WHEN ATTITUDES BECOME FORM - Bern and London, 1969

Curator: Harald Szeemann

Review in Art International - May, 1969

Andre, Carl
Anselmo, Giovani
Artschwager, Richard
Bang, Thomas
Bark, Jared
Barry, Robert
Beuys, Joseph
Bochner, Mel
Boetti, Alighiero
Boezem, Marinus
Bollinger, Bill
Burgin, Victor
Buthe, Michael
Calzolari, Pier Paolo
Cotton, Paul
Darboven, Hanne
de Maria, Walter
Dibbets, Jan
Ferrer, Rafael
Flanagan, Barry
Haacke, Hans
Heizer, Michael
Hesse, Eva
Huebler, Douglas
Icaro, Paolo
Jacquet, Alain
Jenney, Neil
Kaltenbach, Stephen
Kaplan, Jo Ann
Kienholz, Edward
Klein, Yves
Kosuth, Joseph
Kounellis, Jannis
Kuehn, Garry B.
LeWitt, Sol
Lohaus, Roelof
Long, Richard (only in Bern catalogue)
McLean, Bruce
Medalla, David
Merz, Mario
Morris, Robert
Nauman, Bruce
Oldenburg, Claes
Oppenheim, Dennis
Panamarenko
Pascali, Pino
Pechter, Paul
Pistoletto, Michelango
Prini, Emilio
Raetz, Markus
Ruppersberg, Alan
Ruthenbeck, Reiner
Ryman, Robert
Sandback, Fred
Saret, Alan
Sarkis
Schnyder, Jean-Frederic
Serra, Richard
Smithson, Robert
Sonnier, Keith
Tuttle, Richard
van Elk, Ger
Viner, Frank
Walther, Franz Erhard
Wegman, William
Weiner, Lawrence
Wiley, William T.
Zorio, Gilberto
 
Subject (along with 4 other exhibitions taking palce in 1969) of The Context of Art / The Art of Context
 
DISCUSSED IN:
Curating Subjects, Occasional Table, 2007
Dokumente zur Aktuellen Kunst 1967 -1970 [materials from the archives of Harald Szeemann]  
Great Western Salt Works: essays on the meaning of Post-formalist art
Tema Celeste #91, 2002
Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings. 1996
Thinking About Exhibitions, 1996 
 
INSTALLATION VIEWS IN: 
Reconsidering the Object of Art: 1965-1975