FRED WILSON
1954, The Bronx, New York
| VIDEOS / CD-ROM | ||
| Fred Wilson: U.S. Pavilion 50th Venice Biennale | CD-Rom | 2003 |
| ARTICLES AND ESSAYS BY OR ABOUT WILSON | ||
| Constructing the Spectacle of Culture in Museums in Thinking About Exhibitions [with Ivan Karp] | Routledge | 1996 |
| Sins of Omission [about "Mining the Museum", article by Judith E. Stein] | Art in America, October | 1993 |
| INDIVIDUAL CATALOGUES | ||
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| Fred Wilson: Black Like Me [The 2002 Larry Aldrich Award Exhibition] | The Aldrich Contemporary Art Museum | 2005 |
| Fred Wilson: So Much Trouble in the World - Believe It or Not | Hood Museum of Art, Dartmouth College | 2006 |
| Mining the Museum: An Installation by Fred Wilson | Museum for Contemporary Arts and the Maryland Historical Society, Baltimore, Maryland | 1992 |
| Speak of Me as I Am | 50th Venice Biennale - U.S. Pavilion | 2003 |
| The Museum: Mixed Metaphors | Seattle Art Museum | 1993 |
| CATALOGUES INCLUDING WILSON | ||
| Cocido y Crudo | Museo Nacional Centro de Arte Reina Sofia | 1995 |
| Cultural Economies:Histories from the Alternative Arts Movement, NYC | The Drawing Center, New York | 1996 |
| New Histories [curator: Milena Kalinovska] | The Institute of Contemporary Art, Boston | 1996 |
| Points of Entry - The Three Rivers Arts Festival | The Three Rivers Arts Festival, Pittsburgh | 1997 |
| Putt-Modernism: 18 Hole Miniature Golf Course & Exhibition | Artists Space, New York | 1992 |
| Souvenir of Site Seeing: Travel and Tourism in Contemporary Art | Whitney Museum of Americna Art Downtown | 1991 |
| The Big Nothing or Le Presque Rien | The New Museum of Contemporary Art, New York | 1992 |
| The Museum as Muse: Artists Reflect | The Museum of Modern Art, New York | 1999 |
| To the Rescue: Eight Artists in an Archive [Marvin Heiferman and Carole Kismaric] | International Center of Photography Midtown, New York | 1999 |
| Transgressions in the White Cube: Territorial Mappings | Bennington College Suzanne Lemberg Usdan Gallery | 1992 |
| Unpacking Europe [Curators: Salah Hassan and Iftikhar Dadi] | Museum Boijmans Van Beuningen Rotterdam | 2001 |
| Whitney Biennial 1993 [Elisabeth Sussman with Thelma Golden, John G. Hanhardt and Lisa Philips]] | Whitney Museum of American Art | 1993 |
| MENTIONED IN CATALOGUE ESSAY (NOT IN EXHIBITION) | ||
| Whitney Biennial 1993 - essay by Coco Fusco: Passionate Irreverence: The Cultural Politics of Identity [includes: Edgar Heap of Birds, Adrian Piper, and Fred Wilson] | Whitney Museum of American Art | 1993 |
| EAST VILLAGE + EXHIBITIONS | ||
| Dream Machinations in America | Minor Injury Gallery, Brooklyn, New York | 1990 |
| BOOKS INCLUDING WILSON | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Appropiation [Documents of Contemporary Art] | MIT Press / Tate Gallery | 2009 |
| Art and Artifact: The Museum as Medium | Thames & Hudson | 2001 |
| Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| Conceptual Art | Phaidon | 1998 |
| Creative Time: The Book 33 Years of Public Art in NYC | Princeton Architectural Press | 2007 |
| English is Broken Here: Notes on Cultural Fusion in the Americas [Fusco, Coco] | The New Press, New York | 1995 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| Mapping the Terrain: New Genre Public Art | Bay Press | 1995 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| On the Beaten Tack: tourism, art, and culture | The New Press, New York | 1999 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Thinking About Exhibitions | Routledge | 1996 |
| PERIODICALS INCLUDING WILSON | ||
| Art in America [Mining the Museum review] | October | 1993 |
| Tema Celeste #91 | Gabrius, Milan | 2002 |
| EXHIBITION REVIEWS | ||
| Fred Wilson at Gracie Mansion | Art in America, July | 1991 |