Acconci and Mayer, reprint 2006, July | 1969 |
| EXHIBITION REVIEWS | ||
| Lawrence Weiner at Castelli | Art in America, March-April | 1975 |
| Lawrence Weiner at Samangallery, Genoa | Artforum, February | 1980 |
| Lawrence Weiner at Dia Center for the Arts | Flash Art, October | 1991 |