
KRZYSZTOF WODICZKO
1943, Warsaw, Poland
| INDIVIDUAL CATALOGUES | ||
| Krzysztof Wodiczko | De Appel, Amsterdam | 1995 |
| Krzysztof Wodiczko: New York City Tableaux: Tompkins Square | Exit Art | 1990 |
| BOOKS BY OR ABOUT WODICZKO | ||
| Krzysztof Wodiczko: Critical Vehicles: Writings, Projects, Interviews | The MIT Press | 1999 |
| ESSAYS AND ARTICLES BY WODICZKO | ||
| Beyond the Hybrid State? [with Warren Niesluchowski] | The Hybrid State [catalogue - Exit Art] | 1992 |
| Subject: Homeless Vehicle Project | New Observations #61 | 1988 |
| The Homeless Vehicle Project [with David Lurie] | Reimagining America: The Arts of Social Change | 1990 |
| INTERVIEWS WITH WODICZKO | ||
| C. Ondine Chavoya interviews Krzysztof Wodiczko | The Interventionists: Users Manual for the Creative Distruption of Everyday Life | 2004 |
| on Alien Staff | Dialogues in Public Art, MIT Press | 2000 |
| CATALOGUES INCLUDING WODICZKO | ||
| ARS 95: Private/Public [Curator: Maria Hirvi] | Museum of Contemporary Art, Finnish National Museum, Helsinki | 1995 |
| Artists of Conscience | The Alternative Museum, NY | 1991 |
| Aurora Borealis [Canadian installation art] | Centre international d'art contemporain de Montreal | 1985 |
| Blurring the Boundries: Installation Art 1969-1996 | Museum of Contemporary Art, San Diego | 1996 |
| Documenta 6 [curator: Manfred Schneckenburger] | Kassel, Germany | 1977 |
| Documenta 8 [curator: Manfred Schneckenburger] | Kassel | 1987 |
| Global Priority | Herter Art Gallery, University of Massachusetts, Amherst | 2003 |
| Green Acres: Neo-Colonialism in the U.S. | Washington University Gallery of Art, St. Louis | 1992 |
| Image World: Art and Media Culture | Whitney Museum for American Art | 1989 |
| In and Out of Place: Contemporary Art and the American Social Landscape | Museum of Fine Arts, Boston | 1993 |
| Less: Alternative Living Strategies | Il PAC - Padiglione d'Arte Contemporanea di Milano | 2006 |
| Liberty and Justice [curated by Group Material and the Alternative Museum] | Alternative Museum, New York | 1986 |
| Magiciens de la Terre | Musee National d'Art Moderne Centre Georges Pompidou | 1989 |
| 9th Biennale de Paris | Musee d'art Moderne de la Ville de Paris | 1975 |
| Nowhere / Now Here | Louisiana Museum of Modern Art, Humlebeak, Denmark | 1996 |
| Plug-In: Utility and Mobility | Westfalischen Landesmuseums fur Kunst + | 2001 |
| Power: Its Myths and Mores in American Art 1961-1991 | Indianapolis Museum of Art | 1991 |
| Rhetorical Image | The New Museum of Contemporary Art, New York | 1990 |
| San Diego Museum of Contemporary Art: A Selections from the Permanent Collection | San Diego Museum of Contemporary Art | 1990 |
| Slide Show: Projected Images in Contemporary Art | The Baltimore Museum of Art | 2005 |
| Strangers: The First ICP Triennial of Photography and Video | International Center of Photography, New York | 2003 |
| Temporarily Possessed: The Semi-Permanent Collection | The New Museum of Contemporary Art, New York | 1995 |
| The Art of Eastern Europe in Dialogue with the West | Moderna galerija Ljubljana | 2000 |
| The Decade Show: Frameworks of Identity in the 80s | The New Museum of Contemporary Art / The Studio Museum of Harlem / the Museum of Contemporary Hispanic Art,, New York | 1990 |
| The End: An Independent Vision of Contemporary Culture, 1982-2000 [curatore: Jeanette Ingberman and Papo Colo] | Exit Art, New York | 2000 |
| The Hybrid State | Exit Art, New York | 1992 |
| The Interventionists: Users Manual for the Creative Distruption of Everyday Life | MASS MoCA, North Adams, Massachusetts / MIT | 2004 |
| The Photography of Invention: American Pictures on the 1980s | National Museum of American Art, Smithsonian Institution | 1989 |
| The Political Arm | John Weber Gallery / Washington University Gallery of Art | 1991 |
| Wall Works | John Weber Gallery | 1986 |
| Whitney Biennial 2000 [Michael Auping, Valerie Cassel, Hugh M. Davies, Jane Farver, Andrea Miller-Keller, and Lawrence R. Rinder] | Whitney Museum of American Art | 2000 |
| EAST VILLAGE EXHIBITIONS [INVITATIONS ONLY] | ||
| Micro Wave | Now Gallery, 430 East 9th Street | 1985 |
| 100 Years: A Tradition of Social and Political Art on the LOWER EAST SIDE | P.P.O.W. | 1988 |
| GROUP MATERIAL EXHIBITIONS | ||
| Resistance (Anti-Baudrillard) | White Columns, New York | 1987 |
| BOOKS INCLUDING WODICZKO | ||
| Alternative Art New York 1965-1985 | The Drawing Center / University of Minnesota Press | 2002 |
| Art After Modernism: Rethinking Representation | The New Museum of Contemporary Art | 1984 |
| Art Matters: How the Culture Wars Changed America | New York University Press | 1999 |
| But is it Art? The Spirit of Art as Activism | Bay Press | 1995 |
| Dialogues in Public Art | MIT Press | 2000 |
| Discourses: Conversations in Postmodern Art and Culture | The New Museum of Contemporary Art and MIT Press | 1990 |
| Discussions in Contemporary Cultural #1 | Dia Art Foundation / Bay Press | 1987 |
| East Art Map (edited by IRWIN) | Afterall Books | 2006 |
| 5000 Artists Return to Artists Space: 25 Years | Artists Space / D.A.P. Press | 1998 |
| One Place After Another: Site-Specific Art and Locational Identity | MIT Press | 2004 |
| Over Here: International Perspectives on Art and Culture | The New Museum of Contemporary Art and MIT Press | 2004 |
| Reimagining America: The Arts of Social Change | Dia Art Foundation: Discussions in Contemporary Art Number 5 | 1990 |
| The Contingent Object of Contemporary Art | MIT Press | 2003 |
| The Lure of the Local: senses of place in a multicentered society | The New Press, New York | 1997 |
| Theories and Documents of Contemporary Art: A Sourcebook of Artists' Writings | University of California Press | 1996 |
| Veiled Histories: The Body, Place and Public Art | San Francisco Art Institute Critical Press | 1997 |
| OTHER PUBLICATIONS | ||
| If You Lived Here: The City in Art, Theory, and Social Activism - A Project by Martha Rosler | Bay Press / Dia Art Foundation | 1991 |
| Your House Is Mine | Bullet Space, New York | 1993 |
| PERIODICALS INCLUDING WODICZKO | ||
| Art Journal [To Light Up Philadelphia: Lighting, Public Art, and Public Space] | Winter | 1989 |
| New Observations #61 | New Observations Ltd., New York | 1988 |
| New Observations #62 [The Border Projection: San Diego / Tijuana - a work by Wodiczko] | New Observations Ltd. | 1988 |
| October 47 | The MIT Press | 1988 |
| Sculpture, Vol.21, #8 [Inscription and Testimony: Public Art and Shared Experiences] | October | 2002 |
| Vision Number 2 (Eastern Europe) | Crown Point Press | 1976 |