| INDIVIDUAL CATALOGUES |
|
|
| |
|
|
| Hannah Wilke: A Retrospective |
Nikolaj, Copenhagen Contemporary
Art Center |
1998 |
| |
|
|
| RECORDINGS |
|
|
| |
|
|
| Stand Up [Revolutions
per Minute] |
Ronald Feldman Fine Arts |
1982 |
| |
|
|
| CATALOGUES INCLUDING WILKE |
|
|
| |
|
|
| Art
and Ideology |
The
New Museum of Contemporary Art, New York |
1984 |
| Artists
of Conscience |
The
Alternative Museum, New York |
1991 |
| Double
Life: Identity and Transformation in Contemporary Arts |
Generali Foundation, Vienna |
2001 |
| Liberty and Justice [curated by Group Material and the Alternative
Museum] |
The
Alternative Museum, New York |
1986 |
| Making
Their Mark: Women Artists Move Into The Mainstream 1970-85 |
Cincinatti Museum of Art |
1993 |
| Not For
Sale: Feminism and Art in the USA during the 1970s |
Apex Art, New York |
1998 |
| Out of
Actions: Between Performance and the Object 1949-1979 |
L.A. Museum of Contemporary Art |
1998 |
| Outside the Frame:
Performance and the Object |
Cleveland Center for Contemporary Art |
1994 |
| Pulse: Art, Healing, and
Transformation |
The Institute of Contemporary Art, Boston |
2003 |
| Reel Work:
Artists' Film and Video of the 1970s |
Museum of Contemporary Art, Miami |
1996 |
| Schemes: A Decade of Installation
Drawings |
Elise Meyer Inc |
1981 |
| Sniper's Nest: Art
That Has Lived with Lucy R. Lippard |
Center for Curitorial Studies, Bard College |
1996 |
| The End: An Independent Vision of Contemporary
Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo
Colo] |
Exit Art, New
York |
2000 |
| The
Last Picture Show |
The Walker Art Center |
2003 |
| WACK! Art and the Feminist
Revolution |
The Museum of Contemporary Art, Los Angeles |
2007 |
| |
|
|
| BOOKS INCLUDING WILKE |
|
|
| |
|
|
| Conceptual
Art |
Phaidon |
1998 |
| From
the Center: feminist essays on women's art |
Dutton |
1976 |
| Overlay: Contemporary
Art and the Art of Prehistory |
Pantheon |
1983 |
| Performance
Artists Talking in the Eighties |
University of California Press, Berkely |
2000 |
| Performance: Live
Art Since 1960 |
Harry N. Abrams |
1998 |
| SoHo: The Rise and Fall
of an Artists' Colony |
Routledge |
2003 |
| The
Amazing Decade: Women and Performance Art in America 1970-1980 |
Astro Artz |
1983 |
| The
Contingent Object of Contemporary Art |
MIT Press |
2003 |
| The Pink Glass Swan:
Selected Feminist Essays on Art |
The New Press, New York |
1995 |
| |
|
|
| PERIODICALS INCLUDING BENGLIS |
|
|
| |
|
|
| Art-Rite #
5 |
Art-Rite Publishing |
1974 |
| Heresies
#5 The Great Goddess |
Heresies |
1978 |
| Heresies
#23 Coming of Age |
Heresies |
1988 |
| Heresies
#24 Twelve Years |
Heresies |
1989 |
| Heresies
#25 The Art of Education |
Heresies |
1990 |
| |
|
|
| EXHIBITION REVIEWS |
|
|
| |
|
|
| Hannah Wilke at Ronald Feldman |
Art in
America, May-June |
1974 |
| Hannah Wilke at Feldman |
Arts Magazine,
May |
1978 |
| |
|
|
| IMAGES / INSTALLATIONS IN |
|
|
| |
|
|
| SoHo: The Essential
Guide to Art and Life in Lower Manhattan |
Simon and Schuster |
1979 |